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Sentiment Quotes

Browse 53 quotes about Sentiment.

Sentiment Quotes

“In the campaign of 1876, Robert G. Ingersoll came to Madison to speak. I had heard of him for years; when I was a boy on the farm a relative of ours had testified in a case in which Ingersoll had appeared as an attorney and he had told the glowing stories of the plea that Ingersoll had made. Then, in the spring of 1876, Ingersoll delivered the Memorial Day address at Indianapolis. It was widely published shortly after it was delivered and it startled and enthralled the whole country. I remember that it was printed on a poster as large as a door and hung in the post-office at Madison. I can scarcely convey now, or even understand, the emotional effect the reading of it produced upon me. Oblivious of my surroundings, I read it with tears streaming down my face. It began, I remember: "The past rises before me like a dream. Again we are in the great struggle for national life.We hear the sounds of preparation--the music of boisterous drums--the silver voices of heroic bugles. We see the pale cheeks of women and the flushed faces of men; and in those assemblages we see all the dead whose dust we have covered with flowers..." I was fairly entranced. he pictured the recruiting of the troops, the husbands and fathers with their families on the last evening, the lover under the trees and the stars; then the beat of drums, the waving flags, the marching away; the wife at the turn of the lane holds her baby aloft in her arms--a wave of the hand and he has gone; then you see him again in the heat of the charge. It was wonderful how it seized upon my youthful imagination. When he came to Madison I crowded myself into the assembly chamber to hear him: I would not have missed it for every worldly thing I possessed. And he did not disappoint me. A large handsome man of perfect build, with a face as round as a child's and a compelling smile--all the arts of the old-time oratory were his in high degree. He was witty, he was droll, he was eloquent: he was as full of sentiment as an old violin. Often, while speaking, he would pause, break into a smile, and the audience, in anticipation of what was to come, would follow him in irresistible peals of laughter. I cannot remember much that he said, but the impression he made upon me was indelible. After that I got Ingersoll's books and never afterward lost an opportunity to hear him speak. He was the greatest orater, I think, that I have ever heard; and the greatest of his lectures, I have always thought, was the one on Shakespeare. Ingersoll had a tremendous influence upon me, as indeed he had upon many young men of that time. It was not that he changed my beliefs, but that he liberated my mind. Freedom was what he preached: he wanted the shackles off everywhere. He wanted men to think boldly about all things: he demanded intellectual and moral courage. He wanted men to follow wherever truth might lead them. He was a rare, bold, heroic figure.”

“Could I but acquaint the world with Robert G. Ingersoll's humanity, with his ideas and his sentiments of love, patience and understanding, a renascence would automatically take place that would give life and living on this little earth of ours some semblance of what we call paradise. And this great and wonderful man had to die! I do not know the purpose of life, nor do I understand why death should come to all that is; but this I do know -- that when Robert G. Ingersoll died, on July 21, 1899, then you and I, and the whole world, suffered a mortal blow. When the mighty heart, of his mighty body, that supplied the blood to his mighty brain, burst, never again was there to fall from his eloquent lips the pearls of thought that had been so wondrously formed in his brain. The mightiest voice in all the world was silenced, forever. No wonder the people wept when they heard that Ingersoll was dead. He was the greatest of the Great -- the Mightiest of the Mighty. He was 'as constant as the Northern Star whose true fixed and resting quality there is no fellow in the firmament.' He was the indistinguishable star whose brilliance never dimmed. When Robert G. Ingersoll died, his death was 'the ruins of the noblest man that ever lived in the tide of time ... When shall we ever see another?' When Robert G. Ingersoll died, the sky should have been rent asunder, and Nature should have gone into mourning. When this man died, Nature's masterpiece was destroyed, and hot tears of grief should have fallen from the heavens. Robert G. Ingersoll no longer belongs to his family; He no longer belongs to his friends; He no longer belongs to his country; Robert G. Ingersoll now belongs to all the world -- the whole universe -- He is immortal and eternal. Among the galaxies of Nature's masterpieces, none shine with a greater brilliance than the babe who was born in this house 121 years ago today, and named Robert Green Ingersoll.”

“I remember when your name was just another name that rolled without thought off my tongue. Now, I can’t look at your name without an abundance of sentiment attached to each letter. Your name, which I played with so carelessly, so easily, has somehow become sacred to my lips. A name I won’t throw around lightheartedly or repeat without deep thought. And if ever I speak of you, I use the English language to describe who you were to me. You are nameless, because those letters grouped together in that familiar form….. carries too much meaning for my capricious heart.”

“Tully starts in again. 'See, the hidden value can go way deeper than sentimental attachment. Sometimes you feel it down to your soul. Like maybe you're the one person who appreciates a work of art that everybody else hates. [...] This thing you treasure, this thing nobody else wants, could also be what you'd call organic. It could be alive. [...] That's what falling in love is, isn't it? Discovering the hidden value in someone.”

“Man cannot do without feelings, but the moment they are considered values in themselves, criteria of truth, justifications for kinds of behavior, they become frightening. The noblest of national sentiments stand ready to justify the greatest of horrors, and man, his breast swelling with lyric fervor, commits atrocities in the sacred name of love.”

“While observing a breeze dance over a patch of dandelions that had gone to seed, I realized how easily delicate things succumbed to the wind. I became suddenly aware that my emotions are affected in the same way by every minor gust of sentiment.”

“At the same time, even as "feeling" is distrusted in favour of "rationality", common usage reflects the opposite recognition: that most important thinking is imbued with feeling. The word "feel", as a near synonym for "think", suggests, half subliminally, the mixture of the affective and the conceptual in what we call "thought". Feeling seems an obscure antecedent to, and therefore perhaps a necessary part of, conceptualization; as if thought has an affective component, or feeling is a form of understanding.”

“Unpublished. What if I, revealed these feelings private pieces, cast… at stranger’s eyes exposing sober thought, and truth as sentiments, lie deep interred, inside of me… should they come alive? Unconsciously to never share, that essence... safe, in mind Restlessness wordplay, stills me I was born… unsettled Through my rage, of self-indulgence all… those chosen things, I hide deep and unexposed stay inconsolable… within the inside”

“A critic can call any poem 'doggerel.' That is no more than a slur. 'Doggerel' or 'maudlin' or 'sappy' or 'sentimental' is in the ear of the listener. By the by, 'sentimental' is okay as it is defined as 'marked or governed by feeling, sensibility, or emotional idealism.' It is 'sentimentality' that is to be avoided, like the fiddleback spider, being as it is 'the quality or state of being sentimental to excess or in affectation.' Again we are faced with a judgement call and must keep a sharp eye on our outpourings to insure they are not overly gooey. The intellectual elite probably believe that most of the lyrics songwriters create are 'doggerel' of one kind or another--that is to say 'trivial"......the young songwriter has now been warned about the implacable nature of the enemy. Under a rather large umbrella, preferred twentieth-century taste in art of all kinds has been characterized by a kind of detachment, or sangfroid. It is simply not chic to be carried away in one's emotional reaction to a subject. All serious communication or complaint must be carefully wrapped in a protective coating of irony and/or satire.”