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Quote by Clancy Martin

“What is the most fascinating kind of self-deception to me, and a kind that isn't necessarily unhealthy, is what Friedrich Nietzsche called "strategic self-deception." The kind of self-deception that you can engage in with your eyes wide open. You do it because you say, "There's things that I couldn't accomplish without this kind of self-deception."”

Quote by Clancy Martin

Author

Clancy Martin is a novelist known for his unique literary style and popular works among readers. His personal life and achievements are yet to be detailed. more

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“Both of us, me and Friedrich Nietzsche being writers, if we weren't capable of some strategic self-deception, we would have moved on to more lucrative careers long ago.”

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“It's the same when you listen to any kind of successful athlete. My older brother has a useful name for them - he calls them lottery ticket careers. I are engaged in what he calls these lottery ticket careers. On the one hand it's very, very unlikely that you're ever going to hit it. On the other hand if you do hit it, you really hit it. You have to be engaged with it, though, maybe you're entire life. And if you never actually do hit it? You kind of jovially lie yourself along the way and recognize that it may produce things outside the hitting it kinds of goods, I suppose.”

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“When I was writing Love and Lies, I was going over a lot of my old notes to see if there were any insights in them. I was obsessed with Friedrich Nietzsche, Søren Kierkegaard, Arthur Schopenhauer. These are not guys that you want to go to for understanding the nature of love. They clearly didn't get it.”

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“Every generation has a changing of the guard in media. We do the same stuff that everybody else does, but we just do it differently. We do our content online differently. We do our magazines differently. We do our TV differently. We never had anyone tell us how to do magazines, so we just developed it in a different way.”

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“I mean, we shoot differently, we cut differently, our stories are different . . . I'd say that every single thing is different except for the fact that you watch it on a TV or a computer or a phone, just like you do with everybody else's content.”

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“You have to be dynamic. You have to be able to change. So a lot of times we'll go to a country or go meet people, and then while we're there, the story changes and you have to be able to go with that. And then the story comes out in the editing room, which is a very documentary sort of process - not how news works. So that's different.”

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“If you're coming from America to Iraq, then how are you supposed to be objective? I mean, you could pay lip service to being objective, but how are you going to objective when you're embedded with the Marines? The Marines are saving your life every day and they're protecting you. But when you're sort of living with people who are there, we just press record and let them tell the story.”

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“In the films I've done recently, I've been learning a little more about the side of myself that enjoys being a light. I remember when I used to dress in all black and you'd say. "Just be pretty, hold your head up, be proud. Be a pleasant person and don't cover yourself so much with darkness, your need to be a little crazy." Now I have nothing against anything I've been in before, because I love all sides of me, but I have been experimenting more with that lovely woman side. In this age of feminism, I would hate for the whole gentlemen and ladies things to be lost.”

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“I don't need any crutches in order to concentrate. As a child I learned that you must be ready because I'd be yelled at more than other people and it would always be my fault. I learned that to be professional is your number-one priority. The art comes second. You learn that, in order to give your best performance, you have to be a good technician, which means never allowing negative influences affect your performance.”

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