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Ireland Quotes

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Ireland Quotes

“And inspiration will come also from the hero-stories of the world, and especially of our own people; from science and art if taught by people who are really scientists and artists, and not merely persons with certificates from Mr T W Russell; from literature enjoyed as literature and not studied as ‘texts’; from the associations of the school place; finally and chiefly from the humanity and great-heartedness of the teacher.”

SchoolEducationMythologyIrelandEducational PhilosophyGaelscoil
Book:The Murder Machine and Other Essays
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“«Mancano venti miglia a Limerick» disse, mostrandosi molto interessata al percorso. «So leggere i cartelli, grazie» rispose lui, gelido. Piera sbuffò. «Volevo solo rendermi utile, non mettere in dubbio le tue doti di maschio alfa!» La frase le uscì male, provocatoria senza volerlo essere, e infatti, piccato, lui emise un ah! alquanto sarcastico e batté il pugno con violenza sul volante, facendo suonare il clacson. Piera sussultò, sorpresa se non spaventata. «Mi sento di tutto, ti assicuro, tranne che maschio, alfa, beta o delta che sia.» Ecco, ci siamo. «E per il quieto vivere» proseguì lui, «farò persino finta che la notte scorsa tu non mi abbia trattato come un sex-toy…» Questa volta un ah! sarcastico uscì dalle labbra di Piera. «Un sex cosa? Scusa, non ho capito bene.» «Un sex-toy.» «Non so neppure cosa sia.» «Non ne avevo il minimo dubbio.» «Lo prendo come un complimento.» «Prendilo come vuoi. Coniglietti, AH!» «Cosa c’entrano i conigli, adesso?» «Lascia perdere.» «No, spiegati, per favore.» «Una che dorme con dei conigli addosso non può certo sapere cosa sia un sex-toy.» «Ohhh! La mia camicia da notte non è di tuo gusto? Va’ al diavolo, Jean!»”

IrelandRomantic ComedyFotografiaBeatlesFemmine FolliGatto Rosso
Book:Vuoi vedere che è proprio amore?
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“God and religion before every thing!' Dante cried. 'God and religion before the world.' Mr Casey raised his clenched fist and brought it down on the table with a crash. 'Very well then,' he shouted hoarsely, 'if it comes to that, no God for Ireland!' 'John! John!' cried Mr Dedalus, seizing his guest by the coat sleeve. Dante stared across the table, her cheeks shaking. Mr Casey struggled up from his chair and bent across the table towards her, scraping the air from before his eyes with one hand as though he were tearing aside a cobweb. 'No God for Ireland!' he cried, 'We have had too much God in Ireland. Away with God!”

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Book:A Portrait of the Artist as a Young Man
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“But after he had been singing awhile, mist and shadows seemed to gather about him, sometimes coming out of the sea, and sometimes moving upon it. It seemed to him that one of the shadows was the queen-woman he had seen in her sleep at Slieve Echtge; not in her sleep now, but mocking, and calling out to them that were behind her: 'He was weak, he was weak, he had no courage.' And he felt the strands of the rope in his hand yet, and went on twisting it, but it seemed to him as he twisted, that it had all the sorrows of the world in it. And then it seemed to him as if the rope had changed in his dream into a great water-worm that came out of the sea, and that twisted itself about him, and held him closer and closer, and grew from big to bigger till the whole of the earth and skies were wound up in it, and the stars themselves were but the shining of the ridges of its skin. And then he got free of it, and went on, shaking and unsteady, along the edge of the strand, and the grey shapes were flying here and there around him. And this is what they were saying, 'It is a pity for him that refuses the call of the daughters of the Sidhe, for he will find no comfort in the love of the women of the earth to the end of life and time, and the cold of the grave is in his heart for ever. It is death he has chosen; let him die, let him die, let him die.”

LoveDeathStarsFateSeaMythologyIrelandFaerieFolkloreSidhe
Book:Stories of Red Hanrahan
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“Kit: Is all this [visit to Northern Ireland] doin' your head in? Rodney: Bloody Hell, no, anything but. I've really enjoyed myself. Peter's soddin' hilarious, he really is. It's just a bit weird, that's all. And all of you being so used to it, that makes it even weirder. I mean, you've got those guys in there [the British soldiers], and that story of Peter's... There might have really been a bomb, but to him, it's just a funny story to tell... Kit: Aye, which is how you know people are really gettin' used to somethin'-- they laugh at it. An' those fellas in there were just part of the queue, part of the background. An' that's the way it is. Most've the time.”

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Book:Hellblazer: Rake at the Gates of Hell
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“The matter on which I judge people is their willingness, or ability, to handle contradiction. Thus Paine was better than Burke when it came to the principle of the French revolution, but Burke did and said magnificent things when it came to Ireland, India and America. One of them was in some ways a revolutionary conservative and the other was a conservative revolutionary. It's important to try and contain multitudes. One of my influences was Dr Israel Shahak, a tremendously brave Israeli humanist who had no faith in collectivist change but took a Spinozist line on the importance of individuals. Gore Vidal's admirers, of whom I used to be one and to some extent remain one, hardly notice that his essential critique of America is based on Lindbergh and 'America First'—the most conservative position available. The only real radicalism in our time will come as it always has—from people who insist on thinking for themselves and who reject party-mindedness.”

PoliticsUnited StatesInfluenceRevolutionIndiaHumanismIsraelContradictionIndividualismIrelandConservatismCollectivismFrench RevolutionPartisanshipRadicalismFree ThoughtThomas PaineSpinozismEdmund BurkeGore VidalAmerica First CommitteeCharles LindberghIsrael Shahak
Book:Christopher Hitchens and His Critics: Terror, Iraq, and the Left
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“A long mile southeast of the village of Glenarm, on the Antrim Coast Road, in the province of Ulster, there stands by the sea a monument to grief. . . .It is a natural formation of stacked limestone boulders, something like an archway, with a large aperture near its center. A local landmark, it's known as the Madman's Window. This is the story I have heard: Long ago, a woman died at sea, in the waters onto which the window gives view. There was a man who loved her, who would not accept that she was dead. From the day she went missing until his own death, he gazed through that stony window every day, hoping he would catch sight of her out there on the sea, alive, alive and calling for him. And when he saw her, he would jump into those cold waters, and bring her back to shore, back to him. It was against reason, an act of wishful thinking. An act of grief wanting to be something other than grief. There were many deaths at sea in this part of the world. Everyone else knew that the woman he loved was dead, and they believed he had gone mad. If he was a madman, it is because loss had led him to despair. It is because without the one he loved, he could not be whole, could not even imagine it. Because grief, I know can drive us mad.”

GriefMadnessIrelandAntrimDeath At SeaMadman S WindowMonument To Grief
Book:The Slow Road North: How I Found Peace in an Improbable Country
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“Despite an icy northeast wind huffing across the bay I sneak out after dark, after my mother falls asleep clutching her leather Bible, and I hike up the rutted road to the frosted meadow to stand in mist, my shoes in muck, and toss my echo against the moss-covered fieldstone corners of the burned-out church where Sunday nights in summer for years Father Thomas, that mad handsome priest, would gather us girls in the basement to dye the rose cotton linen cut-outs that the deacon’s daughter, a thin beauty with short white hair and long trim nails, would stitch by hand each folded edge then steam-iron flat so full of starch, stiffening fabric petals, which we silly Sunday school girls curled with quick sharp pulls of a scissor blade, forming clusters of curved petals the younger children assembled with Krazy glue and fuzzy green wire, sometimes adding tissue paper leaves, all of us gladly laboring like factory workers rather than have to color with crayon stubs the robe of Christ again, Christ with his empty hands inviting us to dine, Christ with a shepherd's staff signaling to another flock of puffy lambs, or naked Christ with a drooping head crowned with blackened thorns, and Lord how we laughed later when we went door to door in groups, visiting the old parishioners, the sick and bittersweet, all the near dead, and we dropped our bikes on the perfect lawns of dull neighbors, agnostics we suspected, hawking our handmade linen roses for a donation, bragging how each petal was hand-cut from a pattern drawn by Father Thomas himself, that mad handsome priest, who personally told the Monsignor to go fornicate himself, saying he was a disgruntled altar boy calling home from a phone booth outside a pub in North Dublin, while I sat half-dressed, sniffing incense, giddy and drunk with sacrament wine stains on my panties, whispering my oath of unholy love while wiggling uncomfortably on the mad priest's lap, but God he was beautiful with a fine chiseled chin and perfect teeth and a smile that would melt the Madonna, and God he was kind with a slow gentle touch, never harsh or too quick, and Christ how that crafty devil could draw, imitate a rose petal in perfect outline, his sharp pencil slanted just so, the tip barely touching so that he could sketch and drink, and cough without jerking, without ruining the work, or tearing the tissue paper, thin as a membrane, which like a clean skin arrived fresh each Saturday delivered by the dry cleaners, tucked into the crisp black vestment, wrapped around shirt cardboard, pinned to protect the high collar.”

ReligionMadnessIrelandPriestThurber
Book:Nothing But Trouble
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“It has taken almost half my life away from Ireland for me to truly feel what home really is, and it is not what I was expecting. In the end it was not a place, or a past, or any sort of single, dazzling epiphany. It was all the little things. Cold butter spread thick on sweet wheaten bread or hot, subsiding potatoes; the scent of wet, black soil; a bushy spine of grass on a one-track road; wide iron gates leading to high beech corridors; the chalky smell of a cow's wet muzzle, and, most of all, in Seamus Heaney's words, the sound of rivers in the trees.”

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Book:Home: Recipes from Ireland
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“It has taken almost half my life away from Ireland for me to truly feel what home really is, and it is not what I was expecting. In the end it was not a place, or a past, or any sort of single, dazzling epiphany. It was all the little things. Cold butter spread thick on sweet wheaten bread or hot, subsiding potatoes; the scent of wet, black soil; a bushy spine of grass on a one-track road; wife iron gates leading to high beech corridors; the chalky smell of a cow's wet muzzle, and, most of all, in Seamus Heaney's words, the sound of rivers in the trees.”

HomeIdentityFoodIreland
Book:Home: Recipes from Ireland
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“Then the woman in the bed sat up and looked about her with wild eyes; and the oldest of the old men said: 'Lady, we have come to write down the names of the immortals,’ and at his words a look of great joy came into her face. Presently she, began to speak slowly, and yet eagerly, as though she knew she had but a little while to live, and, in English, with the accent of their own country; and she told them the secret names of the immortals of many lands, and of the colours, and odours, and weapons, and instruments of music and instruments of handicraft they held dearest; but most about the immortals of Ireland and of their love for the cauldron, and the whetstone, and the sword, and the spear, and the hills of the Shee, and the horns of the moon, and the Grey Wind, and the Yellow Wind, and the Black Wind, and the Red Wind. ("The Adoration of the Magi")”

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Author:W.B. Yeats
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“I awaken myself to the greatest lesson Ireland offers: that I must wake up to whatever place I find myself, wake up to its seasons and weather, its heritage and special beauties, its ultimate and indisputable holiness. I have news for you: spring comes everywhere with sweetness and hope. Summer's fullness becomes harvest, then the world sleeps through a dark time. This is the only truth: that just as Ireland is sacred, so all land is sacred, as we are all sacred. This is my news.”

MythMythologyIrelandSanctityCeltic MythologyTara
Book:The Red-Haired Girl from the Bog: The Landscape of Celtic Myth and Spirit
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“The Lake Isle of Innisfree I will arise and go now, and go to Innisfree, And a small cabin build there, of clay and wattles made; Nine bean-rows will I have there, a hive for the honey-bee, And live alone in the bee-loud glade. And I shall have some peace there, for peace comes dropping slow, Dropping from the veils of the morning to where the cricket sings; There midnight’s all a glimmer, and noon a purple glow, And evening full of the linnet’s wings. I will arise and go now, for always night and day I hear lake water lapping with low sounds by the shore; While I stand on the roadway, or on the pavements grey, I hear it in the deep heart’s core.”

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Book:The Collected Poems of W.B. Yeats
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“To seem the stranger lies my lot, my life Among strangers. Father and mother dear, Brothers and sisters are in Christ not near And he my peace, my parting and my strife. England, whose honour O all my heart woos, wife To my creating thought, would neither hear Me, were I pleading, plead nor do I: I wear y of idle a being but by where wars are rife. I am in Ireland now; now I am at a thírd Remove. Not but in all removes I can Kind love both give and get. Only what word Wisest my heart breeds dark heaven’s baffling ban Bars or hell’s spell thwarts. This to hoard unheard, Hear unheeded, leaves me a lonely began.”

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Book:Gerard Manley Hopkins Poems and Prose
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“I make my way back whistling. Gerry nods towards Mrs Brady who is standing beside the trolleys. Morning, Mrs Brady, I say cheerfully. I push her provisions out to the car. Things are something terrible, she says. You can't trust anybody. No. It's come to a sorry pass. It has. There's hormones in the beef and tranquillizers in the bacon. There's men with breasts and women with mickeys. All from eating meat. Now. I steer a path between a crowd of people while she keeps step alongside. Can you believe it - they're feeding the pigs Valium. If you boil a bit of bacon you have to lie down afterwards. Dear oh dear. Yes, I nod. The thought of food makes me ill. The pigs are getting depressed in those sheds. If they get depressed they lose weight. So they tranquillize them. Where will it end? I don't know, Mrs Brady, I say. I begin filling the boot. That's why I started buying lamb. Then along came Chernobyl. Now you can't even have lamb stew or you'll light up at night! I swear. And when they've left you with nothing safe to eat, next thing they come along and tell you you can't live in your own house. I haven't heard of that one, Mrs Brady. Listen to me. She took my elbow. It could all happen that you're in your own house and the next thing is there's radiation bubbling under the floorboards. What? It comes right at you through the foundations. Watch the yogurts. Did you hear of that? No. I saw it in the Champion. Did you not see it in the Champion? I might have. No wonder we're not right. I brought the lid of the boot down. She sits into the car very decorously and snaps her bag open on her lap. She winds down the window and gives me 50p for myself and £1 for the trolley.”

FoodHumourIrelandChernobyléIreScéal GrinnHealySligo
Book:Sudden Times
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“I, to Bennet, represented five pounds ten shillings' worth of goods bought at the market-place, and the buyer wanted, as a business man, to have his money's worth. The man was, of course, within his rights; everybody wants the worth of their money, and who was I, a boy bought for less than a spavined horse, to rail against the little sorrows which Destiny imposed upon me? I was only an article of exchange, something which represented so much amidst the implements and beasts of the farm; but having a hear and a soul I felt the position acutely.”

DestinyIrelandExchangeCounty TyroneFarm LabourJoe BennetMoney S Worth
Book:Children of the Dead End
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“Newcomers to manuscripts sometimes ask what such books tell us about the societies that created them. At one level, these Gospel Books describe nothing, for they are not local chronicles but standard Latin translations of religious texts from far away. At the same time, this is itself extraordinarily revealing about Ireland. No one knows how literacy and Christianity had first reached the islands of Ireland, possibly through North Africa. This was clearly no primitive backwater but a civilization which could now read Latin, although never occupied by the Romans, and which was somehow familiar with the texts and artistic designs which have unambiguous parallels in the Coptic and Greek churches, such as carpet pages and Canon tables. Although the Book of Kells itself is as uniquely Irish as anything imaginable, it is a Mediterranean text and the pigments used in making it include orpiment, a yellow made from arsenic sulphide, exported from Italy, where it is found in volcanoes. There are clearly lines of trade and communication unknown to us.”

LatinIrelandItalyAncient HistoryMedieval LiteratureMediterraneanBook Of KellsPigmentsTrade RoutesOrpiment
Book:Meetings with Remarkable Manuscripts
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“Why not admit that other people are always Organic to the self, that a monologue Is the death of language and that a single lion Is less himself, or alive, than a dog and another dog? With vision but it is vision builds the eye; And in a sense the children kill their parents But do the parents die? And the beloved destroys like fire or water But water sculpts and fire refines And if you are going to read the testaments of cynics You must read between the lines.”

PoetryPoemIrelandIrish PoetIrish PoetryLouis MacneiceMacneice
Book:Autumn Journal
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“Wicklow's Bounty: Ode to the Irish Strawberry by Stewart Stafford The Garden County's ruby hue; Juicy gush with tart aftertaste, Seeded cream teases the palate, A Summer afternoon without haste. Eireann's pride swallowed so well; Sunburst flesh, chilled bitterness, Enveloped in richest dairy pillows, Feel the divine fingerprint finesse. Amass nature's brief treasures, Don't wait, dear brother/sister, Before frosted breath chokes, Turning land's song into a whisper. © 2024, Stewart Stafford. All rights reserved.”

SummerFruitNostalgiaIrelandFood And DrinkCultural IdentityNature PoetryStrawberryIrish LiteratureSensory Detail
Author:Stewart Stafford
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“I painlessly came to realize that the reverence I felt for the holiness of life is not ever likely to be entirely at home in organized religion. It was later, when I was able to travel farther , that the presence of holiness and mystery seemed, as far as my vision was able to see, to descend into the windows of Chartres, the stone peasant figures of Autun, the tall sheets of gold on the walls of Torcello that reflected the light of the sea; in the frescoes of Piero, of Giotto; in the shell of a church wall in Ireland still standing on a floor of sheep-cropped grass with no ceiling other than he changing sky.”

LifeReligionChurchMysterySkyTravelHolinessReverenceIrelandGiottoChartresAutunPieroTorcello
Book:On Writing
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“Early Summer, loveliest season, The world is being colored in. While daylight lasts on the horizon, Sudden, throaty blackbirds sing. The dusty-colored cuckoo cuckoos. "Welcome, summer" is what he says. Winter's unimaginable. The wood's a wickerwork of boughs. Summer means the river's shallow, Thirsty horses nose the pools. Long heather spreads out on bog pillows. White bog cotton droops in bloom. Swallows swerve and flicker up. Music starts behind the mountain. There's moss and a lush growth underfoot. Spongy marshland glugs and stutters. Bog banks shine like ravens' wings. The cuckoo keeps on calling welcome. The speckled fish jumps; and the strong Swift warrior is up and running. A little, jumpy, chirpy fellow Hits the highest note there is; The lark sings out his clear tidings. Summer, shimmer, perfect days.”

PoetrySummerIrelandFolkloreFinn MccoolFionn Mac Cumhaill
Book:The Names Upon the Harp: Irish Myth and Legend
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