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Quote by David Sedaris

“between the disfigurement and the muzzle, it's nearly impossible to catch what she's saying. Always, though, while tripping and stumbling to the music, she looks out into her audience and tells the story about her mother. Most people laugh and yell for her to lift her skirts, but every so often she'll spot someone weeping and swear they can understand her every word.”

Quote by David Sedaris

Work

Squirrel Seeks Chipmunk

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Author

David Sedaris
David Sedaris

David Sedaris, born on December 26, 1956, is an American humorist. His works are known for their unique sense of humor and profound insights into everyday life. Sedaris' writing often takes the form of memoir, narrating his personal experiences and observations. more

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“And the next day the gondolier came with a train of other gondoliers, all decked in their holiday garb, and on his gondola sat Angela, happy, and blushing at her happiness. Then he and she entered the house in which I dwelt, and came into my room (and it was strange indeed, after so many years of inversion, to see her with her head above her feet!), and then she wished me happiness and a speedy restoration to good health (which could never be); and I in broken words and with tears in my eyes, gave her the little silver crucifix that had stood by my bed or my table for so many years. And Angela took it reverently, and crossed herself, and kissed it, and so departed with her delighted husband. And as I heard the song of the gondoliers as they went their way--the song dying away in the distance as the shadows of the sundown closed around me--I felt that they were singing the requiem of the only love that had ever entered my heart.”

“На этот раз, глядя на картины, он заметил, что они разделены лабиринтом узких полос однотонных серовато-зеленых обоев. Лабиринт был весьма прихотлив по рисунку. "Может быть, это и есть мое пространство? -подумал Демилле. -- Узкие однотонные проходы между чужими жизнями".”

“The kind of poem I produced in those days was hardly anything more than a sign I made of being alive, of passing or having passed, or hoping to pass, through certain intense human emotions. It was a phenomenon of orientation rather than of art, thus comparable to stripes of paint on a roadside rock or to a pillared heap of stones marking a mountain trail. But then, in a sense, all poetry is positional: to try to express one's position in regard to the universe embraced by consciousness, is an immemorial urge. Tentacles, not wings, are Apollo's natural members. Vivian Bloodmark, a philosophical friend of mine, in later years, used to say that while the scientist sees everything that happens in one point of space, the poet feels everything that happens in one point of time.”