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Roger Scruton

Roger Scruton Quotes

Philosopher

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Famous Roger Scruton Quotes

“There is an important insight contained in the book of Genesis, concerning the loss of eros when the body takes over. Adam and Eve have partaken of the forbidden fruit, and obtained the ‘knowledge of good and evil’ – in other words the ability to invent for themselves the code that governs their behaviour. God walks in the garden and they hide, conscious for the first time of their bodies as objects of shame. This ‘shame of the body’ is an extraordinary feeling, and one that no animal could conceivably have. It is a recognition of the body as in some way alien – the thing that has wandered into the world of objects as though of its own accord, to become the victim of uninvited glances. Adam and Eve have become conscious that they are not only face to face, but joined in another way, as bodies, and the objectifying gaze of lust now poisons their once innocent desire. Milton’s description of this transition, from the pure eros that preceded the fall, to the polluted lust that followed it, is one of the great psychological triumphs in English literature. But how brilliantly and succinctly does the author of Genesis cover the same transition! By means of the fig leaf Adam and Eve are able to rescue each other from the worst: to ensure, however tentatively, that they can still be face to face, even if the erotic has now been privatized and attached to the private parts. In his well-known fresco of the expulsion from Paradise, Masaccio shows the distinction between the two shames – that of the body, which causes Eve to hide her sexual parts, and that of the soul, which causes Adam to hide his face. Like the girl in Goya’s picture, Adam hides the self; Eve shows the self in all its confused grief, but still protects the body – for that, she now knows, can be tainted by others’ eyes. I have dwelt on the phenomenon of the erotic because it illustrates the importance of the face, and what is conveyed by the face, in our personal encounters, even in those encounters motivated by what many think to be a desire that we share with other animals, and which arises directly from the reproductive strategies of our genes. In my view sexual desire, as we humans experience it, is an inter-personal response – one that presupposes self-consciousness in both subject and object, and which singles out its target as a free and responsible individual, able to give and withhold at will. It has its perverted forms, but it is precisely the inter-personal norm that enables us to describe them as perverted. Sexual relations between members of other species have, materially speaking, much in common with those between people. But from the intentional point of view they are entirely different. Even those creatures who mate for life, like wolves and geese, are not animated by promises, by devotion that shines in the face, or by the desire to unite with the other, who is another like me. Human sexual endeavour is morally weighted, as no animal endeavour can be. And its focus on the individual is mediated by the thought of that individual as a subject, who freely chooses, and in whose first person pespective I appear as he or she appears in mine. To put it simply, and in the language of the Torah, human sexuality belongs in the realm of the covenant.”

SelfDesireShameEdenFace
Book:Face of God: The Gifford Lectures
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“We identify ourselves as persons, and assume that we endure as persons. As a human being I have a past and a future; as a person I lay claim to that past and that future as mine – as things that originate in me, in this very subject who must account for them. Persons do not form a natural kind, and the concept of personal identity is problematic in a way that the concept of animal identity is not. This we have surely learned from countless thought experiments, from John Locke to Sydney Shoemaker and Derek Parfit.”

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Book:Face of God: The Gifford Lectures
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“Tears of merriment flow from the eyes, so too do tears of grief and pain. Hence tears are symbols of the spirit: it is as though something of me is lost with them. For this reason people have since ancient times felt the impulse to collect their tears in lachrymatories. Psalm 56, v. 8, laments to God ‘Thou tellest my wanderings, put Thou my tears in Thy bottle; are they not in Thy Book?’ Tears are like pains: they cannot be voluntary, even if you can do something else in order to produce them. Although there are actors and hypocrites who can produce tears at will, that does not make tears into intentional actions; it just means that there are ways of making the eyes water without producing ‘real tears’. But laughing and smiling can be willed, and when they are willed they have a ghoulish, threatening quality, as when someone laughs cynically, or hides behind a knowing smile. Voluntary laughter may also be a kind of spiritual armour, with which a person defends himself against a treacherous world. Similar observations apply to blushes, which are more like tears than laughter in that they cannot be intended. What Milton says about smiles could equally be said of blushes. Blushes from reason flow, to brute denied, and are of love the food. Only a rational being can blush, even though nobody can blush voluntarily. Even if, by some trick, you are able to make the blood flow into the surface of your cheeks, this would not be blushing but a kind of deception. And it is the involuntary character of the blush that conveys its meaning. Mary’s blush upon meeting John, being involuntary, impresses him with the sense that he has summoned it – that it is in some sense his doing, just as her smile is his doing. Her blush is a fragment of her first person perspective, called up onto the surface of her being and made visible in her face. In our experience of such things our sense of the animal unity of the other combines with our sense of his unity as a person, and we perceive those two unities as an indissoluble whole. The subject becomes, then, a real presence in the world of objects.”

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Book:Face of God: The Gifford Lectures
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“The mask shows that the individualized face of the other is, in a certain measure, our own creation: remove the mask and beneath it you find a mask. This observation leads to a certain anxiety, since it suggests that the other’s presence in his face may be no more real than his presence in the mask. Perhaps we are even mistaken in attributing to persons the kind of absolute individuality that we unavoidably see in their features. Maybe our everyday interactions are more ‘carnivalesque’ than we care to believe, the result of a constant and creative imagining that behind each face lies something like this – namely, the inner unity with which we are acquainted and for which none of us has words. Maybe the individuality of the other resides merely in our way of seeing him, and has little or nothing to do with his way of being.”

SelfIdentityMaskMutability
Book:Face of God: The Gifford Lectures
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“Writers who see the existential loneliness of man as I see it – as a longing to be dissolved in the subjectivity of God – have written in ways so obscure that I have real doubts whether I can do any better. I am thinking of Kierkegaard, Levinas and Berdyaev, and also of Hegel, in whose shadow they wrote, and whose vision they confirmed by the very vehemence of their attacks on it. Hegel argued that we self-conscious beings become what we essentially are, through a process of conflict and resolution. Self-consciousness is implanted in us as a condition to be realized, and we acquire it through Entäusserung – through building the public arena in which the dialogue between self and other can occur. The self becomes real through the recognition of the other. Language, institutions, laws are the vehicles through which we achieve Selbstbestimmung, the certainty of self, which is also a limiting of self and a recognition of the boundary between self and other. The process that leads me to see myself as other to others also makes me other to myself, and this is the ‘moment’, to use Hegel’s language, of self-alienation, in which subjects become strangers to themselves, bound by external laws, hampered in their freedom and in rebellion against the constraints that press on them from outside. It is in this way that the fatal fracture splits our world – the fracture between subject and object that runs through me. Healing that fracture means reconciling my own view from somewhere with the competing views by which I am surrounded, so that how I am in the eyes of others matches how I am for myself. For Hegel this is achieved objectively through law and institutions, subjectively through art and religion. These are ways in which we re-connect with the world from which our own struggle for freedom and self-knowledge had separated us. Hölderlin expressed some of this in his great invocations of home and homecoming – the journey outwards, which is also a journey back. And Hölderlin’s spiritual journey has been traced in our time, and through a changed emotional geography, by T. S. Eliot in Four Quartets.”

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Book:Face of God: The Gifford Lectures
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“Music exists when rhythmic, melodic or harmonic order is deliberately created, and consciously listened to, and it is only language-using, self-conscious creatures ... who are capable of organizing sounds in this way, either when uttering them or when perceiving them. We can hear music in the song of the nightingale, but it is music that no nightingale has heard.”

WaySelfSongOrderLanguageSoundMusicHeardCreaturesCapableConsciousSelf ConsciousNightingales
Book:Understanding Music: Philosophy and Interpretation
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