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“Cutting down a wall, the wall sawyer could feel the tension in a home ease and something windy rush in circles round her feet. It was addictive, each a sweet victory of art. The tumbling motion of a falling wall was like a volcanic eruption fading into a mountain of roses. The wall sawyer felt a loving animosity toward walls. “You must pay attention to your obsessions, where life and love intersect,” she told the little queen.”

“The most perfect solitude must entail the absence of all beings, but it must also tremble with the light of life. For example, a perfect solitude may find itself haunted by lives born of the imagination, characters lying on shelves in rows of books, or accompanied by figures waiting in dreams. The perfect solitude pushes one to sense the pulse of solitude itself; for example, a perfect solitude may be marked with the beat of one’s heart.”

“I wonder if there has been a book written on toes—the bottom parts of a body are just as important as the top parts. Each chapter would focus on one of the ten toes and each would inspire singular, existential commentary: the potential of our toes as leaders, the solidity of our little instruments, the dangers of relating size and value. It would be called The Toe Manifesto and people would be interested in reading it because, after all, it is the toe that goes forward first and foremost, and the toe that helps to tell us if our bodies are hot or cold—in other words, the toe experiences far more than we give it credit for.”