“This thing, reconciliation, isn't perfect, but we also must have hope. Without hope, there is nothing. So let's hope.” Quote by Roma Tearne
“A friend of mine, a poet, Rebecca Wolff recently said to me, "You know, your stories are really voice-driven," and I guess I knew that already, but it's so true that I can't get something going unless I can hear the voice.” KnowsSaidI CanStoriesVoiceMinesPoetDrivenRebecca Author:Lynne Tillman
“I subject my sentences and the words to a kind of Grand Inquisition. I'm trying always to leave out what I think is extraneous. And to find what I think is the most wonderful language to make a beautiful sentence. Not beautiful in the sense of "oh it's flowy" but in the sense that it really does what it's supposed to do, it what I want it to say.” ThinkingWantTryingKindDoeBeautifulLanguageWonderfulSubjectsSentencesInquisition Author:Lynne Tillman
“It's easy, at this point in my life, very easy to write a beautiful sentence that's meaningless. A lot of writers do that. But I don't want it to be meaningless. I want it to actually say what I want it to say, and so I'm thinking about it again and again and again.” ThinkingWantWritingBeautifulEasySentencesMeaninglessAgain And Again Author:Lynne Tillman
“Conversation on the page should reflect what the story is about. It doesn't have to be "realistic" in the sense that it's something you heard and plugged into a story.” ShouldStoriesHeardConversationPagesRealistic Author:Lynne Tillman
“You have to create the space for the possibility of people speaking as they do. If writing is supposed to lead us in any way or educate or suggest other ways of being, it can't do so by simply reflecting what's considered to be realistic. I'm not a realist in that way.” PeopleIfsWayWritingSpacePossibilityRealisticEducateReflectingRealist Author:Lynne Tillman
“I'm interested in reality but I'm not interested in realism at all.” RealityNot InterestedRealism Author:Lynne Tillman
“The language of cinema as it has evolved has also excluded vast swathes of human experience. The forms we find in the process of making a film can start to redress this balance and venture into uncharted territory. This is not just about unsung identities but about the subtleties and nuances of contemplation, the drifting spaces in which the worlds of the very small and the very large collide. Camerawork is a part of that.” WorldHumansFilmFormLanguageProcessSpaceIdentityBalanceCinemaContemplationTerritoryVentureHuman ExperienceSubtletyNuanceDriftingExcludedCollideUnchartedRedressUncharted Territory Author:Sally Potter
“Whatever the genre of film you're doing and whatever the source material is, you have to adapt to the different genre, but it's the same work, as an actor. You're just trying to ground it in reality and find your truth in it.” TryingDifferentRealityFilmActorsMaterialsSourceGenreDifferent Genres Author:Ben Schnetzer
“When you're doing a play, you don't always have a practical world that you're working off of. You have to create it for yourself.” WorldPlayPracticals Author:Ben Schnetzer
“A lot of times, when you're seeing something that you've done, you're thinking about the experience you had making it, not about the experience of the product.” ThinkingDoneSeeingProducts Author:Ben Schnetzer