“But you don't ask questions of an attic. Museums are their own justification.”
Source: Animal Dreams
“This process taught us to test and challenge the prevailing wisdom about the paucity of African American artifacts. What we discovered was a paucity of effort and creativity rather than a scarcity of collections. I hope that our efforts will spur other institutions to embrace community-driven collecting and commit the resources to look inside the basements and garages for material that was once deemed less important to the interpretive agenda of museums. Not every cultural organization will discover items from Harriet Tubman, Nat Turner, or Marian Anderson, but every museum that makes the effort will find discover items from Harriet Tubman, Nat Turner, or Marian Anderson, but every museum, but every museum that makes the effort will find objects that document the lives, the work, the resiliency, and the dreams of their community.”
Source: A Fool's Errand: Creating the National Museum of African American History and Culture in the Age of Bush, Obama, and Trump
“Usually Americans have traditionally viewed questions of race as ancillary episodes, interesting but often exotic eddies outside the mainstream of the American experience. Thus, it was important for the [Smithsonian National Museum of African American History and Culture] to demonstrate through its interpretive frameworks that issue of race shaped all aspects of American life: from political discourse to foreign affairs to western expansion to cultural production.... It was also essential that the stories of the museum featured reflect the tension between moments of pain and episodes of resiliency. This must not be a museum of tragedy, but a site where a nation's history is told with all its contradictions and complexity.”
Source: A Fool's Errand: Creating the National Museum of African American History and Culture in the Age of Bush, Obama, and Trump
“I had always believed that the [Smithsonian National Museum of African American History & Culture] should be a safe haven that helps Americans wrestle with and better understand the difficult current issues of race, justice, and equality. In essence, the museum is a bully pulpit that provides NMAAHC with the opportunity and responsibility to clarify and contextualize concerns that often divide or perplex the American public.... I think it is important for NMAAHC, for the Smithsonian, to engage in the public square in a manner that brings reason, knowledge, and contextualization to the contemporary challenges faced by America. Actions like this are not without risk to an institution that operates within a federal umbrella. Yet I believe that museums like NMAAHC have an obligation to use their expertise, their platform, to contribute to the greater good of a nation.”
Source: A Fool's Errand: Creating the National Museum of African American History and Culture in the Age of Bush, Obama, and Trump
“I hope that the [Smithsonian National Museum of African American History & Culture] never retreats from embracing controversy and, no matter how multifaceted or incendiary the issue, NMAAHC will strive to help the public find contextualization and common ground in a safe and civil environment. I trust that the museum will always be a bully pulpit where boldness and innovation are more than just words. And to use that platform to combat the creeping sense of selective historical amnesia that limits America's ability to understand its past, and itself. I hope that NMAAHC will always celebrate its diverse staff in ways that nurture, protect, and challenge. And it is my hope that the museum will prod and remind other cultural entities, both within and outside of the Smithsonian, that the ultimate goal is to make a people, make a country better.”
Source: A Fool's Errand: Creating the National Museum of African American History and Culture in the Age of Bush, Obama, and Trump
“The fossils were sublime, but I found as much fascination in the odd paraphernalia of culture that, for various reasons, end up in museum drawers. Late eighteenth century apothecary boxes, thread cases from the mills of Lawrence, Victorian cigar boxes of gaudy Cuban design - all the better to house fossils.”
Source: Bully for Brontosaurus: Reflections in Natural History
“I go to museums sometimes. They're cool inside, and Neil deGrasse Tyson is hot.”
Source: The City We Became
“Fine art won't fill me up, y'know.”
Source: Cats of the Louvre
“In a world progressively becoming more digital, it's important to remember where we've been as we continue moving forward. How do we do that best? With museums.”
Source: Beyond the Halls: An Insider's Guide to Loving Museums
“For all that people in power claim to care about looting, it doesn't seem to matter when it's museums doing it.”
Source: Portrait of a Thief