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Americana Quotes

Browse 54 quotes about Americana.

Americana Quotes

“Heck, no one knows if the internet will still be around in ten years— Rock-IT! Towne by Mark Streuber This is about the music and the bands who made it. And this is about all those unlikely people who became stars and then fell from the sky and had to scratch out a living to make ends meet at some crap job when their hit machine ran dry and their money ran out. And it’s about the fans who played their music on their first date, and their first prom, and when they cruised the street in their first car. The fans who cried during their first breakup, or first divorce, who jumped for joy during the birth of their child, or first big promotion. This is about the people who want to remember the good times— and the bad, I guess— and relive a happier time when they still had rock ‘n’ roll, and they still had something to believe in. That’s what this website is about. It’s not only about where they are now — or about the money— Rock-IT! Towne by Mark Streuber Rockers were pretty good at unzipping their fly on their own. They didn’t need a snot-nosed journalist to unzip it for them— Rock-IT! Towne by Mark Streuber You keep thinking this band will turn up, and maybe they will. But if you ain’t found ‘em yet, it’s a good bet your band has drowned…. Every band gets swept out to sea at one time or another. Most make it back to shore, but some don’t. I think your band has drowned and you ain’t never gonna see ‘em again— Rock-IT! Towne by Mark Streuber Be careful… The First Cut is the Deepest, as Rod Stewart once sang. But the second cut is pretty deep too— Rock-IT! Towne by Mark Streuber I knew them well enough. I knew they were as dysfunctional as any band I ever worked with. Although, I don’t think they used the word dysfunctional back then. I think they used words like screwed up—Rock-IT! Towne by Mark Streuber Seems she was more agreeable to you being here. For my part, I wanted to put you both in a sack and drop you into Lake Winona— Rock-IT! Towne by Mark Streuber Yeah, well. One man’s truth can be another man’s dagger to the heart— Rock-IT! Towne by Mark Streuber People move on, Jonathan. Rock music moved on. It was never gonna last. You write for a rock magazine. You of all people should know that… Yes, but it didn’t disappear without a trace— Rock-IT! Towne by Mark Streuber Fame, money, prestige, power. It’s what we think we want until we find out how it destroys as easily as it helps. I know that from personal experience— Rock-IT! Towne by Mark Streuber”

“She loved the smell of old truck; thick cotton and vinyl seat covers, old gasoline and oil, the smell of country, decades of farmers, workers and families taking trips back and forth to town, up backroads to swimming holes, over fields, through all the weather. She imagined what this truck would have seen if it had eyes and a memory. She was about to become one more episode in its existence.”

“I come home from work this evening there was a note in the frying pan said Fix Your Own Supper Babe I Run Off With The Fuller Brush Man Well I sat down at the table screamed & hollered & cried I commenced to carring on 'till I almost lost my mind and I miss the way she used to Yell At Me the way she used to Cuss & Moan and if I ever go out and get married again I'll never leave my wife at home The Frying Pan Diamonds In The Rough John Prine”

“La condición americana, en lo esencial, es la de tener poca sensibilidad para el pasado. No nos sentimos prisioneros del pasado. Estamos como más libres, sueltos y ágiles para afrontar los requerimientos del presente y del mañana. En el fondo de toda verdadera conciencia europea hay la noción de que el ayer es más importante que el hoy. En el fondo de toda conciencia verdaderamente americana está activa la noción de que el hoy y el mañana son más importantes que el ayer. No tenemos cómo vivir de herencia, sino de faena propia.”

“The American Sonnet On Mayflower we arrived filled with hope, Escaping persecution and atrocities. Upon landing we became the persecutor, And atrociously evicted communities. Apparently we were civilized people, Who wanted it all for ourselves. We snatched it all from the innocent natives, And gave reservations to help themselves. Even today we ignore these atrocities, And continue to perpetuate segregation. We may look civilized on the outside, Inside we are walking discrimination. We are the land of liberty but only in theory, It's time to walk the talk and embody the glory.”

“I went to West Texas and started writing a cycle of Americana poems after the space conjured images that, as a child, I only saw on television-John Wayne, cowboys, borderlines. But suddenly, I felt close to these once-foreign imageries and wondered how I'd changed. Each evening brought the darkest skies in the country, and I understood the expansiveness of our inner selves. Ultimately nothing divides us except the worlds and words we allow.”

“I never considered myself an Americana artist, but I'm a huge fan of old-time music from the States, the recordings that were made in the '20s and '30s. Trying to chase down the exact stylistic trappings of that stuff always felt like a dead end. That spirit of directness and economy, but also the poetic pungency of the writing and almost ugly, or raw, performance - all that seemed like the real message. I've just tried to somehow stay true to that feeling.”

“It was an honor to work with Samantha Morton on this Casablanca-esque, silent-film-esque, Americana photobooth Woolworth's hay day period piece of surrealism/ realism/ story time tell-tale-ism, black and white 35 mm film, washed in strange light, over this love hate tune, heartbreak song, life-goes-on lullaby, The Last Goodbye. It's a doorway into the future of the fatal past-tense. Get it?”

“In junior high I read a lot of Stephen King, whose Americana approach to writing was often about "the terror next door" and at the same time I was reading a lot of Clive Barker, who was on the other end of the horror pendulum: insidious and disturbingly psychological. I found it fascinating how these two authors came at horror from two totally different perspectives.”

“I really tried to push every genre that I could into this record. I wanted every song to have this feel, where as soon as the listener tunes in, they say "That's CoJo, that's Cody right there." That being said, it is a little different. There's Americana, there's Bluegrass, there's some rock, there's some really George Jones-style stuff on it, slow-style Ray Price country elements, there's some modern country, a little of this and a little of that. We tried to push a lot for show versatility, because I grew up with a lot of versatility in my music.”

“The kind of organic wave, the way that waves move, and I'm not just talking about feminism, the way that a social movement might rise like a wave. It's harder to build any kind of wave now. Things are important to you and then they recede within a day. That's the only thing that keeps me from believing that there's going to be any one organic big wave; although the Americana (music) thing has been happening for a while.”

“It is true that after they have been reassured and have lost this fear, they are so artless and so free with all they possess, that no one would believe it without having seen it. Of anything they have, if you ask them for it, they never say no; rather they invite the person to share it, and show as much love as if they were giving their hearts.”

“I would support a Presidential candidate who pledged to take the following steps: ... At the end of the war in the Persian Gulf, press for a comprehensive Middle East settlement and for a 'new world order' based not on Pax Americana but on peace through law with a stronger U.N. and World Court.”

“It is true that the American colonials have "free elections," in which they have the absolute right to vote for one of two opposing candidates, both of whom have been handpicked and financed by the Rockefeller syndicate. This touching evidence of "democracy" serves to convince most Americana that we are indeed a free people. We even have a cracked Liberty Bell in Philadelphia to prove it.”

“Audrey Auld is a great singer songwriter. She holds a unique place in contemporary Americana/Roots music. I believe that this uniqueness is largely due to the fact that she is Australian. This affords her a totally different attitude as an artist than traditional American contributors to this genre. Audrey is one of the most honest original artists I know.”