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The Marsh Queen

Book by Virginia Hartman · 2 quotes · Book Title, Marsh Queen, Blue

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The Marsh Queen Quotes

“The public space of the museum is not my favorite, loud and full of tourists and school groups and hungry hordes. Their curiosity is endearing---they're acolytes for the natural world. And the marble gleams with architectural detail and precious objects all around. But on these, my gray days, entering the building carries the weight of death: all the specimens, thousands of carcasses of every species, stuffed or otherwise retrieved from oblivion so we can know them, yet all dead. The birds I draw and paint, all dead. On these days, my only defense is to imagine every pinned butterfly taking wing, every stuffed marsupial waking up, every preserved plant specimen blooming and carpeting the marble floor like a time-lapse forest, and every bird coming to life, flying up to the dome and away. On the days when the fog comes and hooks into my gut like a sharp-toothed parasite, these visions can save me. The steadier, more consistent salvation, of course, is the work. I can lose myself for hours drawing, for instance, the common loon, with its inky head, white banding at the neck, and an intricacy of pin dots and fractured rectangles cascading across the wings. With the right precision, I can bring the deadness of a bird skin to a striking facsimile of life.”

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“Delores, the Wise Woman of Botany, told me while I was in Washington that every seven years, employees of my pay grade are entitled to a sabbatical, and I'm two years late in taking mine. She helped me fill out the form. I listed my purpose: "to study the birds of the southeastern United States with an emphasis on the marshlands of Florida." Hugh Adamson sputtered an objection, but he couldn't do a thing. Apparently, the sabbatical is a long-standing Smithsonian policy that would actually take an Act of Congress to reverse. I didn't write on the form of my other intention: to freelance, get my name out there, and see whether Florida is where I belong.”

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