Quotessence
Home / Topics / Doomed Quotes

Doomed Quotes

Browse 624 quotes about Doomed.

Related topics

Doomed Quotes

“So many sing out of tune and need a little help from their friends, but this may not suffice. Everyone should, thus, leave their ivory tower, now and then, and roll up their sleeves to help the sheeple to break the mold, those who have been doomed to remain unconstructed and unfit to experience revivifying awareness and gratifying conditions. (“Bread and Satellite”)”

“But does it make any sense at all to know that it ends badly for all of us, even the happiest of us, and that we all lose everything that matters in the end-and yet to know as well, despite all this, as cruelly as the game is stacked, that it's possible to play it with a kind of joy? To try to make some meaning out of all this seems unbelievably quaint. Maybe I only see a pattern because I've been staring too long. But then again, to paraphrase Boris, maybe I see a pattern because it's there.”

“In theory, sure, Gregor could still go home. Pack up his three-year-old sister, Boots, get his mom out of the hospital, where she was recovering from the plague, and have his bat, Ares, fly them back up to the laudry room of their appartment building in New York City. Ares, his bond, who saved his life numerous times and who had had nothing but suffering since he had met Gregor. He tried to imagine the parting. "Well, Ares, it's been great. I'm heading home now. I know by leaving I'm completely dooming to annihilation everbody who's helped me down here, but I'm really not up for this whole war thing anymore. So, fly you high, you know?" Like that would ever happen.”

“We are doomed to live the feeling of being lost because temporal beings are doomed to feel this way; this is something that transitory bodies cannot avoid!”

“I haven't known up 'till now why I do not want to go. But now I do know. [...] Because this is the ship that they say is unsinkable,' she replied, 'and that is flying in the face of the Almighty. That ship will never reach the other side.”

“You know we are doomed anyway, right? Beg your pardon? No matter what we do, what we archive, what status we have, how much material wealth we acquire, we all die. Some of us in terrible pain whilst we do so… Life is inherently cruel, there is no other way of putting it.”

“If karma was true and my Higher Power simply gave whatever I put into the universe back to me, I would be screwed; I would have spiritual STD’s. If there was a scale to balance my good actions with my bad ones, I would cosmically fail, I would break the scale. There were so many occasions when I slipped up, when I thought, and said, and did stupid, awful things, when I took advantage of people and lied to them. If my eternal wellbeing was based on my ability to tip the scales or be a good person, I was eternally doomed.”

“If I can’t be your love, then let me be a simple brooch so I may rest a while against your chest. If I can’t be your love, then let me be a forgotten coin so I may rest a while against your thigh. If I can’t be your love, then let me be an unlit cigarette so I may rest a while in between your lips. If I can’t be your love, then let me at least remain in these words so I may rest a while in your thoughts.”

“Cathy, don't look so defeated. She was only trying to put us down again. Maybe nothing did work out right for her, but that doesn't mean we are doomed. Let's go forth tomorrow with no great expectations of finding perfection. Then, expecting only a small share of happiness, we won't be disappointed." If a little hill of happiness would satisfy Chris, good for him. But after all these years of striving, hoping, dreaming, longing-I wanted a mountain high! A hill wasn't enough. From this day forward, I vowed to myself, I was in control of my life. Not fate, not God, not even Chris was ever again going to tell me what to do, or dominate me in any way. From this day forward, I was my own person, to take what I would, when I would, and I would answer only to myself. I'd been kept prisoner, held captive by greed. I'd been betrayed, deceived, tied to, used, poisoned ... but all that was over now.”

“Cathy, don't look so defeated. She was only trying to put us down again. Maybe nothing did work out right for her, but that doesn't mean we are doomed. Let's go forth tomorrow with no great expectations of finding perfection. Then, expecting only a small share of happiness, we won't be disappointed.”

“He sank back into his black-and-white world, his immobile world of inanimate drawings that had been granted the secret of motion, his death-world with its hidden gift of life. But that life was a deeply ambiguous life, a conjurer's trick, a crafty illusion based on an accidental property of the retina, which retained an image for a fraction of a second after the image was no longer present. On this frail fact was erected the entire structure of the cinema, that colossal confidence game. The animated cartoon was a far more honest expression of the cinematic illusion than the so-called realistic film, because the cartoon reveled in its own illusory nature, exulted in the impossible--indeed it claimed the impossible as its own, exalted it as its own highest end, found in impossibility, in the negation of the actual, its profoundest reason for being. The animated cartoon was nothing but the poetry of the impossible--therein lay its exhilaration and its secret melancholy. For this willful violation of the actual, while it was an intoxicating release from the constriction of things, was at the same time nothing but a delusion, an attempt to outwit mortality. As such it was doomed to failure. And yet it was desperately important to smash through the constriction of the actual, to unhinge the universe and let the impossible stream in, because otherwise--well, otherwise the world was nothing but an editorial cartoon.”

“Do you like that?” he whispered. “Yes, I…” She fought to speak between helpless gasps. “I thought…it was going to hurt.” “Not from this.” A smile touched his mouth. “Later, however, you might have cause for complaint.” A shimmer of sweat gathered on his face as he felt the pulsing of her body around his exploring finger. “I don’t know if I can be gentle,” he said raggedly. “I’ve wanted you for too long.” “I trust you,” she whispered. Matthew shook his head, easing his hand away from her. “You have terrible judgment. You’re in bed with the last man in the world you should trust, and you’re about to make the biggest mistake of your life.” “Is this your idea of seductive banter?” “I thought I should give you one last warning. Now you’re doomed.” “Oh, good.” Daisy moved to help him as he stripped off her drawers and stockings.”

“All at once I feel desperate, outraged. Why am I alone doomed to spend nights of torment, with an unseen jailer, when all the rest of the world sleeps peacefully? By what laws have I been tried and condemned, without my knowledge, and to such a heavy sentence, too, when I do not even know of what or by whom I have been indicted? A wild impulse comes to me to protest, to demand a hearing, to refuse to submit any longer to such injustice. But to whom can one appeal when one does not even know where to find the judge? How can one ever hope to prove one’s innocence when there is no means of knowing of what one has been accused? No, there’s no justice for people like us in the world: all that we can do is to suffer as bravely as possible and put our oppressors to shame.”

“Woolrich had a genius for creating types of story perfectly consonant with his world: the noir cop story, the clock race story, the waking nightmare, the oscillation thriller, the headlong through the night story, the annihilation story, the last hours story. These situations, and variations on them, and others like them, are paradigms of our position in the world as Woolrich sees it. His mastery of suspense, his genius (like that of his spiritual brother Alfred Hitchcock) for keeping us on the edge of our seats and gasping with fright, stems not only from the nightmarish situations he conjured up but from his prose, which is compulsively readable, cinematically vivid, high-strung almost to the point of hysteria, forcing us into the skins of the hunted and doomed where we live their agonies and die with them a thousand small deaths.”