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Swing Time

Book by Zadie Smith · 15 quotes · Friendship, Adolescence, Adoption

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Swing Time Quotes

“What are we doing here, what is our effect, what will be left behind as legacy, and so on. It all has to be thought about, of course. Step by step. This house is a good example.” He reached to his left and patted a patch of exposed wiring in the wall. “Maybe they paid off the owner or maybe he has no idea we are in it. Who knows? But now we are in it and all of the village sees we are in it, and so now they know that it belongs, in essence, to nobody, or to anybody the state on a whim decides to give it to. So what will happen when we leave, when the new school is up and running and we don’t visit here much any more—or at all? Maybe several families will move in, maybe it will become a community place. Maybe. My guess is it will be taken apart, brick by brick.” He took off his glasses and massaged them with the hem of his T-shirt. “Yes, first someone will take the wires, then the sheeting, then the tiles, but eventually every stone will be repurposed. This is my bet . . . I may be wrong, we will have to wait and see. I am not as ingenious as these people. No one is more ingenious than the poor, wherever you find them. When you are poor every stage has to be thought through. Wealth is the opposite. With wealth you get to be thoughtless.” “I don’t see anything ingenious about poverty like this. I don’t see anything ingenious about having ten children when you can’t afford one.” Fern put his glasses back on and smiled at me sadly. “Children can be a kind of wealth,” he said.”

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“Doesn't have to be useful,' my mother pressed. 'Art means not having to be useful! In West Africa, for example, a hundred years ago, there were some village women, they were making these strangely shaped pots, impractical pots, and the anthropologists couldn't understand what they were doing, but that was because, they, the scientists, were expecting a quote unquote "primitive" people to make only useful things, when actually they were making the pots just for their beauty - no different from a sculptor - no to collect water, not to hold grain, just for their beauty, and to say: we were here, at this moment in time, and this is what we made.”

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“I would nod along for the sake of peace but in truth some part of me always rebelled. Why did he think it so important for me to know that Beethoven dedicated a sonata to a mulatto violinist, or that Shakespeare’s dark lady really was dark, or that Queen Victoria had deigned to raise a child of Africa, “bright as any white girl?” I did not want to rely on each European fact having its African shadow, as if without the scaffolding of the European fact everything African might turn to dust in my hands. It gave me no pleasure to see that sweet-faced girl dressed like one of Victoria’s own children, frozen in a formal photograph, with a new kind of cord round her neck. I always wanted life—movement.”

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