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The Man Who Mistook His Wife for a Hat and Other Clinical Tales

Book by Oliver Sacks · 4 quotes · Psychology, Self, Agnosia

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The Man Who Mistook His Wife for a Hat and Other Clinical Tales Quotes

“Can you not see artistic development— how he renounced the realism of his earlier years, and advanced into abstract, nonrepresentational art?’ He had indeed moved from realism to nonrepresentation to the abstract, yet this was not the artist, but the pathology, advancing—advancing towards a profound visual agnosia, in which all powers of representation and imagery, all sense of the concrete, all sense of reality, were being destroyed. This wall of paintings was a tragic pathological exhibit, which belonged to neurology, not art. And yet, I wondered, was she not partly right? For there is often a struggle, and sometimes, even more interestingly, a collusion between the powers of pathology and creation.”

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“He recognized a portrait of Einstein because he picked up the characteristic hair and moustache; and the same thing happened with one or two other people. ‘Ach, Paul!’ he said, when shown a portrait of his brother. ‘That square jaw, those big teeth— I would know Paul anywhere!’ But was it Paul he recognized, or one or two of his features, on the basis of which he could make a reasonable guess as to the subject’s identity?”

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“This dynamic, this ‘striving to preserve identity’, however strange the means or effects of such striving, was recognized in psychiatry long ago—and, like so much else, is especially associated with the work of Freud. Thus, the delusions of paranoia were seen by him not as primary but as attempts (however misguided) at restitution, at reconstructing a world reduced by complete chaos.”

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Book:The Man Who Mistook His Wife for a Hat and Other Clinical Tales
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