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Quote by Oliseh Udogwu

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Oliseh Udogwu

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“Rock and roll is not a guitar, it’s not long hair—that’s not rock and roll. It ain’t about an instrument, or this or that. The blues is the start of it all,” Ice Cube said. “You add some rhythm to that blues and you have all kind of people that’s doing rock and roll. And that develops into hip-hop. All of it is a spirit—the spirit of coming outside of the box. If you don’t see how N.W.A is rock and roll, then you really don’t get what it’s all about.”

MusicHip HopRock And Roll
Book:Parental Discretion Is Advised: The Rise of N.W.A and the Dawn of Gangsta Rap
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“500,000 halos outshined the mud and history. We washed and drank in God's tears of joy, And for once…and for everyone…the truth was not a mystery. Love called to all…music is magic. As we passed over and beyond the walls of Nay, Hand in hand as we lived and made real the dreams of peaceful men— We came together…danced with the pearls of rainy weather, Riding the waves of music and space…music is magic…magic is life… Love as never loved before… Harmony to son and daughter…man and wife…”

MusicMagicRainHarmonyUnityPeace And LoveUniversal LoveWoodstockJimi HendrixP L U R
Book:Cherokee Mist: The Lost Writings
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“From the middle of a tomb whose lights burn only for survival…our tired bodies finally understand and obey our beating hearts. Meet me in the country, Meet me in the country, The city's breath is getting way too evil to breathe. Meet us in the country, Leave the pigs and rats in the city— Under the gypsy sun, we all will clearly reach the grace of living—…to give and receive with love and ease. We'll dance to the drums of the open life… love is the rhythm of man and wife… faith in the beat for everyone. God breathes music…through the life of the Gypsy Sun…”

NatureMusicNew LifeEscapeCityModern LifeCountrysideUniversal LoveLoving The WorldLeaving The City
Book:Cherokee Mist: The Lost Writings
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“The pièce de résistance, put into the can on the very first day, owed its inspiration to Little Richard, who would whip audiences to further frenzy between numbers by self-congratulatory cries of “Well...all right!” Buddy turned the phrase into a gentle love song infused with all his special quality of patience and optimism and his developing ability to make personal sentiments into universal ones. “Well, All Right” is a riposte to all the criticism and condescension that teenagers faced from their elders in the rock 'n' roll fifties—and have in every decade since. The setting is as adventurously simple as that of “Everyday”: Buddy plays flamenco-accented acoustic guitar, with only a plashing cymbal for company. The mood is not one of youthful anger and defiance but of maturity before its time: calm, stoical, steadfast in affirming its “dreams and wishes.” The intimacy in the voice could equally be that of lover or elder brother. Girl or boy, you can imagine you and he are alone together, gazing into the fire and imagining a bright future when the young will “live and love with all our might,” which could almost be a prophecy of the sixties' hippie culture.”

MusicYouthMaturitySongwritingRock And RollHopes And DreamsLove SongFiftiesBuddy Holly
Book:Rave On: The Biography of Buddy Holly
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