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Realism Quotes

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Realism Quotes

“She could just pack up and leave, but she does not visualize what's beyond ahead.”

“Sure, love happens," he said finally. "But it's better to be realistic so shit is not constantly blowing up in your face. And love is way more likely to blow up in your face than to bring eternal happiness. And if it doesn't hurt you, then you're the one hurting someone else. "Entering a relationship is borderline sadomasochistic. Especially when you can get everything you would from a romantic relationship from a friendship, without destroying anyone's life when it inevitably ends.”

“He sank back into his black-and-white world, his immobile world of inanimate drawings that had been granted the secret of motion, his death-world with its hidden gift of life. But that life was a deeply ambiguous life, a conjurer's trick, a crafty illusion based on an accidental property of the retina, which retained an image for a fraction of a second after the image was no longer present. On this frail fact was erected the entire structure of the cinema, that colossal confidence game. The animated cartoon was a far more honest expression of the cinematic illusion than the so-called realistic film, because the cartoon reveled in its own illusory nature, exulted in the impossible--indeed it claimed the impossible as its own, exalted it as its own highest end, found in impossibility, in the negation of the actual, its profoundest reason for being. The animated cartoon was nothing but the poetry of the impossible--therein lay its exhilaration and its secret melancholy. For this willful violation of the actual, while it was an intoxicating release from the constriction of things, was at the same time nothing but a delusion, an attempt to outwit mortality. As such it was doomed to failure. And yet it was desperately important to smash through the constriction of the actual, to unhinge the universe and let the impossible stream in, because otherwise--well, otherwise the world was nothing but an editorial cartoon.”

“Tough love and brutal truth from strangers are far more valuable than Band-Aids and half-truths from invested friends, who don’t want to see you suffer any more than you have.”

“NBC would broadcast these public-service announcements. The Cosby kids would say things like, "Don't do drugs, because you've got a lot to live for." And I used to think, Well, okay--it's easy to say that, but some people are sitting at home and aren't from a rich family and might have no future. And here's a kid actor making shitloads of money, and he's telling everyone they have a lot to live for? It's hypocrisy on the grandest scale. Seeing something like that was always a motivation for me to create something more realistic. That was one of the things I dealt with in the "I'm with the Band" episode [of Freaks and Geeks], where Nick auditions to become a drummer. Lindsay tells Nick, "You've got to follow your dreams! You can be anything you want to be!" When I wrote that episode, it was my way of saying, "Actually, no. That's nonsense. You might have that attitude, but that's not the way the world works.”

“The material world is a sad place to be. People keep trying to attain that perfect state of happiness throughout their lives, acting upon thoughts that show them where the temporary dopamine fix is, but most of them are really sad inside. Surprisingly, most people choose to overcome sadness, they feel if they look at the greener side the sadness will vanish. But the sadness is always there. Otherwise there would be no motivation to be happy.”

“When you stop expecting people to be perfect, you like them for who they are. And when you stop expecting material possessions to complete you, you'd be surprised how much pleasure you get from material possessions. And when you stop expecting God to end all your troubles, you'd be surprised how much you like spending time with God.”

“Expectations are at war, if good feeling and discomfort clash. When we are expecting zest and joy, our good karma may be ousted by distress and frustration, if negative downbeat waves are emitted. Just with a feel of realism, without prejudice, should we step into the future. What will be, will be. Only the fortune of war will tell, since life may be war or peace. ("Fish for silence.")”

“Life itself has lost its plane reality: it is projected, not along the old fixed points, but along the dynamic coordinates of Einstein, of revolution. In this new projection, the best-known formulas and objects become displaced, fantastic, familiar-unfamiliar. This is why it is so logical for literature today to be drawn to the fantastic plot, or to the amalgam of reality and fantasy. ("The New Russian Prose")”