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Contrast Quotes

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Contrast Quotes

“The individual is drawn by [at least] two forces. First, the spirits desire of uniting with all spirits. Second, a mixture of survival, fear and mainly ego. Each state or government consists [currently] of individuals who may or may not be aware of their own [inner] imbalance - which directly [influence] within and through most of our efforts. Moreover, the idea that machines are perfect and only humans make mistakes - who then, creates, the machines. If I am flawed and make mistakes, there is potential for voluntary or involuntary imperfections, exotic or not. Too much spirituality can lead to inaction, and inaction can lead to devastation, Cosmos is not entirely peaceful, she has her gradients too. Balance.”

“The individual is drawn by two forces. First, the spirits desire of uniting all spirits. Second, a mixture of survival, fear and mainly ego. Each state or government consists [currently] of individuals who may or may not be aware of their own [inner] imbalance - which directly [influence] within and through most of our efforts. Moreover, the idea that machines are perfect and only humans make mistakes - who then, creates, the machines. If I am flawed and make mistakes, there is potential for voluntary or involuntary imperfections, exotic or not. Too much spirituality can lead to inaction, and inaction can lead to devastation, our Cosmos is not entirely peaceful. Balance.”

“It's about the ways in which girls deal with anger and aggression, as opposed to the ways in which boys do. The premise is that boys tend to be more direct in their aggression - physical confrontation - while in contrast, girls use an indirect approach known as relational aggression. Relational aggression is a form of aggression where the group is used as a weapon to assault others and others' relationships. It uses lies, secrets, betrayals and a host of other two-faced tactics to destroy or damage the relationships and social standing of others in the group.”

“Less knows so well the pleasures of youth - danger, excitement, losing oneself in a dark club with a pill, a shot, a stranger's mouth - and, with Robert and his friends, the pleasures of age - comfort and ease, beauty and taste, old friends and old stories and wine, whiskey, sunset over water. His entire life, he has alternated between the two. There is his own distant youth, that daily humiliation of rinsing out your one good shirt and putting on your onw good smile, along with the daily rush of newness: new pleasures, new people, new reflections of yourself. There is Robert's middle age of selecting his vices as carefully as tiles in a Paris shop, napping in the sunlight on an afternoon and getting up from a chair and hearing the creak of death. The city of youth, the country of age. But in between, where Less is living - that exurban existence? How has he never learned to live it?”

“Yes, contrast teaches us a great many things and there is purpose for it. Yet it is time to transcend your everyday dramas that are but drops in an ocean. Cease focusing on your droplets of water and look around you. Everything you say and touch and do sets into motion ripples that either heal and create or curse and destroy. Let me repeat: Everything.”

“Contrast is not ‘bad’ since the contrast we experience still causes us to learn and grow. Expansion never ceases, and that is a beautiful thing. Contrast allows us to see what is not in alignment with our Authentic Selves, and then presents us with opportunity after opportunity to respond from a place of compassion, forgiveness, acceptance, love, joy, gratitude, etc. Thus, when we break the karmic loop we swing back into alignment with Spirit.”

“The electrical, electronics and wireless radio frequency (RF) industries are creating an increasingly high radiation environment for the human. This is comparable to the elevated radiation environment found at high altitudes and smart health researchers would be wise to contrast high altitude diseases to the epidemics of our time, such as Autism, Attention Deficit Disorder (ADD), Fibromyalgia, Electromagnetic Hypersensitivity (EHS), and so on.”

“Contrast is important in life. We understand what light is because we can compare it with what we know is dark. Sweet is made sweeter after we eat something bitter. It’s the very same with sadness. And it’s important to experience sadness, to embrace it in order to truly know happiness. I was just a flat line until he came along. And maybe now I’m hurting. But isn’t that what love is supposed to do? Make you feel, make you brave, make you look at yourself more carefully?”

“Had there been a Papist among the crowd of Puritans, he might have seen in this beautiful woman, so picturesque in her attire and mien, and with the infant at her bosom, an object to remind him of the image of Divine Maternity, which so many illustrious painters have vied with one another to represent; something which should remind him, indeed, but only by contrast, of that sacred image of sinless motherhood, whose infant was to redeem the world. Here, there was the taint of of deepest sin in the most sacred of quality of human life, working such effect, that the world was only the darker for this woman's beauty, and the more lost for the infant that she had borne.”

“I likened her to the slender PSYCHÉ and judged that the perfection of her face ennobled everything unclean around her: The dusty hems of her bunched-up skirt, the worn straps of her nightshirt; the blackened soles of her bare feet [...] All this and the pungent air! Ô this night, sweet pungent night! "HÉBÉ" may come but a season. But this girl's season would know a hot spring and an Indian summer.”

“दामिनी सी मुस्कान, व्यंग्य के समान, सुखाकर रक्त तप्त, हरता है प्राण, करता उपहास, कर पुष्प में निवास, रच विष कूट, स्वयं मधुमय मिठास, कोयल सा मधुर, झरनों का संगीत, मृत्यु का कोलाहल बन करता भीत।”

“All overt and covert emotions would shrivel without the beam of contrast and comparison to supply context and implication. We need the value of counterpoise to recognize and distinguish between similar and dissimilar concepts. How do we identify the importance of hope if we never felt despair? How do we appreciate the value of society and companionship until we experience solitude and loneliness? What would any relationship be unless draped with the boughs of thoughts and feelings, without the ongoing interaction between conscientious action and unreserved devotion, without endless empathy fused with boundless love? In the ring of time, without the verve supplied by both the real and the imaginary, life would be bland, insipid, and lackluster.”

“The desert and the ocean are realms of desolation on the surface. The desert is a place of bones, where the innards are turned out, to desiccate into dust. The ocean is a place of skin, rich outer membranes hiding thick juicy insides, laden with the soup of being. Inside out and outside in. These are worlds of things that implode or explode, and the only catalyst that determines the direction of eco-movement is the balance of water. Both worlds are deceptive, dangerous. Both, seething with hidden life. The only veil that stands between perception of what is underneath the desolate surface is your courage. Dare to breach the surface and sink.”

“Normally death came at night, taking a person in their sleep, stopping their heart or tickling them awake, leading them to the bathroom with a splitting headache before pouncing and flooding their brain with blood. It waits in alleys and metro stops. After the sun goes down plugs are pulled by white-clad guardians and death is invited into an antiseptic room. But in the country death comes, uninvited, during the day. It takes fishermen in their longboats. It grabs children by the ankles as they swim. In winter it calls them down a slope too steep for their budding skills, and crosses their skies at the tips. It waits along the shore where snow met ice not long ago but now, unseen by sparkling eyes, a little water touches the shore, and the skater makes a circle slightly larger than intended. Death stands in the woods with a bow and arrow at dawn and dusk. And it tugs cars off the road in broad daylight, the tires spinning furiously on ice or snow, or bright autumn leaves.”

“Because interiority focuses on the inside-outside aspect of hygge, it introduces the important theme of contrast. When we hygger there is a sense of distance between us and the outside world, a contrast between the feeling that we are at the still axis of a moment of pleasure and our awareness of ever-moving life around us. Our experience of contrast is heightened by spatial, temporal and social conditions - inside versus outside, shelter versus exposure, warm versus cold, day versus night, light versus shadow, stillness versus activity, indulgence versus restraint, relaxation versus work, independence versus society, equality versus hierarchy, peace versus conflict.”

“The darkest night in someone's life may be the brightest day in another person's life. Life rests on perceptions and conceptions or missed perceptions and misconceptions. You can choose to make good things out of every challenging circumstance. In contrast, you can also choose to see nothing in a creative opportunity.”

“You came here [to this life] to enjoy the fullness of the creative experience. [Both smooth and rough patches]. In the process, any growth you experience adds to the growth of humanity as a whole. What better way could there be for humans to evolve than in an environment of [contrasting experiences; dark and light] where free will stretches and pulls against rigid rules? This creative tension results in an inner urge to progress ever onward, ever upward, through winding curves and over the occasional whoop-de-doos.”

“The coining of their new catch-phrase 'homophiliac' displayed in contrast to 'homophobic' was rather amusing, though to think that they believe it means anything different to 'homophobic' is just facetious. It's like someone trying to create a difference in definition between 'genocide' and 'ethnic cleansing' - or to make the one look better or less reprehensible than the other.”

“As the eyes of the assembled Folk fell upon me, I realized that I had forgotten to change back into my queenly attire. I still had on my old shift and winter wellies, as if I were returned from fieldwork in the countryside. I was even more disheveled than usual from my adventure, for I had lost a bootlace somewhere along the way, and I did not even want to imagine what my hair looked like. My journal poked out of one pocket, my notebook another, and my fingertips were smudged with ink. I looked every inch a scholar, a none-too-reputable one at that, and not one millimetre a queen. And yet, somehow, this seemed barely to register on my audience. The Folk stared at me as much as Arna, with an avidity they had never displayed before. Perhaps it was the contrast I made with themselves, perhaps something else. The Folk respect power above most things, after all, and perhaps there was power in abandoning my fumbling attempts to please them, as if I were above it all, even if I did not feel that way. In any case, I was not used to commanding their attention, and on the whole was not certain I preferred it.”

“Lisa was thinking, as she climbed the apparently unending staircase, the she had taken pretty long odds. She had not hesitated to buck the Tiger, Life. Simon Iff had warned her that she was acting on impulse. But--on the top of that--he had merely urged her to be true to it. She swore once more that she would stick to her guns. The black mood fell from her. She turned and looked upon the sea, now far below. The sun, a hollow orb of molten glory, hung quivering in the mist of the Mediterranean; and Lisa entered for a moment into a perfect peace of spirit. She became once with Nature, instead of a being eternally at war with it.”

“Let's say a person says: "I am the light. It's my desire to be a light unto the world: To shine a light wherever I go. To be the light among people who know me." - and so forth. But if we decide that "I am the light" but we find ourselves in a place where there is nothing but the light... Let's say that we're a candle in the Sun, Well we're there all right, along with the 50 billion cajillion other candles, and we can know that we are the light, but we can't experience ourselves being the light. And if it's our hearts desire to experience ourselves, not just to know conceptually, but to experience ourselves, experientially - if that's our heart's desire, we're going to actually call forth, or at least search around to see if anywhere in the contextual field, there is this thing called the darkness. And if we find the darkness we will move toward it or even co-create it with those around us, who have the same desire to be the light, in order that we may experience ourselves as the light amidst the darkness.”