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Clock Quotes

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Clock Quotes

“THE FOUR HEAVENLY FOUNTAINS Laugh, I tell you And you will turn back The hands of time. Smile, I tell you And you will reflect The face of the divine. Sing, I tell you And all the angels will sing with you! Cry, I tell you And the reflections found in your pool of tears - Will remind you of the lessons of today and yesterday To guide you through the fears of tomorrow.”

“Her eyes were of different colors, the left as brown as autumn, the right as gray as Atlantic wind. Both seemed alive with questions that would never be voiced, as if no words yet existed with which to frame them. She was nineteen years old, or thereabouts; her exact age was unknown. Her face was as fresh as an apple and as delicate as blossom, but a marked depression in the bones beneath her left eye gave her features a disturbing asymmetry. Her mouth never curved into a smile. God, it seemed, had withheld that possibility, as surely as from a blind man the power of sight. He had withheld much else. Amparo was touched—by genius, by madness, by the Devil, or by a conspiracy of all these and more. She took no sacraments and appeared incapable of prayer. She had a horror of clocks and mirrors. By her own account she spoke with Angels and could hear the thoughts of animals and trees. She was passionately kind to all living things. She was a beam of starlight trapped in flesh and awaiting only the moment when it would continue on its journey into forever.” (p.33)”

“A positive attitude creates a passion that wakes a leader up. To the leader, attitude is more powerful than an alarm clock. Positive attitude in true leadership is what makes an alarm clock unnecessary!”

“Time is drowning, Hearts are burning, Heads are rolling, Nothing can save you now, Tick tock, tick tock; Creatures talking, Weak are rising, White Queen’s nearing, Nothing can save you now, Tick tock, tick tock; Cards are bleeding, Crowns are sweating, Tea is spilling, Nothing can save you now, Tick tock, tick tock; Red Queen, here’s your warning, Wonderland’s raging, Alice is coming, Highness, time is drowning, And nothing can save you now, Tick tock, tick tock, tick tock…”

“In 1988, a cave explorer named Véronique Le Guen volunteered for an extreme experiment: to live alone in an underground cavern in southern France without a clock for one hundred and eleven days, monitored by scientists who wished to study the human body's natural rhythms in the absence of time cues. For a while, she settled into a pattern of thirty hours awake and twenty hours asleep. She described herself as being "psychologically completely out of phase, where I no longer know what my values are or what is my purpose in life." When she returned to society, her husband later noted, she seemed to have an emptiness inside her that she was unable to fully express. "While I was alone in my cave I was my own judge," she said. "You are your own most severe judge. You must never lie or all is lost. The strongest sentiment I brought out of the cave is that in my life I will never tolerate lying." A little more than a year later, Le Guen swallowed an overdose of barbiturates and lay down in her car in Paris, a suicide at age thirty-three.”

“Near the door towered a brightly painted clock with jewelled pendulums. But instead of hours, it seemed to have names of food and drink. Things like Dumplings & Meat, Fish Stew, Mystery Stew, Toast and Tea, Porridge, Ale, Beer, Mead, Wine, Cider, Honey Pie, Brambleberry Crisp, Forest Cakes.”

“She knows her timing, always knows. The time to strike or the time to starve. Her eyes as a clock, she watches she waits she learns, and in the second she blinks, she changes her mind just like that.”

“In times like these I always cheered myself up with a certain story. I forgot just when I first heard it, or who I heard it from... but, back when I was young it would cheer me up when I was feeling depressed. Basically, you think of life in terms of a single 24 hour day. So if you take the average human lifespan, to be around 72 years, then dividing that by 24... that comes to 3 years per hour. Meaning, that if you were 18 it'd only be 6 AM! 6 in the morning is nothing! Schools aren't even open by then! It's only been a couple of hours before sunrise, the day's just begun! So if you're 18, you can still fix you life by then! In fact even if you were 30 year old, that's still only 10 AM! The sun's still high, and there's still 2 hours until noon! You still have the whole afternoon to fix your life! You could still make something of yourself. I've always been thinking that, but... I'm now 45 years old! 45 divided by 3 is 15 meaning, that the time 3PM! Ring Ring Ring! I can hear the clock, ringing in my mind! There's only 2 hours before work is over at 5PM! I can't redo anything, it's almost time to go home already.”

“Is it true that man was once perfectly pure and innocent, and that he became degenerate by disobedience? No. The real truth is, and the history of man shows, that he has advanced. Events, like the pendulum of a clock have swung forward and backward, but after all, man, like the hands, has gone steadily on. Man is growing grander. He is not degenerating. Nations and individuals fail and die, and make room for higher forms. The intellectual horizon of the world widens as the centuries pass. Ideals grow grander and purer; the difference between justice and mercy becomes less and less; liberty enlarges, and love intensifies as the years sweep on. The ages of force and fear, of cruelty and wrong, are behind us and the real Eden is beyond. It is said that a desire for knowledge lost us the Eden of the past; but whether that is true or not, it will certainly give us the Eden of the future.”

“Opposite the bed is a cabinet built in to the wall, taking the whole length of it. It has a painted clock face on the front, with constellations instead of numbers. The arms of the clock are pointed toward a configuration of stars prophesying a particularly amorous lover. Inside, it appears merely a wardrobe overstuffed with Cardan's clothes. I pull them out, letting them fall to the floor in a pile of velvet cuffs, satin, and leather. From the bed, Cardan makes a sound of mock distress.”

“A clock that is moving through space at a very fast speed does not tick at the same rate as a slow-moving watch gently attached to your wrist as you stroll on a tropical beach. The idea of a universal time - a godlike clock that could somehow sit outside our universe and measure, in one go, the movement of everything in it, how its evolution unfolds, how old it is and all that - does not exist.”

“Seeing his daughter slowly die, coupled with his infinite sadness and misery, the clockmaker becomes a recluse to the tower of the castle and begins to build something behind closed doors, not even his daughter knows what he’s up to. For five years, she only sees him briefly at meal-times before locking himself up in the tower once again..." "...Did he have a bathroom in the tower?" "Yes, Jack. A big one! En-suite! Power-shower and spa! Where was I!?”

“Dear Daughter, Revolutionise your life. Rise and cease looking down on yourself. You have what it takes to dream big and manifest big dreams. Do it. Do it now. Do not wait for tomorrow. The clock is ticking.”

“Everything seems different now. The room I am in looks no more familiar to me than it did this morning when I woke up and stumbled into it, trying to find the kitchen, desperate for a drink of water, desperate to piece together what happened last night. And yet it no longer seems shot through with pain, and sadness. It no longer seems emblematic of a life I cannot consider living. The ticking of the clock at my shoulder is no longer just marking time. It speaks to me. Relax, it says. Relax, and take what comes.”

“Through learning at my later date things I hadn't known, or had escaped or possibly feared realizing, about my parents - and myself - I glimpsed our whole family life as if it were freed of that clock time which spaces us apart so inhibitingly, divides young and old, keeps our living through the same experiences at separate distances. It is our inward journey that leads us through time - forward or back, seldom in a straight line, most often spiraling. Each of us is moving, changing, with respect to others. As we discover, we remember; remembering, we discover; and most intensely do we experience this when our separate journeys converge. Our living experience at those meeting points is one of the charged dramatic fields of fiction.”

“Some are condemned to remain mere “clock and smart phone watchers”, inasmuch as they are not able to read and interpret the lines of their life or don't even treasure the enchantment of daily captivating moments. If we are not prepared to give some personal time to social time, we walk like blind men through gloomy alleys of our existence. ( " Please. Just a bit of a chat " )”

“Mathematicians call it “the arithmetic of congruences.” You can think of it as clock arithmetic. Temporarily replace the 12 on a clock face with 0. The 12 hours of the clock now read 0, 1, 2, 3, … up to 11. If the time is eight o’clock, and you add 9 hours, what do you get? Well, you get five o’clock. So in this arithmetic, 8 + 9 = 5; or, as mathematicians say, 8 + 9 ≡ 5 (mod 12), pronounced “eight plus nine is congruent to five, modulo twelve.”

“A place where a clock's minute and hour hands spread away from its face, flapping like wings. A place where he'd pluck a daisy and watch the petals whirl like the propellers of a helicopter. Where he'd throw a handful of sand, and the grains would buzz away like a swarm of gnats. Where colorful fruits on a tree would burst into flight, and new ones would perch in their place.”

“Even natural languages have personalities. 'Escapement' is the name of a device, a toothed wheel, that controls the motion of the hands of the clock. The word has connotations of gaining freedom. The German equivalent is 'Hemmung.' It means 'restraint,' and also, 'inhibition.' It conjures up images of of losing freedom. In describing a presumably emotionally neutral gadget, the two languages perceive in its functions two diametrically opposite states of human condition.”

“The finished clock is resplendent. At first glance it is simply a clock, a rather large black clock with a white face and a silver pendulum. Well crafted, obviously, with intricately carved woodwork edges and a perfectly painted face, but just a clock. But that is before it is wound. Before it begins to tick, the pendulum swinging steadily and evenly. Then, then it becomes something else. The changes are slow. First, the color changes in the face, shifts from white to grey, and then there are clouds that float across it, disappearing when they reach the opposite side. Meanwhile, bits of the body of the clock expand and contract, like pieces of a puzzle. As though the clock is falling apart, slowly and gracefully. All of this takes hours. The face of the clock becomes a darker grey, and then black, with twinkling stars where numbers had been previously. The body of the clock, which has been methodically turning itself inside out and expanding, is now entirely subtle shades of white and grey. And it is not just pieces, it is figures and objects, perfectly carved flowers and planets and tiny books with actual paper pages that turn. There is a silver dragon that curls around part of the now visible clockwork, a tiny princess in a carved tower who paces in distress, awaiting an absent prince. Teapots that pour into teacups and minuscule curls of steam that rise from them as the seconds tick. Wrapped presents open. Small cats chase small dogs. An entire game of chess is played. At the center, where a cuckoo bird would live in a more traditional timepiece, is the juggler. Dress in harlequin style with a grey mask, he juggles shiny silver balls that correspond to each hour. As the clock chimes, another ball joins the rest until at midnight he juggles twelve balls in a complex pattern. After midnight, the clock begins once more to fold in upon itself. The face lightens and the cloud returns. The number of juggled balls decreases until the juggler himself vanishes. By noon it is a clock again, and no longer a dream.”

“His alarm clock ticked by the head of the bed. He gazed at its whitish face, the hands both drawing downward. There were no clocks, there. There were no hours. It was not the river of time flowing that moved the clock's hands forward; their mechanism moved them. Seeing them move men said, Time is passing, passing, but they were fooled by the clocks they made. It is we who pass through time, Hugh thought.”