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“For her, the conflict was a theological problem, a serious error on the part of her fellow Christians. "There is a new and troublesome fear of the imagination - though without it, how can anyone believe in the Incarnation, the Power that created all of the galaxies willingly limiting itself to be one of us for love for us! And this fear is expressing itself in a new kind of book burning and witch-hunting.”

“The Lord is close to the brokenhearted; which means that if the rest of us want to get close to God, we seek them out-not because of what we could possible offer them, as if we're the spiritual first responders on the scene to save the day, but because we recognize how much they have to teach us about who God really is." -Quoted by Sarah Arthur, Author of The One Year Daily Grind.”

“But at some point it becomes obvious that, ultimately, the adventure of faith is the most sensible thing to do, and in fact the only thing worth doing. As Sam says toward the end of The Two Towers, no one remembers the tales in which the characters give up and turn back. Great and heroic deeds remain undone if no one leaps into the dark to do them. That's true when it comes to faith, too. You can't play a meaningful role in the great story by playing it safe. Once you hit the road, there is no going back to life as it was before. When Jesus asks His disciples if they will leave him to, Peter says, "Lord to whom will we go?" (verse 68). It's either walk with Jesus, unsafe as it seems sometimes, or go home.”

“Madeleine describes her difficult decade of trying to write while parenting small kids - which, for many women writers, in particular, resonates powerfully. Freelancer Aleah Marsden told me, "She blessed my desire to pursue something outside of mothering in a way that didn't diminish either calling's importance. Yes, of course, I was to be the best mother I could be to the children entrusted to me. No, they didn't have to be the epicenter of my existence. Yes, my writing was a gift worth protecting and pursuing, and I would be a better human (and mother) for it. No, it didn't give me license to abandon the embodied work that came with the season of mothering young children,”

“For (D.L) Mayfield, "Parenting has made me eschew religiosity in exchange for a real relationship - full of questioning - of a God I hope is more loving than I can possibly imagine. I don't think we talk often enough about how children both make it essential and impossible to write. Madeleine for me is a patron saint of this.”

“by Luci Shaw To the Edge: for Madeleine L'Engle Be with her now. She faces the ocean of unknowing, losing the sense of what her life has been, and soon will be no longer as she knew it, as we knew it with her. Lagging behind, we cannot join her on this nameless shore. Knots in her bones, flesh flaccid, the skin like paper, pigment gathering like ashes driven by a random wind, a heart that may still sing, interiorly - we cannot know - have pulled her far ahead of us, our pioneer. As we embrace her, her inner eyes embrace the universe.. She recognizes heaven with its innumerable stars - but not our faces. Be with her now, as you have sometimes been - a flare that blazes, then dulls, leaving only a bright blur in the memory. Hold her in the mystery that no one can describe but Lazarus, though he was dumb and didn't speak of it. Fog has rolled in, erasing definition at the edge. Walking to meet it, she hopes soon to see where the shore ends. She listens as the ocean breathes in and out in waves. She hears no other sound.”

“For believers who pray the same prayers week after week, who come to the Communion table expecting to be changed, we must claim that it is possible for lives to be rescripted. We must assert that it's possible for habits and language to be reshaped by a different, more powerful story. The seeds for critiquing our behavior, - indeed, for critiquing the tradition itself - are there inside the narrative we claim. The radical call of faith is not to insist upon a set of universal principles about right and wrong, but to offer an alternative story by which lives can be shaped into new instincts, new practices, new ways of speaking and being in the world. We want our teens to make a decision consistent with the better story of which they are a part, a decision that doesn't even feel like a decision but a script they know by heart.”

“It's a theme born out of the Christian faith rather than a pagan understanding of the universe. Both views agree that we human beings are small, frail, and limited in our ability to battle the forces of the world that seek to destroy us. In response, the pagan worldview says, "We cannot win this on our strength. Therefore, let us go down fighting nobly and die well." The Christian worldview, on the other hand, says, "We cannot win this on our own strength. Therefore, we must rely on a Power outside of ourselves to win this for us.”

“As we stare into the icon, the world we are looking into ishn't shrinking or vanishing. Rather, it is expanding and growing. I like to call this The Wardrobe Effect, borrowed from the scene in C. S. Lewis' The Lion, the Witch and the Wardrobe, where the children move into and through a small space (the Wardrobe) to emerge into this vast expansive space (Narnia). An icon is trying to create, via reverse perspective, this same effect upon us. Heaven is more real and larger than this world.”