“It is a fallacy to think that carping is the strongest form of criticism: the important work begins after the artist's mistakes have been pointed out, and the reviewer can't put it off indefinitely with sneers, although some neophytes might be tempted to try: "When in doubt, stick out your tongue" is a safe rule that never cost one any readers. But there's nothing strong about it, and it has nothing to do with the real business of criticism, which is to do justice to the best work of one's time, so that nothing gets lost.” ThinkingTryingHas BeensImportantRealMightFormArtistLostStrongJusticeMistakeDoubtReaderCostSafeCriticismSticksTongueStrongestTemptedBest WorkFallacyReviewersWhen In DoubtSneerImportant Work Author:Wilfrid Sheed
“For now, I'm supposing that all movements are equal, which they're not, except in this respect: that none of them gives a damn about artists beyond their immediate utility. Good movements will use a writer just as ruthlessly as bad ones; since they all fancy they have better things to do than worry about one man's artistic survival.” MenGivingUseArtistWorryMovementEqualSurvivalArtisticDamnThings To DoFancyOne ManUtilitySupposingSupposing ThatBetter Things To Do Book:The good word and other words Source: The good word and other words
