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Midwest Quotes

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Midwest Quotes

“He hated winter. The same gray sky lay on the ground, day after day, gray as industrial smoke, and in the sky the ground floated like a street that's been salted, and his closets were cold, holes wore through his pockets, and he was lonely, indoors and out, with a loneliness like the loneliness of overshoes or someone else's cough.”

“Without a shadow of a doubt, the first fiction ever recounted was fantasy. Guys sitting around the campfire— Was it you who wrote the review? I thought I recognized it— Guys sitting around the campfire telling each other stories about the gods who made lightning, and stuff like that. They did not tell one another literary stories. They did not complain about difficulties of male menopause while being a junior lecturer on some midwestern college campus. Fantasy is without a shadow of a doubt the ur-literature, the spring from which all other literature has flown. Up to a few hundred years ago no one would have disagreed with this, because most stories were, in some sense, fantasy. Back in the middle ages, people wouldn’t have thought twice about bringing in Death as a character who would have a role to play in the story. Echoes of this can be seen in Pilgrim’s Progress, for example, which hark back to a much earlier type of storytelling. The epic of Gilgamesh is one of the earliest works of literature, and by the standard we would apply now— a big muscular guys with swords and certain godlike connections— That’s fantasy. The national literature of Finland, the Kalevala. Beowulf in England. I cannot pronounce Bahaghvad-Gita but the Indian one, you know what I mean. The national literature, the one that underpins everything else, is by the standards that we apply now, a work of fantasy. Now I don’t know what you’d consider the national literature of America, but if the words Moby Dick are inching their way towards this conversation, whatever else it was, it was also a work of fantasy. Fantasy is kind of a plasma in which other things can be carried. I don’t think this is a ghetto. This is, fantasy is, almost a sea in which other genres swim. Now it may be that there has developed in the last couple of hundred years a subset of fantasy which merely uses a different icongraphy, and that is, if you like, the serious literature, the Booker Prize contender. Fantasy can be serious literature. Fantasy has often been serious literature. You have to fairly dense to think that Gulliver’s Travels is only a story about a guy having a real fun time among big people and little people and horses and stuff like that. What the book was about was something else. Fantasy can carry quite a serious burden, and so can humor. So what you’re saying is, strip away the trolls and the dwarves and things and put everyone into modern dress, get them to agonize a bit, mention Virginia Woolf a few times, and there! Hey! I’ve got a serious novel. But you don’t actually have to do that.”

“She had lived in eight different countries growing up and had visited dozens of others. To most people, this sounded cool, and in some ways, Ayers knows, it was cool, or parts of it were. But since humans are inclined to want what they don't have, she longed to live in America, preferably the solid, unchanging, undramatic Midwest, and attend a real high school, the kind shown in movies, complete with a football team, cheerleaders, pep rallies, chemistry labs, summer reading lists, hall passes, proms, detentions, assemblies, fund-raisers, lockers, Spanish clubs, marching bands, and the dismissal bell.”

“With all this snow, with the sun not there, with the cold and dreariness, this place doesn't look like my America, doesn't even look real. It's like we are in a terrible story, like we're in the crazy parts of the Bible, there where God is busy punishing people for their sins and is making them miserable with all the weather. The sky, for example, has stayed white all this time I have been here, which tells you that something is not right. Even the stones know that a sky is supposed to be blue, like our sky back home, which is blue, so blue you can spray Clorox on it and wipe it with a paper towel and it wouldn't even come off.”

“One of the few things I still miss from my Midwest childhood was this weird, deluded but unshakable conviction that everything around me existed all and only For Me. Am I the only one who had this queer deep sense as a kid? -- that everything exterior to me existed only insofar as it affected me somehow? -- that all things were somehow, via some occult adult activity, specially arranged for my benefit?”

“The wind comes across the plains not howling but singing. It's the difference between this wind and its big-city cousins: the full-throated wind of the plains has leeway to seek out the hidden registers of its voice. Where immigrant farmers planted windbreaks a hundred and fifty years ago. it keens in protest; where the young corn shoots up, it whispers as it passes, crossing field after field in its own time, following eastward trends but in no hurry to find open water. You can't usually see it in paintings, but it's an important part of the scenery.”

“Rosie and Mary had taken only a 10 percentage of this privilege - they were three minutes late leaving their room and took the second bus that went past rather than the first just so they could feel themselves standing at a bus stop in Manhattan, New York, surrounded by people who were short, dark and voluble rather than tall, blond and silent. The fatal part was the bus they got on. They, of course stood, because they had been taught to do so, out of respect to everyone else in the whole world - they were from the Midwest and deference was their habit and their training. ......."Did you see that?" "What?" replied Mary "That woman." "God, she was rude," said Mary. And from that statement Rosalind knew that Mary would live the rest of her life in the Midwest, which she did.”

“Shake Shack- The now multinational, publicly traded fast-food chain was inspired by the roadside burger stands from Danny's youth in the Midwest and serves burgers, dogs, and concretes- frozen custard blended with mix-ins, including Mast Brothers chocolate and Four & Twenty Blackbirds pie, depending on the location. Blue Smoke- Another nod to Danny's upbringing in the Midwest, this Murray Hill barbecue joint features all manner of pit from chargrilled oysters to fried chicken to seven-pepper brisket, along with a jazz club in the basement. Maialino- This warm and rustic Roman-style trattoria with its garganelli and braised rabbit and suckling pig with rosemary potatoes is the antidote to the fancy-pants Gramercy Park Hotel, in which it resides. Untitled- When the Whitney Museum moved from the Upper East Side to the Meatpacking District, the in-house coffee shop was reincarnated as a fine dining restaurant, with none other than Chef Michael Anthony running the kitchen, serving the likes of duck liver paté, parsnip and potato chowder, and a triple chocolate chunk cookie served with a shot of milk. Union Square Café- As of late 2016, this New York classic has a new home on Park Avenue South. But it has the same style, soul, and classic menu- Anson Mills polenta, ricotta gnocchi, New York strip steak- as it first did when Danny opened the restaurant back in 1985. The Modern- Overlooking the Miró, Matisse, and Picasso sculptures in MoMA's Sculpture Garden, the dishes here are appropriately refined and artistic. Think cauliflower roasted in crab butter, sautéed foie gras, and crispy Long Island duck.”

“Na biblioteca da universidade passeava entre a estantes, em meio a milhares de livros, inalando o odor mofado do couro, do tecido e das páginas ressecadas como se fosse um incenso exótico. Às vezes se detinha, tirava um volume das prateleiras e o segurava em suas mãos grandes, que vibravam com o contato, ainda insólito, com a lombada, a capa e as páginas dóceis. Depois, folheava o livro, lendo um parágrafo aqui e ali, seus dedos rígidos virando as páginas, quase temerosos de destruir com seu desajeitamento o precioso conteúdo. Não tinha amigos, pela primeira vez em sua vida teve consciência de sua solidão. Às vezes, de noite em seu sótão, erguia os olhos de um livro que estava lendo e espiava os cantos escuros de seu quarto, onde a luz do lampião tremulava contra as sombras. Se olhasse fixo e atentamente, a escuridão se reuniria numa luz, que assumia a forma insubstancial do que estivera lendo. E ele sentia que estava fora do tempo, como sentira naquele dia na aula em que Archer Sloane falara com ele. O passado avolumava-se da escuridão onde jazia, e os mortos se erguiam para viver à sua frente, e juntos, fluíam para o presente entre os vivos, e assim, por um intenso instante, ele tinha a sensação de unir-se a eles numa única e densa realidade da qual não podia escapar. Tristão, Isolda a bela, caminhavam à sua frente; Helena, e o brilhantes Paris, seus rostos graves de amargura, erguiam-se da treva. E Stoner se sentia mais próximo deles do que de seus colegas que iam de aula em aula, hospedados numa grande universidade em Columbia, no Missouri, e que caminhavam distraídos em meio ao ar do Midwest.”

“They are the largest collection of freshwater lakes in the world. They border eight U.S. states and the Canadian Providence of Ontario and at time have supplied water to one-third of Canadians and one-seventh of Americans. They're vaster than the entire New England region and define beachfront to many people who have never seen an ocean.”

“Just because my ancestor built a flipping castle in a place like Wisconsin, this is the kind of attention we get?" "It's not the only castle in the Midwest," Cleo offered, hoping to diffuse the situation. They stood around Stasia's car, no one getting in. Dave leaned against the trunk of his own vehicle parked ahead of Stasia's. "No. It's not," Stasia agreed. "There's one in Ohio. Built by German immigrants.”

“Closing his eyes, he held her tightly and sifted place in a general southerly direction, pushing to the farthest limits his diminished power could carry him. The moment he rematerialized, he instantly sifted again, arms locked around her. Railroad track. Sift. Grocery store. Keep moving. Roof of a house. Sift. Cornfield. Sift. Cornfield. Sift. Cornfield. Sift. Cornfield. Bloody Midwest. Sift.”

“All I know is that the fear I have been battling all night is breaking down the door of my ignorance. As my feet slam down I feel not the hard, wet asphalt but the soft Persian rug that led to the staircase in my father’s home. In the glow of lightning the dancing trees are illuminated but I see my mother in the glow of candlelight, spinning, twirling, her hair fanned out behind her. It is falling over me, saturating my thoughts, and I cannot. I cannot let it in.”

“Christina Baker Kline writes exquisitely about two unlikely friends—one, a 91-year-old survivor of the grinding poverty of rural Ireland, immigrant New York and the hardscrabble Midwest; and the other, a casualty of a string of foster homes—each struggling to transcend a past of isolation and hardship. Orphan Train will hold you in its grip as their fascinating tales unfold.”

“Yes, I direct commercials as well. I get these really weird offers and then I have to bid on them and win the job. One offer that I have now, and I've already done this last year for the same company, is for Cash Value Cheese, this cheese out in the midwest. I did two spots for them last year and I'm going to probably do three this year. I also did some for the Utah Transit Authority, which was weird and interesting and they turned out really funny - they actually won an award.”

“You can go back to tulip bulbs in Holland 400 years ago. The human beings going through combinations of fear and greed and all of that sort of thing, their behavior can lead to bubbles. And it may have had and Internet bubble at one time, you've had a farm bubble, farmland bubble in the Midwest which resulted in all kinds of tragedy in the early '80s.”

“Our fathers and grandfathers who poured over the Midwest were self-reliant, rugged, God-fearing people of indomitable courage...They asked only for freedom of opportunity and equal chance. In these conceptions lies the real basis of American democracy. They and their fathers give a genius to American institutions that distinguished our people from any other in the world.”

“Being a military child, we moved a lot and we developed different vernaculars from moving from the south, to the Midwest, and seeing the world. Going from New York to California and from Jamaica Queens to the South, I was always the new kid, or had the army crew haircut. I expected people to pick up on me. My brother kinda stole all of my old jokes. He got his inspiration from me.”