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Landscape Quotes

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Landscape Quotes

“The landscape was there, and more than ever he felt he could not reach it. The rocks and the sky were everywhere, ready to absolve him, but as always he carried the obstacle within him. He would have said that as he looked at them, the rocks and the sky ceased being themselves, that in the act of passing into his consciousness, they became impure. It was slight consolation to be able to say to himself: "I am stronger than they.”

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Book:The Sheltering Sky
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“The only real voyage consists not in seeking new landscapes, but in having new eyes; in seeing the universe through the eyes of another, one hundred others-in seeing the hundred universes that each of them sees. Marcel Proust, translated by Kiyotesong”

WonderJourneyDiversityOptimismSeekingLandscapeOpen MindOpen Heart
Book:Pronoia Is the Antidote for Paranoia: How the Whole World Is Conspiring to Shower You with Blessings
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“(I dreamt of a long trip) I dreamt of contemplating Your eyes, your hair - their colors The sun would leave in his hours. I dreamt of your seasons -Your body leaned against my horizon. I dreamt of your face I dreamt of your hands I dreamt of your kisses I dreamt of a symphony Just few notes accompanied -I dreamt of your wrists. I dreamt of your heart Of everything you emanate The perfume that your soul wears I dreamt of your smile To hear you laugh, and cry -I dreamt of seeing you alive I dreamt of your presence From your silence And all your metamorphoses (I dreamed of a long trip) Around your closed eyelids.”

LoveRomanceSilenceJourneyLandscapeSoulmates
Author:Emmanuelle Soni-Dessaigne
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“I grow into these mountains like a moss. I am bewitched. The blinding snow peaks and the clarion air, the sound of earth and heaven in the silence, the requiem birds, the mythic beasts, the flags, great horns, and old carved stones, the silver ice in the black river, the Kang, the Crystal Mountain. Also, I love the common miracles-the murmur of my friends at evening, the clay fires of smudgy juniper, the coarse dull food, the hardship and simplicity, the contentment of doing one thing at a time… gradually my mind has cleared itself, and wind and sun pour through my head, as through a bell. Though we talk little here, I am never lonely; I am returned into myself. In another life-this isn’t what I know, but how I feel- these mountains were my home; there is a rising of forgotten knowledge, like a spring from hidden aquifers under the earth. To glimpse one’s own true nature is a kind of homegoing, to a place East of the Sun, West of the Moon- the homegoing that needs no home, like that waterfall on the supper Suli Gad that turns to mist before touching the earth and rises once again to the sky.”

NatureBeautyMeditationBuddhismZenLandscapeHolinessMountainsSacrednessSacred Places
Book:The Snow Leopard
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“I picked up one and then a second and then a third of these stones, finding them at about the rate of one stone to the acre. And here is where my adventure became magical, for in a striking foreshortening of time that embraced thousands of years, I had become the witness of this miserly rain from the stars. the marvel of marvels was that there on the rounded back of the planet, between this magnetic sheet and those stars, a human consciousness was present in which as in a mirror that rain could be reflected.”

TimeConsciousnessMagicAdventureHumanWitnessDesertLandscape
Book:Wind, Sand and Stars
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“Another sort of landscape poetry is to be found in Wordsworth, for whom the title of poet of nature might perhaps be claimed. To him the landscape is an influence. What he renders, beyond such pictorial touches as language is capable of, is the moral inspiration which the scene brings to him. This moral inspiration is not drawn at all from the real processes of nature which every landscape manifests in some aspect and for one moment. Such would have been the method of Lucretius; he would have passed imaginatively from the landscape to the sources of the landscape; he would have disclosed the poetry of matter, not of spirit. Wordsworth, on the contrary, dwells on adventitious human matters. He is no poet of genesis, evolution, and natural force in its myriad manifestations. Only a part of the cosmic process engages his interest, or touches his soul—the strengthening or chastening of human purposes by the influences of landscape. These influences are very real; for as food or wine keeps the animal heart beating, or quickens it, so large spaces of calm sky, or mountains, or dells, or solitary stretches of water, expand the breast, disperse the obsessions that cramp a man’s daily existence, and even if he be less contemplative and less virtuous than Wordsworth, make him, for the moment, a friend to all things, and a friend to himself. Yet these influences are vague and for the most part fleeting. Wordsworth would hardly have felt them so distinctly and so constantly had he not found a further link to bind landscape to moral sentiment. Such a link exists. The landscape is the scene of human life. Every spot, every season, is associated with the sort of existence which falls to men in that environment. Landscape for Wordsworth’s age and in his country was seldom without figures. At least, some visible trace of man guided the poet and set the key for his moral meditation. Country life was no less dear to Wordsworth than landscape was; it fitted into every picture; and while the march of things, as Lucretius conceived it, was not present to Wordsworth’s imagination, the revolutions of society—the French Revolution, for instance—were constantly in his thoughts. In so far as he was a poet of human life, Wordsworth was truly a poet of nature. In so far, however, as he was a poet of landscape, he was still fundamentally a poet of human life, or merely of his personal experience. When he talked of nature he was generally moralizing, and altogether subject to the pathetic fallacy; but when he talked of man, or of himself, he was unfolding a part of nature, the upright human heart, and studying it in its truth.”

PoetryHumanityNatureLandscapeWordsworth
Book:Three Philosophical Poets: Lucretius, Dante And Goethe
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“At the time of Lewis and Clark, setting the prairies on fire was a well-known signal that meant, ‘Come down to the water.’ It was an extravagant gesture, but we can’t do less. If the landscape reveals one certainty, it is that the extravagant gesture is the very stuff of creation. After the extravagant gesture of creation in the first place, the universe has continued to deal exclusively in extravagances, flinging intricacies and colossi down aeons of emptiness, heaping profusions on profligacies with ever fresh vigor. The whole show has been on fire from the word go. I come down to the water to cool my eyes. But everywhere I look, I see fire: that which isn’t flint is tinder, and the whole world sparks and flames.”

LifeWisdomNatureLandscapeBeauty In Nature
Book:PILGRIM AT TINKER CREEK
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“Don’t forget that the land is always out there, making its way, doing everything it can so you can breathe fresh air; so you can eat fresh food; so you can move and see and feel and think, and it’s on your side. The world is out there doing what it’s been doing way before you came here, it’s firm and strong and it takes a lot to bring it down. so from time to time, just go outside and look at this spectacle. This pure painting right in front of your eyes. No one created it. No one owns it. It doesn’t want anything. It doesn’t need to prove anything to anyone. It simply is. So maybe, try a little tenderness. Just give it a chance to do what it can do. Just let it help you breathe and eat and move and see and maybe just try to live your life in a way that doesn’t kill this force of nature that is just trying to give you a world worth living in. A clean world. A fresh world. Paths, forests, oceans, animals, oxygen, water. That’s all it takes. Just try a little tenderness towards this world we’ve been lucky enough to build our homes on. If you take care of it, it will take care of you.”

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Author:Charlotte Eriksson
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“The landscape of Singapore is different now. Modern buildings scratch the skyline with a pomp and display that wasn't there in days gone by. Old and new come together to create a modern Singapore that was still in the process of being made as I grew up.”

MythologyLandscapeCityModernityOldSingaporeCity LifeCultural HeritageSingapore Literature
Book:The Merchant of Stories: A Creative Entrepreneur's Journey
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“While she waited there she forgot the prospect of untoward change. The bray of a lazy burro broke the afternoon quiet, and it was comfortingly suggestive of the drowsy farmyard, and the open corrals, and the green alfalfa fields. Her clear sight intensified the purple sage-slope as it rolled before her. Low swells of prairie-like ground sloped up to the west. Dark, lonely cedar trees, few and far between, stood out strikingly, and at long distances ruins of red rocks. Farther on, up the gradual slope, rose a broken wall, a huge monument, looming dark purple and stretching its solitary, mystic way, a wavering line that faded in the north. Here to the westward was the light and color and beauty. Northward the slope descended to a dim line of canyons from which rose an up-flinging of the earth, not mountainous, but a vast heave of purple uplands, with ribbed and fan-shaped walls, castle-crowned cliffs, and gray escarpments. Over it all crept the lengthening, waning afternoon shadows.”

BeautifulNatureBeautyWestLandscapeWildernessSageAmerican West
Book:Riders of the Purple Sage
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“I realized I still had my eyes shut. I had shut them when I put my face to the screen, like I was scared to look outside. Now I had to open them. I looked out the window and saw for the first time how the hospital was out in the country. The moon was low in the sky over the pastureland; the face of it was scarred and scuffed where it had just torn up out of the snarl of scrub oak and madrone trees on the horizon. The stars up close to the moon were pale; they got brighter and braver the farther they got out of the circle of light ruled by the giant moon. I was off on a hunt with Papa and the uncles and I lay rolled in blankets Grandma had woven, lying off a piece from where the men hunkered around the fire as they passed a quart jar of cactus liquor in a silent circle. I watched that big Oregon prairie moon above me put all the stars around it to shame. I kept awake watching, to see if the moon ever got dimmer or the stars got brighter, till the dew commenced to drift onto my cheeks and I had to pull a blanket over my head.”

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Book:One Flew Over the Cuckoo’s Nest
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“Do all people have that? A face, a phrase, a landscape, an air bubble from the past suddenly floating up as if released by the head warden's child from a cell in the brain while the mind is at work on some totally different matter? Something of the sort also occurs just before falling asleep when what you think you are thinking is not at all what you think. Or two parallel passenger trains of thought, one overtaking the other.”

ThoughtsLandscapeRecollection
Book:Bend Sinister
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“As Elizabeth Blackmar and Ray Rosenzweig wrote in their magisterial history of [Central Park in NYC]: 'The issue of demoncratic access to the park has also been raised by the increasing number of homeless New Yorkers. Poor people--from the 'squatters' of the 1850s to the 'tramps' of the 1870s and 1890s to the Hooverville residents of the 1930s--have always turned to the park land for shelter...The growing visibility of homeless people in Central Park osed in the starkest terms the contradiction between Americans' commitment to democratic space and their acquiescence in vast disparities of wealth and power.”

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Book:Storming the Gates of Paradise: Landscapes for Politics
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“The land exerts itself and has its effect. I'm roughed up or soothed, exhilarated or depressed, wholly prevailed upon from outside myself. I expected serenity, but I am labile and mood-struck. I change as the scene changes, as the sky clouds or clears. I conclude that nature is alive - if I hadn't known it before - and she calls the shots.”

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Book:Starting Out In the Afternoon: A Mid-Life Journey into Wild Land
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“Ah, happy hills, ah, pleasing shade, Ah, fields belov'd in vain, Where once my careless childhood stray'd, A stranger yet to pain! I feel the gales, that from ye blow, A momentary bliss bestow, As waving fresh their gladsome wing, My weary soul they seem to soothe, And, redolent of joy and youth, To breathe a second spring.”

MemoryNostalgiaLandscapeRomanticism
Book:An Elegy In A Country Churchyard: And Ode On A Distant Prospect Of Eton College
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“— Дивився на своє місто. З вікон розбитого старого терміналу [...] Здавалося, можна вийти й піти додому, а ні — стріляють. Слухаю, намагаючись уявити, як це — бачити знайомі вулиці, знати, що десь там вікно твоєї кімнати, твої книжки, зів’ялі без нагляду бегонії у вазонках, коти у сусідів або у під’їзді, безпритульні, прислухаються до кроків, чи ти, бува, не повертаєшся...”

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Book:Волонтери. Мобілізація добра
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“The day was warm; but the fact that the sky was covered with a filmy veil of grey clouds gave to the vast plain before him the appearance of a landscape whose dominant characteristic consisted in a patient effacement of all emphatic or outstanding qualities. The green of the meadows was a shy, watery green. The verdure of the elm trees was a sombre, blackish monotony. The yellow of the stubble land was a whitish-yellow, pallid and lustreless.”

SkyLandscapeDescriptive Prose
Book:Wolf Solent
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“The light irradiates white peaks of Annapurna marching down the sky, in the great rampart that spreads east and west for eighteen hundred miles, the Himalaya- the alaya (abode, or home) of hima (snow).Hibiscus, frangipani, bougainvillea: seen under snow peaks, these tropical blossoms become the flowers of heroic landscapes. Macaques scamper in green meadow, and a turquoise roller spins in a golden light. Drongos, rollers, barbets, and white Eqyptian vulture are the common birds, and all have close relatives in East Africa.”

LightSpiritNatureBeautySkyMindfulnessSnowLandscapeMountainsInterrelatedness
Book:The Snow Leopard
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“Feminism has both undone the hierarchy in which the elements aligned with the masculine were given greater value than those of the feminine and undermined the metaphors that aligned these broad aspects of experience with gender. So, there goes women and nature. What does it leave us with? One thing is a political mandate to decentralize privilege and power and equalize access, and that can be a literal spatial goal too, the goal of our designed landscapes and even the managed ones -- the national parks, forests, refuges, recreation areas, and so on.”

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Book:Storming the Gates of Paradise: Landscapes for Politics
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