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“Back home, Huxley drew from this experience to compose a series of audacious attacks against the Romantic love of wilderness. The worship of nature, he wrote, is "a modern, artificial, and somewhat precarious invention of refined minds." Byron and Wordsworth could only rhapsodize about their love of nature because the English countryside had already been "enslaved to man." In the tropics, he observed, where forests dripped with venom and vines, Romantic poets were notably absent. Tropical peoples knew something Englishmen didn't. "Nature," Huxley wrote, "is always alien and inhuman, and occasionally diabolic." And he meant always: Even in the gentle woods of Westermain, the Romantics were naive in assuming that the environment was humane, that it would not callously snuff out their lives with a bolt of lightning or a sudden cold snap. After three days amid the Tuckamore, I was inclined to agree.”

“It is pleasant to be free," wrote Aldous Huxley, who, like Eberhart, for years owned little more than an automobile and a few books. "Bus occasionally, I must confession, I regret the chains with which I have not loaded myself. In these moods I desire a house full of stuff, a plot of land with things growing on it; I feel that I should like to know one small place and its people intimately, that I should like to have known then for years, all my life. But one cannot be two incompatible things at the same time. If one desires freedom, one must sacrifice the advantages of being bound.”

“Amid the coal-fired fug of industrialism, people began to recognize that the unchecked spread of civilization could be toxic, and the wilderness, by comparison, came to represent cleanliness and health. Quite suddenly, the symbolic polarity of the word wilderness was reversed: it went from being wicked to being holy.”