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Musicians Quotes

Browse 90 quotes about Musicians.

Musicians Quotes

“Music shouldn't be just a tune, it should be a touch.”

“But in her head, she believed what Einstein had suggested. The enigma of The Universe itself was answered in mathematics. Mushing was all about timing. It was about the rhythm of dog and man - synchronicity of movement, elegance. And sometimes, the movement of her bow across the strings of her violin reminded her of the swish and glide of the runners on a sled ride in the snow.”

“He frowned with difficulty at everyone’s quick transition. He felt something crack in the room. It was like the feeling an artist got when he closed up his gallery, walked upstairs to his living quarters, and stared at the window to watch his former crowd rush to party next door and forget his exhibition one martini at a time. It was like goodbye. There was an unsaid, incomprehensive quality of unfairness to endings. They lacked a transition. The guitarist’s identity, for example, was in her strumming ten seconds ago, not when she finished and looked up at the seduced crowd as “her” again. The singer’s heart was housed in his lyrics, not in his thick-accented voice that rooms never understood.”

“{Miller, who was president of American Federation of Musicians, had this to say about Robert Ingersoll at his funeral} On behalf of 15,000 professional musicians, comprising the American Federation of Musicians, permit me to extend to you our heart-felt and most sincere sympathy in the irreparable loss of the model husband, father, and friend. In him the musicians of not only this country, but of all countries, have lost one whose noble nature grasped the true beauties of our sublime art, and whose intelligence gave those impressions expression in words of glowing eloquence that will live as long as language exists.”

“Thanks for your encouraging words. But I know the grim realities of being an artist. Most of us would never make a mark in this world. Nearly all of us would be living in oblivion and would face utter neglect by society. You know what? I am prepared for that. It doesn’t matter whether people laud and appreciate my artistic skills or not. Or whether I live a life of non-recognition. I expect nothing. One becomes a true artist only when one creates art just for the sake of it and not for monetary gains or approval from people. I want to become a true artist. Yes, that would give me happiness.”

“When we confront a work of art we listen for the artist's voice. The greater the artist, the stronger and more distinct is the voice we hear. Only Mozart sounds like Mozart, only Hemingway sounds like Hemingway. This is one of the chief satisfactions of the artistic experience: to hear a voice speaking as only that voice can speak. And when the voice is exceptionally strong, it can exalt its material and allow us to experience the rarest of joys: that of transcendence.”

“There’s a reason for the word heartbeat not be called beat of heart. The perfect woman only needs a good beat. The heart will follow. Emotions, when put in equilibrium with reason, create more miracles than any emotion, no matter how strong, deprived from reason. This is why it’s much easier to love a woman that can play the drums or any other instrument with rhythm, than one that believes in unreasonable magic, simply because there’s more magic in reason than in the lack of it. You see, loving someone that you truly want to love, someone you admire, someone you want to spend your time with, helping, sharing and growing together, makes much more sense than expecting someone to love you for no reason than your will, needs and desires. And when humans understand this, they will understand love, find it easily and never lose it again.”

“Marketing is so powerful that it can make even an extremely untalented musician a one-hundred-hits wonder.”

“If you're an artist, always keep at it, there will be someone out there who sees the universe and soul in what you've created. Maybe they can't afford it, but it calls them like the siren in a sea, and they've saved for months and scraped, thinking all the time about how one piece you made has moved them. You can change a person's moment with your work, don't forget that. If you're an author, someone out there has read your work. They've laughed with your characters. They've cried with them. They've escaped into your fantasy or memories, and they've been changed by you. Nothing they do afterward will be the same. You will forever make them different and who they will become. Please don't forget that. If you're a singer or musician, you inspire others. People sing when they feel great emotion. If you're one of those who bursts into song at a moment's notice, imagine what that can do to brighten someone else's day. People are listening. They see you, who you really are. They are feeling the magic of those moments with you. You never know who's life you can change. You never know who is listening. Never forget that. It doesn't matter what kind of magic you create, don't ever stop. There is beauty, pain, and so many other things that depend on you to continue. Never stop. Let the world see your magic. Perform your craft with all of the fibers of your being. Shine with your light. Edge with your darkness. Do what you must, but never stop. Your creations are a gift to the world, so give with all your might. You never know who might need it.”

“Silken strings composing the harpsichord of life accommodate a score of emotional tidings. An orchestra of linked heartbeats strumming the melodious prose of our collective intones gives rise to sonnets of melancholy, producing an illimitable libretto stretching from the milky dawn of newborn’s amaranth life to the speckled sunsets of gentle souls whom we cherish.”

“Zeena Schreck is a Berlin-based interdisciplinary artist, author, musician/composer, tantric teacher, mystic, animal rights activist, and counter-culture icon known by her mononymous artist name, ZEENA. Her work stems from her experience within the esoteric, shamanistic and magical traditions of which she's practiced, taught and been initiated. She is a practicing Tibetan Buddhist yogini, teaches at the Buddhistische Gesellschaft Berlin and is the spiritual leader of the Sethian Liberation Movement (SLM).”

“The Jackson 5 shook off the last song and readied for another sortie. The smallest Jackson movement, every tremble, elicited another wave of squeals from the Garden. "I'd like to talk to y'all tonight," Michael said, "about the blues." Carney chuckled--the kid was ten. "The blues?" Marlon or maybe Jermaine asked. "Yeah, the blues. Don't nobody have the blues like me. I may be young, but I know what it's all about." The boys bit into "Who's Lovin' You" and the building rattled. The girls screamed. There were rumors about guys the mob had rubbed out and buried in the concrete foundation below. The noise would've woken them up. Carney shouldn't have laughed. What ten-year-old black child didn't know the blues?”

“Over the last few decades there have been some fascinating studies that revealed that people who get a physical reaction from music might have structural differences in their brain. Some people have a physical response while others will just hear the songs, enjoy it, but it doesn’t transport them anywhere. Brain scans have shown that the people who get a more palpable response have a higher volume of fibres that connect their auditory cortex to the areas associated with emotional processing, which means the two areas communicate better. They also tend to have a higher prefrontal cortex, which is involved in certain areas of understanding, like interpreting the world more metaphorically, and that obviously helps them develop not just a natural gift interpreting music, but also creating it.”

“The most common cycle used is the sixteen beat cycle, called teentaal or tritaal. Dha dhin dhin dha. Dha dhin dhin dha. Dha tin tin ta. Ta dhin dhin dha…sixteen beats divided neatly into four times four. The sixteen-beat cycle starts and ends and stars and ends, creating a repetitive circularity; the melody has to accommodate itself within its scaffolding; it has to negotiate with the parameters to find a happy balance between freedom and responsibility, rights and duties, exhilaration and restraint. There is scope for risk-taking, within reason, as long as one came back to the line of control in time, and hit sama, the drum stroke where one cycle ended and the new one began; a point of arrival and of departure. This is a musical metaphor for life as it should be lived. Truly great musicians can swerve into unchartered bylanes, but still find their way back to the destination. On time”

“Do you know what I mean by a music-maker? It's something quite different from a performer, you know. Different from someone who goes on a platform to demonstrate -- often very successfully -- how accomplished he or she may be. It means someone who serves the great art of music with heart and soul, as well as fingers and brain. It takes everything... to make the real thing. Above all, there must be that desire to serve, rather than to impress. To be humble rather than easily satisfied with oneself.”

“Music is the fastest motivator in the world.”

“In your most desperate moments where you crawl on the ground like worms, sometimes you suddenly hear the voice of a savior, the voice of the Music which immediately carries you away to the stars!”