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Sink Quotes

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Sink Quotes

“He sank back into his black-and-white world, his immobile world of inanimate drawings that had been granted the secret of motion, his death-world with its hidden gift of life. But that life was a deeply ambiguous life, a conjurer's trick, a crafty illusion based on an accidental property of the retina, which retained an image for a fraction of a second after the image was no longer present. On this frail fact was erected the entire structure of the cinema, that colossal confidence game. The animated cartoon was a far more honest expression of the cinematic illusion than the so-called realistic film, because the cartoon reveled in its own illusory nature, exulted in the impossible--indeed it claimed the impossible as its own, exalted it as its own highest end, found in impossibility, in the negation of the actual, its profoundest reason for being. The animated cartoon was nothing but the poetry of the impossible--therein lay its exhilaration and its secret melancholy. For this willful violation of the actual, while it was an intoxicating release from the constriction of things, was at the same time nothing but a delusion, an attempt to outwit mortality. As such it was doomed to failure. And yet it was desperately important to smash through the constriction of the actual, to unhinge the universe and let the impossible stream in, because otherwise--well, otherwise the world was nothing but an editorial cartoon.”

“As the station wagon pulled back onto the highway, the sun was slowly sinking below the horizon like a leaky boat. Well, except for that fact that boats are not generally round, orange and on fire. Hmm. Come to think of it, in no way whatsoever did the sun, in this instance, resemble a leaky boat. My apologies. That was a dreadful attempt at simile. Please allow me to try again. As the station wagon pulled back onto the highway, the sun was slowly sinking below the horizon like a self-luminous, gaseous sphere comprised mainly of of hydrogen and helium.”

“Under ground, under ground! Down in the safe soft womb of earth, where there is no getting of jobs or losing of jobs, no relatives or friends to plague you, no hope, fear, ambition, honour, duty - no duns of any kind. That was where he wished to be. Yet it was not death, actual physical death, that he wished for. It was a queer feeling that he had. It had been with him ever since that morning when he woke up in the police cell. The evil, mutinous mood that comes after drunkenness seemed to have set into a habit. That drunken night had marked a period in his life. It had dragged him downward with strange suddenness. Before, he had fought against the money-code, and yet he had clung to his wretched remnant of decency. But now it was precisely from decency that he wanted to escape. He wanted to go down, deep down, into some world where decency no longer mattered; to cut the strings of his self-respect, to submerge himself - to sink, as Rosemary had said. It was all bound up in his mind with the thought of being underground. He liked to think about the lost people, the underground people, tramps, beggars, criminals, prostitutes. It is a good world that they inhabit, down there in their frowzy kips and spikes. He liked to think that beneath the world of money there is that great sluttish underworld where failure and success have no meaning; a sort of kingdom of ghosts where all are equal. That was where he wished to be, down in the ghost-kingdom, below ambition.”

“Life is an ocean and every ocean necessitates right thinking and right action or else sinking becomes the only fate realisable!”

“My heart is burning a hole in my chest and every time you speak to me, it keeps sinking, and I'm left with nothing but ashes. I wish she were talking to me, because the more she speaks to me, the more my heart flutters like a rising phoenix. -Karen Quan and Jarod Kintz”

“If your ship goes down in the middle of the open water, you don't give up and sink. You tread water, clutch onto a spar, do 'something'." He stopped, wrung his hands. "Realistically speaking, if you're in the middle of the sea, you're a goner. But you tread water until you can't kick another stroke. Not because you're optimistic. I you polled ten random shipwreck victims treading open water in open sea, every one would tell you they're not optimistic. What they are is 'hopeful'. Or at least not hope-'empty'. They don't give up because that means death and living people can sometimes change their situations, while dead ones can't change a fucking thing. I've never been lost at sea, but I think if your buddy was weaker than you, and you were holding him up, you'd kick just as hard, because you'd be hoping for both of you. Because giving up for someone else is even harder than giving up for you." "Now I'm walkaway, I've been shot at and chased from my home, but I can't feature going back to default, because default is the bottom of the sea and walkaway is a floating stick we can clutch. Default has no use for us except as a competition for other non-zottas, someone who'll do someone else's job if they get too uppity and demand to be treated as human beings instead of marginal costs. We are surplus to default's requirements. If they could, they'd sink us. So what we're doing, Gretyl, is exercising hope. It's all you can do when the situation calls for pessimism. Most people who hope have their hopes dashed. That's realism, but everyone whose hopes 'weren't' dashed 'started off by having hope'. Hope's the price of admission. It's still a lotto with shitty odds, but at least it's our lotto. Treading water in default thinking you might become a zotta is playing a lotto you can't win, and whose winners - the zottas - get to keep winning at your expense because you keep playing. Hope's what we're doing. Performing hope, treading water in open ocean with no rescue in sight.”

“Noah rests both of his hands below my butt, and before I can move closer to him, he lifts me and props me onto the sink. I suck in a breath and pop open my eyes. Noah smiles at me in a way that makes me fall in love with him all over again. “You said you’d only do that if I didn’t lower my hands and look at you,” I tease. “What can I say? After I spoke the words, it was a done deal. I’m all about making my fantasies realities with you, Echo.”

“Many people who became successful were once first time global failures. But because they didn't give up on their dreams, failure could not sink them. They triumphed at last!”

“I don’t know why we fight. It takes much too effort to stay mad at you. To dodge your skin in the hallway and leave the kitchen without bringing you a treat. It takes much too effort to stare at the sink so my eyes don’t smile at you in the mirror. It takes much too effort to look away as we undress and lie apart in the now bigger bed. It takes much too effort to stiffen my body because sleepy limbs forget fights and pride is always lost in dreams. It takes much too effort to awaken every hour to make sure we are islands with a gulf of white sheets separating us. I dread the light peeking through the parted curtains and empathise with your groans — I didn’t get any sleep either. I really don’t know why we fight. It takes much too effort to stay mad at one another when it’s so easy for us to love.”