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Quote by Oğuz Atay

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Tehlikeli Oyunlar

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Oğuz Atay

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“Nappo lo prese in mano perplesso. Ci volle un po’ perché riuscisse ad aprirlo. Era per via delle dita. Aveva dita corte e sbozzate come dei torsoli sputati da una trebbia difettosa. Quelle dita avevano deciso il suo destino. Quando, da bambino, aveva espresso il desiderio di suonare la fisarmonica, sua madre l’aveva guardato con dolcezza. “Con quali dita?” gli aveva chiesto. “Perché non provi con un altro strumento? Cosa ne pensi della roncola?”

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“From back of the houses, we hear some mother calling her son, the voice edgy on the last syllable, getting frantic. Probably Miz Baker, whose six-foot twelve-year-old got a way of scooting up and down that resembles too much the actions of a runaway bandit to the pigs around here. Mainly, he got the outlaw hue, and running too? Shit, Miz Baker stay frantic.”

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“Sometimes Evelyn got stuck on a word, using it for everything until it started to mean nothing and everything. This week, it was “world.” Everything was the world. The world was everything. It made sense from that vantage point, but the previous week, it had been “wax,” which had the bonus quality of being both a noun and a verb. I waxed her breakfast of wax and then had the wax to give her wax when she really wanted the world. World? Whirled. Whorled. Were Eld. Was she working her way through the dictionary? It was like the language of flowers, a song heard in a different lifetime.”

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“Juliet was determined to remain strong for them. She was the pilot of her family's little plane and no matter the indecision she felt, the questions that suffocated her when she turned off the lamp at night and lay awake in the slow-passing dark, the worry that she would make the wrong choice and in so doing ruin them, it was her responsibility to make them feel safe and secure the next day.”

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