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“He laces our fingers and shrugs. And I’m dead. I am actually dead. There’s no other way to explain it. I’m sitting in fucking Herald Square, holding hands with the cutest boy I’ve ever met, and I’m dead. I’m the deadest zombie ghost vampire who ever died. And now my mouth isn’t working. It's like I'm stunned into silence. That never happens.”

“You can do whatever the heck you want to do. You can love whoever you want to love. You can be whoever you want to be, Anyone who says you can’t, no matter what religion or bullshit they are hiding behind, are only telling you that you can’t be you because they’re terrified of the freedom to be who they want to be.”

“At that moment the dull sound of a rumbling crash from outside filtered through the low murmur of the pub, through the sound of the jukebox, through the sound of the man next to Ford hiccuping over the whiskey Ford had eventually bought him. Arthur choked on his beer, leaped to his feet. "What's that?" he yelped. "Don't worry," said Ford, "they haven't started yet." "Thank God for that," said Arthur, and relaxed. "It's probably just your house being knocked down," said Ford, downing his last pint. "What?" shouted Arthur. Suddenly Ford's spell was broken. Arthur looked wildly around him and ran to the window. "My God, they are! They're knocking my house down. What the hell am I doing in the pub, Ford?" "It hardly makes any difference at this stage," said Ford, "let them have their fun.”

“The monster, Hitler, died like Uther, frightened, hiding, haunted by his crimes and his wholly reasonable belief that all decent human beings would turn their backs on him. Who really cares where Hitler’s bones lie, or how he died, as long as he is safely dead? Now, in the twenty-first century, Karl Marx’s grave in a London cemetery is no longer a rallying cry to the poisoned idea that the end justifies the means. We shall never know for certain where Arthur lies, or if he even lived. If he was a myth, then it was necessary for human beings to invent him. Hail, Arthur, King of the Britons! I wish another hero would take your place, now that the west has such a need of you.”

“(...)Through the ship's telescopes, he had watched the death of the solar system. With his own eyes, he had seen the volcanoes of Mars erupt for the first time in a billion years; Venus briefly naked as her atmosphere was blasted into space before she herself was consumed; the gas giants exploding into incandescent fireballs. But these were empty, meaningless spectacles compared with the tragedy of Earth. That, too, he had watched through the lenses of cameras that had survived a few minutes longer than the devoted men who had sacrificed the last moments of their lives to set them up. He had seen ... ... the Great Pyramid, glowing dully red before it slumped into a puddle of molten stone ... ... the floor of the Atlantic, baked rock-hard in seconds, before it was submerged again, by the lava gushing from the volcanoes of the Mid-ocean Rift... ... the Moon rising above the flaming forests of Brazil and now itself shining almost as brilliantly as had the Sun, on its last setting, only minutes before ... ... the continent of Antarctica emerging briefly after its long burial, as the kilometres of ancient ice were burned away ... ... the mighty central span of the Gibraltar Bridge, melting even as it slumped downward through the burning air ... In that last century the Earth was haunted with ghosts - not of the dead, but of those who now could never be born. For five hundred years the birthrate had been held at a level that would reduce the human population to a few millions when the end finally came. Whole cities - even countries - had been deserted as mankind huddled together for History's closing act.”

“From the plotting of strangers and iniquitous Monks, as the water flows from the fountain, Sad and heavy will be the day of Cadwallon. The lines come from the Red Book of Hergest, a collection of Welsh poems written in the late-fourteenth century but containing material that is much older. This brings us, neatly, to J. R. R. Tolkien. For according to a learned authorial conceit, the source of his tales of Middle-earth was the Red Book of Westmarch. Tolkien was the Rawlinson and Bosworth Professor of Anglo-Saxon at Oxford University and one of his aims was to create a mythology for England, as the Red Book of Hergest, which contains the Mabinogion and other material, could be said to preserve the mythology of the Britons. Many if not all the writers and scholars involved in Anglo-Saxon studies first came to the field through reading the professor’s stories – and I am one of them, so it is no accident that this story is called Oswald: Return of the King, in tribute and homage. Tolkien writes of Oswald in his seminal essay Beowulf: The Monsters and the Critics and the parallels between him and Aragorn – rightful king in exile returning to claim the throne – are obvious.”

“AT&T developed cross-country systems of microwave relay towers, which marched across the countryside from coast to coast and border to border, every 20 to 30 miles. The function of the relay tower was to receive the microwave signal, amplify it, and send it on its way to the next tower. To transmit microwaves across the Atlantic Ocean, however, it was necessary to establish a single relay tower at least 400 miles high, or station ships every 30 miles, all the way across the ocean. Before the space age arrived, the 400-mile-high tower seemed to be as unlikely a prospect as the spectacle of 100 communications-relay ships strung out across the ocean. That possibility that a very high tower could be established by launching an orbital satellite was suggested first by the British science writer Arthur C. Clarke in an article, '*Extra-Terrestrial Relays," in Wireless World m October 1945. Nine years later, JohnR. Pierce, who directed communications research for the Bell Telephone Laboratories, described a practical communications-satellite system to the Princeton section of the Institute for Radio Engineers”

“She slipped off the lid and took out a little hourglass hanging on a silver pivot from a black ribbon, its belly full of twinkling black sand. "Oh, it's beautiful!" "You like it." Her guardian, the antiquarian, who invested every colour, gemstone, beast, and planet with arcane and symbolic meaning, would likely give her a lecture on saturnine influences. Blanche decided not to care. "Yes, I do.”

“All right," said Ford. "How would you react if I said that I'm not from Guildford at all, but from a small planet somewhere in the vicinity of Betelgeuse?" Arthur shrugged in a so-so sort of way. "I don't know," he said, taking a pull of beer. "Why, do you think it's the sort of thing you're likely to say?" Ford gave up. It really wasn't worth bothering at the moment, what with the world being about to end.”

“I have seen a land shining with goodness, where each man protects his brother's dignity as readily as his own, where war and want have ceased and all races live under the same law of love and honour. I have seen a land bright with truth, where a man's word is his pledge and falsehood is banished, where children sleep safe in their mother's arms and never know fear or pain. I have seen a land where kings extend their hands in justice rather than reach for the sword; where mercy, kindness, and compassion flow like deep water over the land, and men revere virtue, revere truth, revere beauty, above comfort, pleasure or selfish gain. A land where peace reigns in the hill, and love like a fire from every hearth; where the True God is worshipped and his ways acclaimed by all.”

“Blood trickled down his chin as he was hauled up onto his knees, the golden rope securing his arms behind him and his ankles together. Arthur looked up and saw the fizzing sparkling crown coming down. I’m Arthur Penhaligon, he thought desperately... The crown was wedged tightly upon his head- and Arthur fell silently screaming into darkness.”

“Throughout his last half-dozen books, for example, Arthur Koestler has been conducting a campaign against his own misunderstanding of Darwinism. He hopes to find some ordering force, constraining evolution to certain directions and overriding the influence of natural selection. [...] Darwinism is not the theory of capricious change that Koestler imagines. Random variation may be the raw material of change, but natural selection builds good design by rejecting most variants while accepting and accumulating the few that improve adaptation to local environments.”

“When Arthur Ashe plays tennis, his purpose each day is to play the game in a way he has never played it before. It may be a backhand he uses, one that he may never have used before in that circumstance. His play is a fresh integration of his world at the instant of action. A really great scientist has the whole past at his disposal. At any instant he is rebuilding the world, molecule by molecule, in his subconscious. That is what you want in an athlete or a scientist.”

“Arthur Schlesinger, Jr., in a mordant protest written soon after the [1952] election, found the intellectual "in a situation he has not known for a generation." After twenty years of Democratic rule, during which the intellectual had been in the main understood and respected, business had come back into power, bringing with it "the vulgarization which has been the almost invariable consequence of business supremacy.”

“The great writers like Chekhov know that tragedy and laughter are just a few steps from each other ... but it took me a long time as an actress to learn that. Actually Arthur Miller taught me in the Seventies. We were making a CBS TV drama of his play Playing for Time about Auschwitz but the characters were laughing. It was a big insight for me to realise that that was what's called gallows humour, in this case worse than the gallows, that humans need to laugh and make jokes in order to survive.”

“Today a Scot is leading a British army in France [Field Marshall Douglas Haig], another is commanding the British Grand Fleet at sea [Admiral David Beatty], while a third directs the Imperial General Staff at home [Sir William Roberton]. The Lord Chancellor is a Scot [Viscount Finlay]; so are the Chancellor of the Exchequer and the Foreign Secretary [Bonar Law and Arthur Balfour]. The Prime Minister is a Welshman [David Lloyd George], and the First Lord of the Admiralty is an Irishman [Lord Carson]. Yet no one has ever brought in a bill to give home rule to England!”

“I took Eugene Sue's Arthur from the reading-room. It's indescribable, enough to make you vomit. You have to read this to realize the pitifulness of money, success, and the public. Literature has become consumptive. It spits and slobbers, covers its blisters with salve and sticking-plaster, and has grown bald from too much hair-slicking. It would take Christ of art to cure this leper.”