“As a Caribbean-born, I understand the self as a multi-geometric entropic process always connected with the communal self. I do not seek history as a way to find points of origin, but to articulate historical locations in a traveling interconnected knowledge system that provides solutions for my subjective migrant experience. In a deeper process, the encounter with these places of intersection, the crossroads, could become turning points to return, to depart, to convey, and to arrive to the present. African Aesthetics still nurtures contemporary artistic practices in the Caribbean, as well as in the African Americana Diaspora and the US Latino Diaspora. Writing the Decolonial Mariposa Ancestral Memory CARIBBEAN INTRANSIT ART JOURNAL Vol. 1, Issue 4, Spring 2013.” SpiritualityPerformanceCaribbeanDecolonialityLgtbqi Author:Raul Moarquech Ferrera-Balanquet