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“What these books and their like have done for me is tap into some roaming tendency of the mind; I know that I could never have done what these writers have done, been where they have been, pursued the interests they have pursued, but I want to know what it is like. We go to fiction to extend experience, to get beyond our own, For me, this kind of non-fiction writer is furnishing the same need--taking me out of my own comfortable expectations and showing me how it might be elsewhere. Armchair travel? Not quite. I have never believed that travel broadens the mind, having known some well-travelled minds that were nicely atrophied. Rather, these are books--experiences--that encourage a leap of the imagination.”

“Books are the mind's ballast, for so many of us--the cargo that makes us what we are, a freight that is ephemeral and indelible, half-forgotten but leaving an imprint. They are nutrition, too. My old age fear is not being able to read--the worst deprivation. Or no longer having my books around me: the familiar, eclectic, explanatory assemblage that hitches me to the wide world, that has freed me from the prison of myself, that has helped me to think, and to write.”

“It sometimes seemed to Molly that the library was a place of silent discord and anarchy, its superficial tranquillity concealing a babel of assertion and dispute. Fiction is one strident lie - or rather, many competing lies; history is a long narrative of argument and reassessment; travel shouts of self-promotion; biography is pushing a product. As for autobiography... And all this is just fine. That is the function of books: they offer a point of view, they offer many confliction points of view, they provoke thoughts, they provoke irritation and admiration and speculation. They take you out of yourself and put you down somewhere else from whence you never entirely return. If the library were to speak, Molly felt, if it were to speak with a thousand tongues, there would be a deep collective growl coming from the core collection up on the high shelves, where the voices of the nineteenth century would be setting new precedents, the bleats and cries of new opinion, new fashion, new style, The surface repose of a library is a cynical deception.”

“Early reading is serendipitous, and rightly so. Gloriously so. Libraries favor serendipity, invite it; the roaming along a shelf, eyeing an unfamiliar name, taking this down, then that--oh, who's this? Never heard of her--give her a go? That is where, and how, you learn affinity and rejection. You find out what you like by exploring what you do not.”