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Book Of Kells Quotes

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Book Of Kells Quotes

“Newcomers to manuscripts sometimes ask what such books tell us about the societies that created them. At one level, these Gospel Books describe nothing, for they are not local chronicles but standard Latin translations of religious texts from far away. At the same time, this is itself extraordinarily revealing about Ireland. No one knows how literacy and Christianity had first reached the islands of Ireland, possibly through North Africa. This was clearly no primitive backwater but a civilization which could now read Latin, although never occupied by the Romans, and which was somehow familiar with the texts and artistic designs which have unambiguous parallels in the Coptic and Greek churches, such as carpet pages and Canon tables. Although the Book of Kells itself is as uniquely Irish as anything imaginable, it is a Mediterranean text and the pigments used in making it include orpiment, a yellow made from arsenic sulphide, exported from Italy, where it is found in volcanoes. There are clearly lines of trade and communication unknown to us.”

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Book:Meetings with Remarkable Manuscripts
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“The original is displayed in a special darkened shrine now called the Treasury, at the eastern end of the library at Trinity College in Dublin, and over 520,000 visitors queue to see it every year, buying colored and numbered admission tickets to the Book of Kells exhibition. More than 10,000,000 people filed past the glass cases in the first two decades after the opening of the present display in 1992. The daily line of visitors waiting to witness a mere Latin manuscript are almost incredible. There are signposts to the 'Book of Kells' across Dublin. The new tram stop outside the gates of Trinity College is named after the manuscript. No other medieval manuscript is such a household name, even if people are not always sure what it is.”

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Book:Meetings with Remarkable Manuscripts
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“The writing, in huge insular majuscule script, is flawless in its regularity and utter control. One can only marvel at the penmanship. It is calligraphic and as exact as printing, and yet it flows and shapes itself into the space available. It sometimes swells and seems to take breath at the ends of lines. The decoration is more extensive and more overwhelming than one could possibly imagine. Virtually every line is embellished with color or ornament.”

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Book:Meetings with Remarkable Manuscripts
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“The 'most precious object of the Western world' is now a national monument of Ireland at the very highest level. It is probably the most famous and perhaps the most emotively charged medieval book of any kind. It is the iconic symbol of Irish culture. It is included in the Memory of the World Register compiled by UNESCO. A design echoing the Book of Kells was used on the former penny coin of Ireland (1971 to 2000) and on a commemorative twenty-euro piece in 2012. One of its initials was shown on the reverse of the old Irish five-pound banknote. It has been illustrated on the country's postage stamps. Probably every Irish bar in the world has some reflexion of its script or decoration.”

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Book:Meetings with Remarkable Manuscripts
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“the extraordinary carelessness with which the text has been handled [...] a more than normal share of errors, even by the stanards of the time. The treatment of the canon-tables [...] is unbelievably irresponsible [...] It looks as if the Kells scribe did not care very much, knowing that nobody was going to use the volume for reference, and that it had, first of all, to be a beatiful object.”

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Book:The Book of Kells: Reproductions from the Manuscript in Trinity College Dublin
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“Why resist the Iona hypthesis? In part to play devil's advocate, but mostly because the wit, verve and apparent sponteneity - the daredevil quality of the Book of Kells is not in evidence in Iona. It is, however, abundantly present in Pictish sculpture, and thanks to new research we now know that Pictland has a monastic site that once rivalled Iona.”

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Book:The Book of Kells: Unlocking the Enigma
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