“...[E]ven in cases where art institutions are not being actively menaced by the state there has nevertheless been a collapse of more classically political institutions, like churches and unions. The result is that--as Hito Steyerl discusses in "is the Museum a Factory?"--thins that usually were shown or done in union halls and church basements are now housed inside art institutions. This explains the anxiety lurking behind a question like "How can an institution address the dichotomy between art as cultural entertainment and art as political inquiry?" This anxiety is the anxiety of a host confronted with refugees who might not be able to return home anytime soon. Like police departments, or public school teachers, art institutions now seem expected to do the work of three or four different kinds of civil society organizations. Can we provide moral education, collective solace, and class-based advocacy in addition to our other mission of producing, collecting, and displaying works of art? Are we even doing these other things? Or just noticing a need that is going unmet but that exceeds our capacity to meet it? {written by Stephen Squibb]” Civil SocietyArt Institutions Book:As radical, as mother, as salad, as shelter: What should art institutions do now? Source: As radical, as mother, as salad, as shelter: What should art institutions do now?