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Metro Quotes

“Everywhere power has to be seen in order to give the impression that it sees. But this is not the case. It doesn't see anything. It is like a woman walled up in a 'peepshow'. It is separated from society by a two-way mirror. And it turns slowly, undresses slowly, adopting the lewdest poses, little suspecting that the other is watching and masturbating in secret. The metro. A man gets on - by his glances, gestures and movements, he carves out a space for himself and protects it. From that space, he sets his actions to those of the neighbouring, approximate molecules. He becomes the centre of a physical pressure, sniffs out hostile vibrations and emanations, or friendly ones, on the verge of panic. He joins up with others out of fear. He innervates his whole body with a calculated indifference, wraps himself in a superficial reverie, created only to keep others at a distance. He deciphers nothing, protects himself from the crossfire of everyone's gazes and sets his own as a backhand down the line, staring at a particular face at the back of the carriage until the very lightness of his stare stirs the other in his sleep. When the train accelerates or brakes, all the bodies are thrown in the same direction, like the shoals of fish which change direction simultaneously. The marvellous underwater lethargy of the metro, the self-defence of the capillary systems, the cruel play of vague thoughts - all while waiting for the stop at Faidherbe-Chaligny. The crucial thing is not to have sweeping views of the future, but to know where to plant your primal scene. The danger for us is that we'll keep running up against the wall of the Revolution. For this is the source of our misery: our phobias, our prohibitions, our phantasies, our utopias are imbedded in the nineteenth century, where their foundations were laid down. We have to put an end to this historical coagulation. Beyond it, all is permitted. It will perhaps be the adventure of the end of the century to dissolve the wall of the Revolution and to plunge on beyond it, towards the marvels of form and spirit.”

“Kalabalık üreten bir yeraltı fabrikası gibi çalışıyordu metro. Tavandan sarkan paslı tüplerden, hareket halindeki siyah bandın üzerine düzenli aralıklarla et parçaları sıkılıyor, üzerlerine biraz kıl serpiştiriliyor ve bu karışım farklı renklerdeki kumaş parçalarıyla çevrilip bandın üzerinde ilerleyerek sırayla gün ışığına çıkıyordu. Farklı kombinasyonlardaki et, kıl ve kumaş karışımları caddeye doğru ilerliyordu.”

“Wszystkie oczy były skierowane na żelazne drzwi na zasuwę. Teraz były otwarte, a w prześwicie stał wysoki człowiek, widząc którego Artem też zapomniał po co tu przyszedł. Stalker. Dokładnie tak ich sobie wyobrażał – z opowiadań ojczyma i historyjek straganiarzy. Poplamiony i miejscami osmalony skafander ochronny, długa ciężka kamizelka kuloodporna, potężne bary, na prawym ramieniu niedbale zarzucona potężna bryła erkaemu, z lewej, na podobieństwo bandoletu, zwisa pobłyskująca smarem taśma z nabojami. Masywne sznurowane buty, wpuszczone do środka spodnie, na plecach przepastny płócienny plecak. Stalker zdjął okrągły hełm specnazu, ściągnął gumową maskę przeciwgazową i, zaczerwieniony, mokry, rozmawiał o czymś z dowódcą posterunku. Był już niemłody, Artem widział siwy zarost na jego policzkach i brodzie i srebrne nitki wśród krótkich, czarnych włosów. Ale biło od niego siłą, pewnością siebie, cały był spięty, czujny, jakby nawet tu, na cichej, jasnej stacji był gotów w każdej chwili stawić czoła niebezpieczeństwu i nie dać mu się zaskoczyć.”

“It's great to see the people of Metro Detroit coming out to volunteer and help build homes for those affected by the recent Gulf Coast hurricanes. With all the Super Bowl excitement, it's nice for people to participate in an event that will make such a significant impact in people's lives while also being a part of the Super Bowl festivities.”

“Jimmy Carter, who embraced all manner of schemes to make America a second or third-rate country, came down so squarely in favor of the double nickel [the 55 mph National Speed Limit]...This is the same Jimmy Carter whose limosine with him in it, just a little later in his presidency, was timed at an average of 72 mph for the 21.5 mile trip from Detroit Metro to the Detroit Plaza Hotel. He didn't want to be late for a campaign appearance.”

“Over the decades, you got various companies involved in making escalators and you've got Metro varying between internal repair crews and contractors. They're dealing with old equipment, which of course is prone to break down, and the repair crews don't even know what's busted or who made the busted parts till they tear the things open. Then sometimes they have to go back to the shop and manufacture parts, because the original maker has gone out of business.”

“As to whether Marcos is gay: Marcos is gay in San Francisco, black in South Africa, an Asian in Europe, a Chicano in San Ysidro, an anarchist in Spain, a Palestinian in Israel, a Mayan Indian in the streets of San Cristobal, a Jew in Germany, a Gypsy in Poland, a Mohawk in Quebec, a pacifist in Bosnia, a single woman on the Metro at 10pm, a peasant without land, a gang member in the slums, an unemployed worker, an unhappy student and, of course, a Zapatista in the mountains.”