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“Art is husbandry, I thought. It is an experiment in imaginary kinship. Bring together this mare and this stallion; this marriage and this moon; this sun and this daughter. Poems, paintings, pop songs, choreographies-all are collisions of associations, associations deliberately and also unforeseeably formed. One attempts to manage the consequences. To mitigate the damage. I know that ''moon'' evokes roundness, whiteness, coolness, night. I might not know the way it reminds you of orchids, or miscarriage, or of Victoria, British Columbia. But no, perhaps I could predict orchids. Perhaps ''orchids'' and ''moon'' seem to vibrate on the same frequency to me too, something ineffable and strong. So perhaps I put them in a poem together. Perhaps I put ''roundness'' and ''whiteness'' and ''orchids'' in a poem together, omitting ''moon." Perhaps I let these gravities work on one another, an invisible web catching meanings in it. All of this, any of this: perhaps. I may choose any word to place beside the preceding word; a painter may choose any stroke. I test the water for salinity. I listen for what goes bump with the night.”

“A poem-shaped space, I thought. A poem-shaped space. I tried to hold a poem-shaped space in my mind. Sometimes the work of life is like preparing a bedroom for a guest: sweeping the floor, emptying the ash-tray, watering the sloping aloe plant. Opening the window wide to let new air in. I did all this inside my head, behind my eyes, while my fingers made words appear and waited for that guest to arrive.”