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A Portrait of the Artist as a Young Man

Book by James Joyce · 37 quotes · Love, Heart, Instant

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A Portrait of the Artist as a Young Man Quotes

“Imagine some foul and putrid corpse that has lain rotting and decomposing in the grave, a jelly-like mass of liquid corruption. Imagine such a corpse a prey to flames, devoured by the fire of burning brimstone and giving off dense choking fumes of nauseous loathsome decomposition. And then imagine this sickening stench, multiplied a millionfold and a millionfold again from the millions upon millions of fetid carcasses massed together in the reeking darkness, a huge and rotting human fungus. Imagine all this, and you will have some idea of the horror of the stench of hell.”

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“Her image had passed into his soul for ever and no word had broken the holy silence of his ecstasy. Her eyes had called him and his soul had leaped at the call. To live, to err, to fall, to triumph, to recreate life out of life! A wild angel had appeared to him, the angel of mortal youth and beauty, an envoy from the fair courts of life, to throw open before him in an instant of ecstasy the gates of all the ways of error and glory. On and on and on and on!”

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“As he crossed the square, walking homeward, the light laughter of a girl reached his burning ear. The frail gay sound smote his heart more strongly than a trumpet-blast, and, not daring to lift his eyes, he turned aside and gazed, as he walked, into the shadow of the tangled shrubs. Shame rose from his smitten heart and flooded his whole being. The image of Emma appeared before him, and under her eyes the flood of shame rushed forth anew from his heart. If she knew to what his mind had subjected her or how his brutelike lust had torn and trampled upon her innocence! Was that boyish love? Was that chivalry? Was that poetry? The sordid details of his orgies stank under his very nostrils. The sootcoated packet of pictures which he had hidden in the flue of the fireplace and in the presence of whose shameless or bashful wantonness he lay for hours sinning in thought and deed; his monstrous dreams, peopled by apelike creatures and by harlots with gleaming jewel eyes; the foul long letters he had written in the joy of guilty confession and carried secretly for days and days only to throw them under cover of night among the grass in the corner of a field or beneath some hingeless door in some niche in the hedges where a girl might come upon them as she walked by and read them secretly. Mad! Mad! Was it possible he had done these things? A cold sweat broke out upon his forehead as the foul memories condensed within his brain.”

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“Her room was warm and lightsome. A huge doll sat with her legs apart in the copious easy-chair beside the bed. He tried to bid his tongue speak that he might seem at ease, watching her as she undid her gown, noting the proud conscious movements of her perfumed head. As he stood silent in the middle of the room she came over to him and embraced him gaily and gravely. Her round arms held him firmly to her and he, seeing her face lifted to him in serious calm and feeling the warm calm rise and fall of her breast, all but burst into hysterical weeping. Tears of joy and relief shone in his delighted eyes and his lips parted though they would not speak. She passed her tinkling hand through his hair, calling him a little rascal. —Give me a kiss, she said. His lips would not bend to kiss her. He wanted to be held firmly in her arms, to be caressed slowly, slowly, slowly. In her arms he felt that he had suddenly become strong and fearless and sure of himself. But his lips would not bend to kiss her. With a sudden movement she bowed his head and joined her lips to his and he read the meaning of her movements in her frank uplifted eyes. It was too much for him. He closed his eyes, surrendering himself to her, body and mind, conscious of nothing in the world but the dark pressure of her softly parting lips. They pressed upon his brain as upon his lips as though they were the vehicle of a vague speech; and between them he felt an unknown and timid pressure, darker than the swoon of sin, softer than sound or odour.”

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“His sensitive nature was still smarting under the lashes of an undivided and squalid way of life. His soul was still disquieted and cast down by the dull phenomenon of Dublin. He had emerged from a two years' spell of revery to find himself in the midst of a new scene, every event and figure of which affected him intimately, disheartened him or allured and, whether alluring or disheartening, filled him always with unrest and bitter thoughts. All the leisure which his school life left him was passed in the company of subversive writers whose jibes and violence of speech set up a ferment in his brain before they passed out of it into his crude writings.”

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“Mândrie, nădejde, dorință, ca niște ierburi strivite în inima lui, înălțau aburii unei tămâi înnebunitoare către ochii minții. Alerga la vale în iureșul aburilor de mândrie rănită, nădejde pierdută și dorință contrariată, fără de veste stârniți. Țâșneau înalțându-se în fumuri dense și înnebunitoare dinaintea ochilor săi chinuiți și se risipiră deasupră-i , până când, în sfârșit, aerul fu iarăși limpede și rece.”

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“—Then, said Cranly, you do not intend to become a protestant? —I said that I had lost the faith, Stephen answered, but not that I had lost self-respect. What kind of liberation would that be to forsake an absurdity which is logical and coherent and to embrace one which is illogical and incoherent?”

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“God and religion before every thing!' Dante cried. 'God and religion before the world.' Mr Casey raised his clenched fist and brought it down on the table with a crash. 'Very well then,' he shouted hoarsely, 'if it comes to that, no God for Ireland!' 'John! John!' cried Mr Dedalus, seizing his guest by the coat sleeve. Dante stared across the table, her cheeks shaking. Mr Casey struggled up from his chair and bent across the table towards her, scraping the air from before his eyes with one hand as though he were tearing aside a cobweb. 'No God for Ireland!' he cried, 'We have had too much God in Ireland. Away with God!”

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“You have asked me what I would do and what I would not do. I will tell you what I will do and what I will not do. I will not serve that in which I no longer believe, whether it call itself my home, my fatherland, or my church: and I will try to express myself in some mode of life or art as freely as I can and as wholly as I can, using for my defence the only arms I allow myself to use— silence, exile, and cunning.”

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“Such moments passed and the wasting fires of lust sprang up again. The verses passed from his lips and the inarticulate cries and the unspoken brutal words rushed forth from his brain to force a passage. His blood was in revolt. He wandered up and down the dark slimy streets peering into the gloom of lanes and doorways, listening eagerly for any sound. He moaned to himself like some baffled prowling beast. He wanted to sin with another of his kind, to force another being to sin with him and to exult with her in sin. He felt some dark presence moving irresistibly upon him from the darkness, a presence subtle and murmurous as a flood filling him wholly with itself. Its murmur besieged his ears like the murmur of some multitude in sleep; its subtle streams penetrated his being. His hands clenched convulsively and his teeth set together as he suffered the agony of its penetration. He stretched out his arms in the street to hold fast the frail swooning form that eluded him and incited him: and the cry that he had strangled for so long in his throat issued from his lips. It broke from him like a wail of despair from a hell of sufferers and died in a wail of furious entreaty, a cry for an iniquitous abandonment, a cry which was but the echo of an obscene scrawl which he had read on the oozing wall of a urinal.”

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“—Alone, quite alone. You have no fear of that. And you know what that word means? Not only to be separate from all others but to have not even one friend. —I will take the risk, said Stephen. —And not to have any one person, Cranly said, who would be more than a friend, more even than the noblest and truest friend a man ever had.”

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“A girl stood before him in midstream, alone and still, gazing out to sea. She seemed like one whom magic had changed into the likeness of a strange and beautiful seabird. Her long slender bare legs were delicate as a crane's and pure save where an emerald trail of seaweed had fashioned itself as a sign upon the flesh. Her thighs, fuller and soft-hued as ivory, were bared almost to the hips, where the white fringes of her drawers were like feathering of soft white down. Her slate-blue skirts were kilted boldly about her waist and dovetailed behind her. Her bosom was as a bird's, soft and slight, slight and soft as the breast of some dark-plumaged dove. But her long fair hair was girlish: and girlish, and touched with the wonder of mortal beauty, her face.”

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“Dinspre teatrul ce-l avea acum în față venea înăbușit zgomotul publicului și câte o subită izbucnire metalică de-a fanfarei militare. Lumina iradia în sus prin acoperișul de sticlă, dând teatrului o înfățișare de arcă festivă, ancorată printre casele greoaie, priponită de țărm cu delicatele lanțuri ale lampioanelor. O ușă laterală a teatrului se deschise brusc și o suliță de lumină zbură pieziș peste peluze. O subită izbucnire de muzică țâșni din arcă, preludiul unui vals; și când ușa laterală se închise din nou, ascultătorul mai auzea ritmul stins al muzicii. ... Neliniștea îl părăsi, ieși din el ca o undă de sunet; purtată de valurile muzicii curgătoare, arca pornise în călătorie trăgându-și pe urmele ei lanțurile de lampioane. Dar un zgomot ca al unei artilerii de pitici îi curmă înaintarea. Erau aplauzele care salutau intrarea în scenă...”

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