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Quote by Lailah Gifty Akita

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Lailah Gifty Akita

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“Маячня — не сучасний винахід. У діалозі «Евтидем» Платон скаржиться на філософів-софістів, бо тим байдуже, де правда, — їх цікавить лише перемога в суперечці. Інакше кажучи, це справжні митці маячні.”

Life Quotes
Book:Феєрична фігня!: Високе мистецтво скепсису у світі повної маячні
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“There are these open spaces in life called "pauses" and it is most unfortunate how the majority of people do not bother themselves with the pauses of life in pursuit of their desire to fill every moment they experience WITH THEMSELVES. You need to take a few steps back and not feel the constant need to pour yourself into every space that life offers. The pauses are equally--if not more-- important as the active participations that you make. When we kiss, we remove a part of ourselves from the experience by closing our eyes; this removes the sense of sight, it allows for an open space for a pause to let life flow through it. When we make love, there are the pauses, the nothings, the gazing into the eyes; the removal of oneself from the experience. Why? Because we instinctively know that the best parts of life are not fully had in the absence of nothingness. Nothingness is vital, nothingness is essential.”

PausesEmpty SpacePausePause ButtonNothingness Of BeingPause And Life
Author:C. JoyBell C.
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“She took down the framed manuscript from the kitchen wall. It was Kendra's prized possession, and part of her felt guilty for what she planned, but it had to be done. She carefully removed the parchment from its frame, then searched through the piles of translations and notes on the kitchen table. Finally she found the Secret Scroll on the chair where Kendra had been the night before. She carried both manuscripts upstairs and set them on her desk. Next she gathered paints and brushes and sat down. She studied the artwork on the Secret Scroll, then slowly began copying its rich patterns of gold, red, and blue onto Kendra's old manuscript. It was late afternoon when she finished. She studied her work. She had managed to copy the exotic birds and animals hidden in the foliage on the borders, and even the detailed picture of the goddess locking the jaws of hell. Her work was rough, but at a distance it would fool Toby or any of the Regulators, especially since they were afraid to touch it. Satisfied, she went to her closet. She searched through her clothes until she found the strapless top with the slit in the front. She slipped it over her head, then grabbed a silky black skirt and stepped into it. She carried her stiletto boots to the bed and tugged them on. At last she drew black liquid eyeliner over her top lid, added green glitter shadow, rolled thick mascara on her lashes, and brushed her hair. She added gloss to her lips and rubbed sparkle lotion over her arms and chest. Then she remembered the dragon stencils. Soon, she had a sinuous dragon adorning her thigh between the bottom of her skirt and the top of her boots. She liked the look. She turned in front of the full-length mirror behind the bathroom door. "Dynamite," she whispered. Her reflection thrilled her. She looked vamped-out and mystical. At once, she sensed the fierce power of the dragon rising in her. She felt like an invincible goddess-warrior.”

ArtistBlackGreenMakeupGoddessDragonDressing UpCatty TurnerStencil
Book:The Secret Scroll
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“A Spencer—now here is an intricate machine, a clockwork of a gun finely thought out, each piece doing many different parts of the job as the weapon is aimed and gotten ready to fire. This is a gun of a time when imagination sprang forward, when the brain was a storm of ideas, one leading to another, then more, and others beyond that. This is a machine of pieces in a complicated dance, made to work as one; a machine no stronger than its weakest part. It is a sum far more than the simple addition of stamped metal bits and honed edges.”

HistoryRiflesGunsSpencer Rifle
Book:American Gun: A History of the U.S. in Ten Firearms
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“Once returned to his own home, Anders wondered whether the rifle actually made him safer, for he felt he was all alone, and it was better to be nonconfrontational than to stand up to trouble, and he imagined that somehow people were more likely to come for him if they found out he was armed, even though they would not find out, even though so many folks were armed, he just had this sense that it was essential not to be seen as a threat, for to be seen as a threat, as dark as he was, was to risk one day being obliterated.”

TroubleSafetyBlacksRiflesGunsThreatsPeople Of Color
Book:The Last White Man
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