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Imagery Quotes

Browse 437 quotes about Imagery.

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Imagery Quotes

“They were contemplating moving into another house or, more exactly, loudly saying to each other, so as to be overheard by anyone who might be listening, that they were contemplating moving, when all at once the fiend was gone, as happens with the moskovett, that bitter blast, that colossus of cold air that blows on our eastern shores throughout March, and then one morning you hear the birds, and the flags hang flaccid, and the outlines of the world are again in place.”

NatureSimileImagery
Book:Pale fire
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“They spell-caught the sounds of cat paws, the breath of fish, the spittle of birds, the hairs of a woman's beard, and the roots of a mountain, and spun them around the sinews of a bear. That made a bond that looked as fine as a ribbon of silk, but, since it was made of things not in this world, it was so strong nothing in the world could break it.”

ImaginationCreativityMythImagery
Book:D'Aulaires' Book of Norse Myths
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“Verbal imagery (such as a simile or a description of a place or an event) is more physical, more bodily, than thinking or feeling, but less physical, more internal, than the actual sounds of the words. Imagery takes place in "the imagination," which I take to be the meeting place of the thinking mind with the sensing body. What is imagined isn't physically real, but it feels as if it were: the reader sees or hears or feels what goes on in the story, is drawn into it, exists in it, among its images, in the imagination (the reader's? the writer's?) while reading.”

ArtReadingImaginationImagery
Author:Ursula K. Le Guin
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“Fear no more," said Clarissa. Fear no more the heat o' the sun; for the shock of Lady Bruton asking Richard to lunch without her made the moment in which she had stood shiver, as a plant on the river-bed feels the shock of a passing oar and shivers: so she rocked: so she shivered. Millicent Bruton, whose lunch parties were said to be extraordinarily amusing, had not asked her. No vulgar jealousy could separate her from Richard. But she feared time itself, and read on Lady Bruton's face, as if it had been a dial cut in impassive stone, the dwindling of life; how year by year her share was sliced; how little the margin that remained was capable any longer of stretching, of absorbing, as in the youthful years, the colours, salts, tones of existence, so that she filled the room she entered, and felt often as she stood hesitating one moment on the threshold of her drawing-room, an exquisite suspense, such as might stay a diver before plunging while the sea darkens and brightens beneath him, and the waves which threaten to break, but only gently split their surface, roll and conceal and encrust as they just turn over the weeds with pearl.”

LifePhilosophyTimeJealousyImagery
Book:Mrs. Dalloway
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“She wrote, in the last pages, of feeling all the evil of the neighborhood around her. Rather, she wrote obscurely, good and evil are mixed together and reinforce each other in turn. Marcello, if you thought about it, was really a good arrangement, but the good tasted of the bad and the bad tasted of the good, it was a mixture that took your breath away. A few evenings earlier, something had happened that had really scared her. Marcello had left, the television was off, the house was empty, Rino was out, her parents were going to bed. She was alone in the kitchen washing the dishes and was tired, really without energy, when there was an explosion. She had turned suddenly and realized that the big copper pot had exploded. Like that, by itself. It was hanging on the nail where it normally hung, but in the middle there was a large hole and the rim was lifted and twisted and the pot itself was all deformed, as if it could no longer maintain its appearance as a pot. Her mother had hurried in in her nightgown and blamed her for dropping it and ruining it. But a copper pot, even if you drop it, doesn't break and doesn't become misshapen like that. "It's this sort of thing," Lila concluded, "that frightens me. More than Marcello, more than anyone. And I feel that I have to find a solution, otherwise, everything, one thing after another, will break, everything, everything.”

EvilMetaphorImagerySymbolism
Book:My Brilliant Friend
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“Let the systematic theologian spell it out. Let the artists throw out thoughts and slants, maybe even slants no one else has thought of. They should give another view of something familiar to help us learn more about it. They should deal with love, life, good, evil, God, the world and faith. Many of the biblical writers were poets more than they were theologians. Poets and prophets ranted and raved, and storytellers wrote great yarns that all had different slants on God and life and faith. Perhaps the poet's absence from the Church for many centuries has left it deprived of much insight.”

ArtCreativityStyleCommunicationBibleImagery
Author:Steve Stockman
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“The Greenland fjords are peculiar for the spells of completely quiet weather, when there is not enough wind to blow out a match and the water is like a sheet of glass. The kayak hunter must sit in his boat without stirring a finger so as not to scare the shy seals away. Actually, he can only move his eyes, as even the slightest move otherwise might mean game lost. The sun, low in the sky, sends a glare into his eyes, and the landscape around moves into the realm of the unreal. The reflex from the mirror-like water hypnotizes him, he seems to be unable to move, and all of a sudden it is as if he were floating in a bottomless void, sinking, sinking, and sinking.... Horror-stricken, he tries to stir, to cry out, but he cannot, he is completely paralyzed, he just falls and falls.”

SilenceImagerySurrealAnthropology
Book:Book of the Eskimos
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“Regret is a strange animal, son. It makes you create alternate realities inside your head with hindsight as your guide. You long for those imaginary outcomes until it's a sickness. But there's also another side to regret. Remembering its pain made me love your gramma more fully, embrace every moment with your dad and with you. Take nothing for granted. Because I knew how much it cost to get it wrong.”

PainRegretImageryHindsightAlternate RealitiesFor Granted
Author:Amanda Cox
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“One evening he was in his room, his brow pressing hard against the pane, looking, without seeing them, at the chestnut trees in the park, which had lost much of their russet-coloured foliage. A heavy mist obscured the distance, and the night was falling grey rather than black, stepping cautiously with its velvet feet upon the tops of the trees. A great swan plunged and replunged amorously its neck and shoulders into the smoking water of the river, and its whiteness made it show in the darkness like a great star of snow. It was the single living being that somewhat enlivened the lonely landscape.”

LonelinessLongingImagery
Book:Mademoiselle de Maupin
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“I often wish I'd got on better with your father,' he said. But he never liked anyone who--our friends,' said Clarissa; and could have bitten her tongue for thus reminding Peter that he had wanted to marry her. Of course I did, thought Peter; it almost broke my heart too, he thought; and was overcome with his own grief, which rose like a moon looked at from a terrace, ghastly beautiful with light from the sunken day. I was more unhappy than I've ever been since, he thought. And as if in truth he were sitting there on the terrace he edged a little towards Clarissa; put his hand out; raised it; let it fall. There above them it hung, that moon. She too seemed to be sitting with him on the terrace, in the moonlight.”

LoveBeautifulRomanceMarriageSadnessMoonMelancholyImagery
Book:Mrs. Dalloway
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“]Sardis often turning her thoughts here ] you like a goddess and in your song most of all she rejoiced. But now she is conspicuous among Lydian women as sometimes at sunset the rosyfingered moon surpasses all the stars. And her light stretches over salt sea equally and flowerdeep fields. And the beautiful dew is poured out and roses bloom and frail chervil and flowering sweetclover. But she goes back and forth remembering gentle Atthis and in longing she bites her tender mind”

PoetryBeautyImagery
Book:If Not, Winter: Fragments of Sappho
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“Shimamoto was in charge of the records. She'd take one from its jacket, place it carefully on the turntable without touching the grooves with her fingers, and, after making sure to brush the cartridge free of any dust with a tiny brush, lower the needle ever so gently onto the record. When the record was finished, she'd spray it and wipe it with a felt cloth. Finally she'd return the record to its jacket and its proper place on the shelf. Her father had taught her this procedure, and she followed his instructions with a terribly serious look on her face, her eyes narrowed, her breath held in check. Meanwhile, I was on the sofa, watching her every move. Only when the record was safely back on the shelf did she turn to me and give a little smile. And every time, this thought hit me: It wasn't a record she was handling. It was a fragile soul inside a glass bottle.”

BeautifulMusicRecordsImagery
Book:South of the Border, West of the Sun
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“For mile after mile the same melodic phrase rose up in my memory. I simply couldn’t get free of it. Each time it had a new fascination for me. Initially imprecise in outline, it seemed to become more and more intricately woven, as if to conceal from the listener how eventually it would end. This weaving and re-weaving became so complicated that one wondered how it could possibly be unravelled; and then suddenly one note would resolve the whole problem, and the solution would seem yet more audacious than the procedures which had preceded, called for, and made possible its arrival; when it was heard, all that had gone before took on a new meaning, and the quest, which had seemed arbitrary, was seen to have prepared the way for this undreamed-of solution.”

MusicImagery
Book:Tristes Tropiques
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