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“Fear is a signal. It tells us that we have an opportunity to grow. When we encounter our fears, we have an oppor- tunity to adapt, grow stronger, and improve in whatever realm we are currently developing. If we wish to grow, we need to spend time in the unknown. If we're not exploring the unknown, we're not growing, we're not adapting, and we're not getting stronger.”

“Fear is a signal. It tells us that we have an opportunity to grow. When we encounter our fears, we have an opportunity to adapt, grow stronger, and improve in whatever realm we are currently developing. If we wish to grow, we need to spend time in the unknown. If we're not exploring the unknown, we're not growing, we're not adapting, and we're not getting stronger.”

“It's that feeling you get somehow knowing that something great is about to happen... about to happen. While every passing day nothing great really does happen. You wake up, go to classes, study, sleep and wait for another monotonous day. You know the great day is not tomorrow, not even the day after, not even in a week or a month's time. But it says it will come soon, the way you live your life, one day at a time, only to realize 20 years have elapsed effortlessly. It will come soon, the way you meet someone without expecting or knowing that you are going to have so much fun together. It will come soon, the way dreams come true overnight- demanding years of perspiration, ironically. It will come soon like a gush of cold air in a hot afternoon. It will come soon like a stranger you feel you have already met. It will come like a guest who would be here to stay. It will come like an eternity, a serendipity, an irony. It will come when it is time for it to come, the way you fall asleep and dreams arrive from a distant land, surely but stealthily.”

“That was the power of radio at its height. The Shadow, we were assured at the beginning of each episode, had "The power to cloud men's minds." It strikes me that, when it comes to fiction in the media, it is television and movies which so often cloud that part of our minds where the imagination moves most fruitfully; they do so by imposing the dictatorship of the visual set.”

“Like any currency of value, the human imagination is a coin with two inseparable sides. It is our faculty of fancy that fills the disquieting gaps of the unknown with the tranquilizing certitudes of myth and superstition, that points to magic and witchcraft when common sense and reason fail to unveil causality. But that selfsame faculty is also what leads us to rise above accepted facts, above the limits of the possible established by custom and convention, and reach for new summits on the degree of courage, determined by some incalculable combination of nature, culture, and character.”

“In the end, I'm not interested in that which I fully understand. The words I have written over the years are just a veneer. There are truths that lie beneath the surface of the words... truths that rise up without warning, like the humps of a sea monster and then disappear. What performance and song is to me is finding a way to tempt the monster to the surface, to create a space, where the creature can break through what is real and what is known to us. This shimmering space, where imagination and reality intersect... this is where all love and tears and joy exist. This is the place. This is where we live.”

“Most sane human beings who have managed to attain and retain fame each uses it to dramatically increase their name’s chances of being remembered until Jesus comes back, since their heart cannot do what they consciously or unconsciously lust for, that is to say, for it to beat until Jesus returns.”

“What I'd like to read is a scientific review, by a scientific psychologist--if any exists--of 'A Scientific Man and the Bible'. By what route do otherwise sane men come to believe such palpable nonsense? How is it possible for a human brain to be divided into two insulated halves, one functioning normally, naturally and even brilliantly, and the other capable only of such ghastly balderdash which issues from the minds of Baptist evangelists? Such balderdash takes various forms, but it is at its worst when it is religious. Why should this be so? What is there in religion that completely flabbergasts the wits of those who believe in it? I see no logical necessity for that flabbergasting. Religion, after all, is nothing but an hypothesis framed to account for what is evidentially unaccounted for. In other fields such hypotheses are common, and yet they do no apparent damage to those who incline to them. But in the religious field they quickly rush the believer to the intellectual Bad Lands. He not only becomes anaesthetic to objective fact; he becomes a violent enemy of objective fact. It annoys and irritates him. He sweeps it away as something somehow evil...”

“The unknown grayish mystifying forest was benumbed into frost-covered cold, and the tremendous pines towering above the dark marshy soil resembled a gathering of severe mute brothers from a forbidden ancient order worshiping forgotten gods no one had ever heard of outside of the world of secret occult visions.”

“To open up to Truth you have to first be so utterly hopeless and to the point you see no good way out of this life. That is where you are pushed to find out for yourself, whether it even exists or not, whether you have a chance, because Truth, Reality, or what some true teachers call God cannot be found in those parts of us that are familiar or known. If you're comfortable with your acquired ideas, your life situation and memories you will never pursue this”

“People are always quick to call evil what they do not know. The unknown sprouts fear. It spreads like an infection, burrowing into every facet of their lives. They need a scapegoat, someone to blame. Fingers are pointed, accusations are made, and a target lands on somebody’s back. They grow angry. They turn violent. To history, human nature must be a stubborn and tiring student. No matter how many times history tries to show it the error of its ways, it never learns from its mistakes.”

“I think part of your attraction to him is the draw of the unknown, of being different, even special. He is so out of the ordinary that you feel pulled to that because you yourself are not so ordinary. You're alone. And sometimes the pain of so much loss is written across your face. You wear it like an adornment and that causes other people to wonder about you; they can't relate to you and what you've been through, but you can relate to him in his dark state.”

“Cinematographer.” Such an ornate term, yet still so vague. I often wonder if that’s to blame for how overlooked we are as a profession. Or even worse, that dry title, “Director of Photography.” But we are the true artists. A director may quite literally call the shots, but it is the cinematographer that makes them. We choose the angles, the lighting, pretty much everything that you see on the screen. The camera is a brush, and we are the hand, the arm, the eye. The director’s basically just the mouth, making pointless noise while the hand does the actual work. Almost every famous director that you know who has a distinctive visual style has simply managed to lock down a talented DoP.”

“We fail so easily to see the difference between fear of the unknown and respect for the unknown, thinking that those who do not hasten in with bright lights and knives are deterred by a holy and superstitious fear. Respect for the unknown is the attitude of those who, instead of raping nature, woo her until she gives herself. But what she gives, even then, is not the cold clarity of the surface but the warm inwardness of the body - a mysteriousness which is not merely a negation, a blank absence of knowledge, but that positive substance which we call wonderfull.”