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Quote by Patrick Somerville

“Puzzles are great because they're fun. But really we are drawn to puzzles because they can be solved. We love the idea of being able to put a puzzle together and it being complete: you do it perfectly, step away, and you've completed the job. There's a deep satisfaction from that, and I think we wish for the ability to do that with everything. But emotions just don't work that way, people don't work that way, relationships don't work that way.”

Quote by Patrick Somerville

Author

Patrick Somerville
Patrick Somerville

Patrick Somerville, born in 1979, is an accomplished American novelist known for his distinctive narrative style and profound insights into social issues. more

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“I feel like I've been lucky that I've never been put in a situation where I had to keep a serious secret. But what is true of me - and has to be true of everyone who's ever been in a family - is that our idealization of reality when we're children always has to fall apart. It's the narratives we didn't know about that pop up and redraw reality. You have to be able to integrate secrets into who you are. My family does not look now like it does when I was a kid. There was divorce. There were family secrets. There was definitely a difference between what I thought was true and what was true.”

“My main qualm about TV criticism has been when people review TV the way they review movies. They watch the pilot, and write a definitive review of the show. The obvious analogy is that you don't read the first eight pages of a book and then talk about whether the book works or not. People want so desperately in this day and age to declare something thumbs-up or thumbs-down that they declare it immediately.”

“Relative to the power that movie stars have, and producers and directors, I would say that even the most respected screenwriters have very little power in Hollywood. I don't think it's in the nature of the writer's profession to go after that power. Writers spend their time alone, hallucinating, writing, making these things up, while these other people are out schmoozing, making connections, meeting each other. They are trotting the corridors of power and making sure they've put their own imprints in it. And they're promoting themselves and their images, as they should.”

“The one thing you know when you're shooting a script - and I've been on a lot of sets - is space is in a script, and the distance between the page and the stage is so enormous that it is unbelievable how even the brightest people can misread your intent or not see it altogether. Scripts have air in them. Scripts are supposed to leave things up to interpretation, but people can misread things enormously, so sometimes it's just a matter of wanting to put on the screen what you had in mind.”

“Black pride. Gay pride. White, Anglo-Saxon Protestant pride. All of these things, you know, they're polarized, aren't they? The red and blue states. Christians, that's the most insidious aspect of it, giving into this great Christian image of America. That's the most frightening thing of all. Whereas in the past they're trying to find things that unite us, to minimize the differences. Whereas today there's this belief in empowerment and entitlement by maximizing differences. I'm not so sure that that's healthy.”

“An individual has not started living until he can rise above the narrow confines of his individualistic concerns to the broader concerns of all humanity.”

“I don't even think of myself as a quote, unquote star - that's really douchey. I think of myself as just like . . . a dance commander. You have to have dance parties all day and night, and you always have to be excited about having a dance party. You have to have a dance party in Milan one day, and then wake up and have a dance party at, like, four in the morning on national television in L.A. the next day. The hours are insane.”