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Pianist Quotes

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Pianist Quotes

“Upon hearing of the story of Glenn Gould, I felt an affinity with him. He spent most of his time in a cabin on Lake Simcoe, was a tremendous pianist, and later in life took obscene amounts of prescribed medications for illnesses, which may or may not have been correctly diagnosed, resultant of his brilliant, but tumultuous mind.”.”

“We agreed that whatever happened next in the world, we would still rub conditioner into our hair after we washed it and comb it through to the ends, we would soften our lips with rose-, strawberry-, and cherry-scented balms, and though we would be interested to see a wolf perched in a lonely mountain, we liked our household animals to betray their savage nature and live with us in our reality, which was not theirs. They would lie in our laps and let us stroke them through waves of virus, wars, drought and floods and we would try not to transmit our fear to them.”

“Artur Rubinstein, the famous pianist, was once asked the secret of his success-was it dedication, ability, discipline, hard work? Mr. Rubinstein smiled as he remarked, "It's hard to say, but one thing I do know: if you love life, life will love you back!" What a wonderful insight! That philosophy explains how a man in his eighties can continue to be so creative. For life is simply filled with exciting blessings for everybody. They're ours if we give enough of ourselves to life!”

“Opinion in all parts of the world would agree that Rachmaninoff is the most complete of living masters of the instrument; his technique is comprehensive, and he is, of course, musical to his bone's marrow. Most important of all, he is a composer, and for this reason he is able to approach a work as none of his pianist contemporaries can approach one - that is, from the inside, as an organic and felt creative process.”

“In order to even begin to learn how to play his instrument, it takes the guitarist weeks to build calluses on his fingertips; it takes the saxophonist months to strengthen his lip so that he might play his instrument for only a five-minute stretch; it can take the pianist years to develop dual hand and multiple finger coordination. Why do writers assume they can just “write” with no training whatsoever-and then expect, on their first attempt, to be published internationally? What makes them think they're so much inherently greater, need so much less training than any other artists?”

“What is scurrilously called ragtime is an invention that is here to stay. That is now conceded by all classes of musicians... All publication s masquerading under the name of ragtime are not the genuine article... That real ragtime of the higher class is rather difficult to play is a painful truth which most pianists have discovered. Syncopations are no indication of light or trashy music... Joplin ragtime is destroyed by careless or imperfect rendering, and very often players lost the effect entirely by playing too fast.”

“Pianists of extraordinary talent, such as Christina Petrowska,spend a large part of their early lives perfecting technique…Miss Petrowska,a Canadian with a phenomenal ability to play the most difficult music cleanly, gave a demonstration of her achievements at Carnegie Recital Hall. A product of the Juilliard School who studied with Karlheinz Stockhausen and Gyorgy Ligeti in Europe, Miss Petrowska built most of her program around fiercely difficult contemporary works. She has fingers that work like chrome-plated pistons, and her high-seated position let her bring pulverizing power to bear.”

“As a pianist, our particular role is to enter a piece and its logic and create a particular interpretation from our understanding. The most important thing for the performer is, after all, to create a special atmosphere - we enter the composer's feelings and emotions and recreate them freshly for a given audience.”

“The study of how substances alter gene expression is part of the field of epigenetics. Some chemical exposures appear to turn on and turn off genes in ways that disregulate cell growth and predispose for cancer. From this perspective, our genes are less the command-and-control masters of our cells and more like the keys of piano, with the environment as the hands of the pianist.”