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Infatuation Quotes

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Infatuation Quotes

“Deep in infatuation I saw all things rosy Oh the thrill, the excitement, the new-found energy, and the bounce in my steps How so easy to make myself believe That I was in love! True love! From where came this jealousy? This anger? This bitterness? My loved one is hurting me I told myself repeatedly. Days passed. My negativity grew They need to pay for toying with me I swore Prayers for justice Curses to make them realise what they lost I saw all things black Found solace in quotes about Karma... From where came this calm? This blissful indifference? I don't know. I don't care. All I want to say is: thank you, Time.”

“Angela had been grieving Marcos almost as long as she'd known him, and finally, like a rainbow against a bruise-hued cloud, she saw the real Marcos—not as an idea, dream, hope, or possibility—but as he really was. Marcos drew an outline of a person who was generous, wise, and kind, and Angela's longing animated his image with life and color. This two-dimensional Marcos, the one she imagined, was never real.”

“How is it that there was never you until there was and then all was you?”

“I've written you sixty-seven love poems. Here’s another one for you. But really, for me. These poems are the candles that I light with the fire you have ignited in me. I place this candle here and another there so even if the stars have argued with the moon and are sulking away in a corner, you can still find your way to me. Sixty-eight poems now. What does the future hold for us? Joy? Disappointment? Gentle caresses? And subtle neglect? I hope the good is more than the bad. Much more. For what is the point of love if by lighting these candles our own flame loses its brightness? I know the good is more than the bad. Much more. I cannot wait to write you sixty-nine.”

“We commonly confuse love with the strong emotions most often associated with it, such as joy, attachment, lust, infatuation, pleasure, pain, fear, and hope, to name a few. But, love is not a feeling; love itself is an action. There are countless emotions and beliefs that can cause us to love. Love is the willing giving of self to another living being. Love is giving the life, time, energy, and resources that we would normally give or use for our self to someone else. Love is an action that enhances the well-being of another living being.”

“It wasn’t quite a romantic infatuation. There are levels of readiness. Young girls don’t entertain the idea of sex, their body and another’s together. That comes later, but there isn’t nothing before it. There’s an innocent displacement, a dreaming, and idols are perfect for a little girl’s dreaming. They aren’t real. They aren’t the gas station attendant trying to lure you into the back of the service station, a paperboy trying to lure you into a toolshed, a friend’s father trying to lure you into his car. They don’t lure. They beckon, but like desert mirages.”

“This wasn’t just lust or infatuation, this was intoxication, a craven’s craving I could not explain. But then, what was love but a want of the flesh, or a want of the soul. I wanted this man. I couldn’t not want him. I couldn’t not breathe. I wanted him in a way that was so absolute I couldn’t care if he didn’t want me back the same way.”

“I've said this before, but people love you for so many reasons. Some love you only for what you do for them. Some love you for how much money you spend. Some love you for your possessions. By now, we should know that isn't love, but merely infatuation. Don't be fooled into thinking a person like that is going to hang around once those things are gone.”

“UNMERCIFUL My body was a useless entity. In your presence, it betrayed me. Like dangerous waters beckoning In their mystifying beauty. Their tantalizing fluidity caressed my body As I resisted taking the plunge. My body betrayed me, Ignored me like a preoccupied stranger With a will of its own. And, I cruelly learned, I could control what happened Only if you were merciful. But, watching you, Listening to you, Was not merciful. It was a torturous joy.”

“These five words you utter make the sun rise again: “I’m going to come home.” How is it possible for one person to be the sole reason for my existence? When I hear you say these golden words, the warmth spreads from my stomach until it reaches my pulsating fingertips. How is it possible for one person to be the sole reason for my ecstasy? These five words your utter are even more precious when I’m holding you tight and you whisper only four of them. Because then, I’m really home.”

“It’s funny, with the two Yvonnes, the sex-infatuation part came after already knowing them quite well, adoring them and wanting to be with them in other ways. Whereas the sex-infatuations that’re male (you, Shake, the priest) leap out of nowhere, based on not knowing them at all. As if sex could provide the missing clues. Can it? In the cases of the males it’s like I felt some kind of hint of who that person was floating underneath the surface. Wanting sex to realize things I knew.”

“They didn't exchange a single word. But in the weeks that followed, Trip spent his days wandering the halls, hoping for Lux to appear, the most naked person with clothes on he had ever seen. Even in sensible school shoes, she shuffled as though barefoot, and the baggy apparel Mrs. Lisbon bought for her only increased her appeal, as though after undressing she had put on whatever was handy. In corduroys her thighs rubbed together, buzzing, and there was always at least one untidy marvel to unravel him: an untucked shirttail, a sock with a hole, a ripped seam showing underarm hair. She carted her books from class to class but never opened them. Her pens and pencils were as temporary as Cinderella's broom. When she smiled, her mouth showed too many teeth, but at night Trip Fontaine dreamed of being bitten by each one.”

“What runs so contrary to received wisdom is that it really is the male who is the aesthete while the woman is drawn to abstractions. Wealth. Power. What a man seeks is beauty, plain and simple. No other way to put it. The rustle of her clothes, her scent. The sweep of her hair across his naked stomach. Categories all but meaningless to a woman. Lost in her calculations. That the man knows not how to even name that which enslaves him hardly lightens his burden.”

“Falling in love is more than infatuation. It is the need to feel whole, to feel safe, to be healed, to join together with someone, heart and soul.”

“Do you ever think of me when you look up at the moon and the stars? When you look into the horizon as the sun sets? We're looking at the same sun, and the stars may burn brighter where you are, but I can't see them, and they're still there. I spend nights trying to see the stars that you see, but I end up seeing you in the stars instead.”

“Which was why he reflexively turned when a flash of iridescence caught his eye. His first thought was: Morpho rhetenor Helena. The extraordinary tropical butterfly with wings of shifting colors: blues, lavenders, greens. It proved to be a woman’s skirt. The color was blue, but by the light of the legion of overhead candles, he saw purples and even greens shivering in its weave. A bracelet of pale stones winked around one wrist, a circlet banded her dark head. The chandelier struck little beams from that, too. She’s altogether too shiny for a woman, he decided, and began to turn away. Which was when she tipped her face up into the light. Everything stopped. The beat of his heart, the pump of his lungs, the march of time. Seconds later, thankfully, it all resumed. Much more violently than previously. And then absurd notions roman-candled in his mind. His palms ached to cradle her face—it was a kitten’s face, broad and fair at the brow, stubborn at the chin. She had kitten’s eyes, too: large and a bit tilted and surely they weren’t actually the azure of calm southern seas? Surely he, Miles Redmond, hadn’t entertained such a florid thought? Her eyebrows were wicked: fine, slanted, very dark. Her hair was probably brown, but it was as though he’d never learned the word “brown.” Burnished. Silk. Copper. Azure. Delicate. Angel. Hallelujah. Suddenly these were the only words he knew.”

“When someone begins to the lose the glamour they had for us on our first meeting them, we tell ourselves that we have been deceived; that our fantasy cast a halo over them which they are unworthy to bear. It is always possible, however, that the reverse is the case: that our disappointment is due to a failure of our own sensibility which lacks the strength to maintain itself at the acuteness with which it began. People may really be what we first thought them, and what we subsequently think of as the disappointing reality may be the person obscured by the staleness of our senses.”