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Cruelty Quotes

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Cruelty Quotes

“Cruelly exploiting and slaughtering human beings is widely recognized as spiritually problematic, but the veal industry is not, battery cages are not, foie gras and the use of farrowing crates are not, debeaking and slaughter lines are not. How can this be? Anymal suffering is extreme on factory farms, massive numbers of premature deaths are the expected end, and both are sanctioned not only by the government but also by the masses—including those who affiliate with a particular religious tradition and take their religious commitments seriously. The reason for this cruelty and indifference is obvious: With human beings creating the rules, anymals are the last to be noticed and the most likely to be discarded or exploited. Consequently, wherever humanity suffers, anymals suffer yet more.”

CrueltyIndifferenceAnymalsHuman Animal RelationshipsVealAnymal LiberationFoie GrasDebeakingHuman Privilege
Book:Animals and World Religions
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“God is so cruel," she murmured reflectively, as though answering him. "Yes," he admitted, from the vantage point of going blind. "Though maybe people are kinder if He made them that way." "You've run with a different crowd. Rich people are nicer to rich people." "Sure. Yes. That's why I've washed up here. Rich people couldn't have been nicer to me.”

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Book:In the Country of the Blind
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“So what if you’re right? So what if you’re wrong? In the end you might be surprised to find that God doesn’t care so much about whether you were right or wrong but whether, despite it all, you were kind or cruel.”

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Book:Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year
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“On ne condamne jamais sévèrement ceux qui font preuve de cruauté, pourvu qu'ils aient eu le succès. En ce temps de haine et de violence, dans ce monde de fer et de sang, on condamne plutôt ceux qui ne sont pas assez cruels. Les hommes qui ont versé le plus de sang sont qualifiés de forts, de vrais gouvernants. Ceux qui en ont versé le moins, sont par contre des faibles, des incapables, des impuissants.”

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Book:Lenin by M.-A. Landau-Aldanov; authorized translation from the French. 1922 [Leather Bound]
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“You can't always expect people to apply your wisdom when they didn't use wisdom before they found themselves knee deep in their version of justice.”

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Author:Shannon L. Alder
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“For the vile human pigs in life; the sloppy, disheveled, uncaring dregs, the ungrateful, and especially for the vicious, negative emotional peasants — there will only continue to be the hard and painful lessons you so desperately need. The invisible hand will hold you in your wretched place until your last breath — unless you evolve. If you are cruel and ignorant the invisible fist will pound you into oblivion until you submit, humble yourself and soften your hard heart.”

PainLearningIgnoranceLessonsEmotionsCrueltyEvolveDesperationSubmissionOblivionSoftnessHumblenessSloppyInvisibilityUncaringUngratefulnessDisheveled
Book:Simple Reminders: Inspiration for Living Your Best Life
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“Through the open door he could see the swimming pool and its silent fountain, and also, in a corner of the tiled garden, a cat playing with a little bird. This ritual of extended death intrigued him. The Egyptians held the cat to be a sacred animal: of all creatures the nearest in intelligence to Man. And in the whole of Nature, only cats and men – that he could think of – derived an obvious pleasure from cruelty.”

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Author:Robert Harris - Pompeii
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“Parallel to tenderness and cruelty, the cataracts of pleasure and pain are interrelated. Painful and pleasurable sensations instruct us of our physical boundaries. The collective scorecard of physical pain and pleasurable sensations define the evolving self. Our internal clockworks comprised of remembrances of times past, both painful and pleasurable, provide each of us with a telling emotional autobiography. What we primarily recall – pain or pleasure – is revelatory. How we act with kindness and tenderheartedly, or hardheartedly and cruelly is equally telling.”

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Book:Dead Toad Scrolls
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“Why,' I said, quite surprised by my own eloquence in inventing all this stuff, 'it happens every day. The old old story. Boys and girls fall in love, that is, they are driven mad and go blind and deaf and see each other not as human animals with comic noses and bandy legs and voices like frogs, but as angels so full of shining goodness that like hollow turnips with candles put into them, they seem miracles of beauty. And the next minute the candles shoot out sparks and burn their eyes. And they seem to each other like devils, full of spite and cruelty. And they will drive each other mad unless they have grown some imagination. Even enough to laugh.”

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Book:THE HORSE'S MOUTH
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“Teach girls to be aggressive? Well, yes. I return again to a major symptom of girls’ loss of self-esteem: idealized, or conflict-free, relationships. If we can guide girls into comfort with “messy” feelings such as jealousy, competition, and anger, they will be less likely to take them out of their relationships with others. They will feel free to confess strong feelings, and they will stay in touch with themselves. They will be less likely to repress the feelings that over time simmer into rageful acts of cruelty.”

RelationshipsSelf AwarenessCrueltyGirlsBullying
Book:Odd Girl Out: The Hidden Culture of Aggression in Girls
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“Imagine, if you will: Meradinis! The stuff myths are made of! The Turtle Island of the stars – home planet to the fearsome and once legendary Corsairs. The very name of this world immediately grabbed the imaginations of young boys and girls, and universally mesmerize dreamers and romantics alike. The truth though was less romantic – and as reality so often demonstrates in real life - instead rather ugly and brutal. The Corsairs were not corn-ball comics that went about with parrots on their shoulders, saying “Arr!” to everything they encountered. They were anything but. Behind the Corsairs and their culture lay a history fraught with a struggle to survive, a vengefulness and a cruelty – and a drive to survive by preying upon others that struck fear into the hearts of neighboring fringe worlds.”

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Book:Dead Beckoning
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“Ever since she was a young girl, [Patricia Highsmith] had felt an extraordinary empathy for animals, particularly cats. The creatures, she said, 'provide something for writers that humans cannot: companionship that makes no demands or intrusions, that is as restful and ever-changing as a tranquil sea that barely moves'. Her affection for cats was 'a constant as was feline companionship wherever her domestic situation permitted,' says Kingsley. 'As for animals in general, she saw them as individual personalities often better behaved, and endowed with more dignity and honesty than humans. Cruelty to or neglect of any helpless living creature could turn her incandescent with rage.' Janice Robertson remembers how [...] Highsmith was walking through the streets of Soho when she saw a wounded pigeon lying in the gutter. 'Pat decided there and then that this pigeon should be rescued,' says Janice. 'Although I think Roland persuaded her that it was past saving, she really was distraught. She couldn't bear to see animals hurt.' Bruno Sager, Highsmith's carer at the end of her life, recalls the delicacy with which the writer would take hold of a spider which had crawled into the house, making sure to deposit it safely in her garden. 'For her human beings were strange - she thought she would never understand them - and perhaps that is why she liked cats and snails so much,' he says.”

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Book:Patricia Highsmith, ζωή στο σκοτάδι
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“I'd believed mine was the greatest of all the arts, the noblest of all the lies, the creation of hope. I thought hope could overcome everything, but I was wrong. Hope cannot overcome truth. Hope and truth cannot co-exist. Truth destroys hope. The most savage cruelties man inflicts on man are committed in the pursuit of truth. My last lie had been the most honest, the most honorable of them all, for there is an art greater even than the creation of hope. The greatest art of all is the destruction of truth.”

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Book:Company of Liars
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“If there is a deity of the kind imagined by votaries of the big mail-order religions such as Christianity and Islam, and if this deity is the creator of all things, then it is responsible for cancer, meningitis, millions of spontaneous abortions everyday, mass killings of people in floods and earthquakes-and too great mountain of other natural evils to list besides. It would also,as the putative designer of human nature, ultimately be responsible or the ubiquitous and unbeatable human propensities for hatred, malice, greed, and all other sources of the cruelty and murder people inflict on each other hourly.”

ImaginationHatredMurderIslamKillingGreedCrueltyMaliceDeityNatural Disasters
Author:A.C. Grayling
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“His mattress was his bathroom was his dinner plate And he fights for food against roaches and rats And the all-purpose pavement gets colder as the year gets late, So the roaches get bigger and the vermin turn to bats. We never have enough money to hand to cardboard holders, But always enough for extra açaí, bacon, or premium. And we bet they're scamming us, those damn freeloaders, But that's just it: a bet-- and premium is just premium. We guarantee the next has it covered, that car behind us, Ignoring how they like premium the same way we do. First judgements have always been our widespread virus, But truth is the property of man and that we can't lose.”

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Book:Can I Tell You Something?
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“It was as easy as breathing to go and have tea near the place where Jane Austen had so wittily scribbled and so painfully died. One of the things that causes some critics to marvel at Miss Austen is the laconic way in which, as a daughter of the epoch that saw the Napoleonic Wars, she contrives like a Greek dramatist to keep it off the stage while she concentrates on the human factor. I think this comes close to affectation on the part of some of her admirers. Captain Frederick Wentworth in Persuasion, for example, is partly of interest to the female sex because of the 'prize' loot he has extracted from his encounters with Bonaparte's navy. Still, as one born after Hiroshima I can testify that a small Hampshire township, however large the number of names of the fallen on its village-green war memorial, is more than a world away from any unpleasantness on the European mainland or the high or narrow seas that lie between. (I used to love the detail that Hampshire's 'New Forest' is so called because it was only planted for the hunt in the late eleventh century.) I remember watching with my father and brother through the fence of Stanstead House, the Sussex mansion of the Earl of Bessborough, one evening in the early 1960s, and seeing an immense golden meadow carpeted entirely by grazing rabbits. I'll never keep that quiet, or be that still, again. This was around the time of countrywide protest against the introduction of a horrible laboratory-confected disease, named 'myxomatosis,' into the warrens of old England to keep down the number of nibbling rodents. Richard Adams's lapine masterpiece Watership Down is the remarkable work that it is, not merely because it evokes the world of hedgerows and chalk-downs and streams and spinneys better than anything since The Wind in the Willows, but because it is only really possible to imagine gassing and massacre and organized cruelty on this ancient and green and gently rounded landscape if it is organized and carried out against herbivores.”

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Book:Hitch 22: A Memoir
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“When reading the history of the Jewish people, of their flight from slavery to death, of their exchange of tyrants, I must confess that my sympathies are all aroused in their behalf. They were cheated, deceived and abused. Their god was quick-tempered unreasonable, cruel, revengeful and dishonest. He was always promising but never performed. He wasted time in ceremony and childish detail, and in the exaggeration of what he had done. It is impossible for me to conceive of a character more utterly detestable than that of the Hebrew god. He had solemnly promised the Jews that he would take them from Egypt to a land flowing with milk and honey. He had led them to believe that in a little while their troubles would be over, and that they would soon in the land of Canaan, surrounded by their wives and little ones, forget the stripes and tears of Egypt. After promising the poor wanderers again and again that he would lead them in safety to the promised land of joy and plenty, this God, forgetting every promise, said to the wretches in his power:—'Your carcasses shall fall in this wilderness and your children shall wander until your carcasses be wasted.' This curse was the conclusion of the whole matter. Into this dust of death and night faded all the promises of God. Into this rottenness of wandering despair fell all the dreams of liberty and home. Millions of corpses were left to rot in the desert, and each one certified to the dishonesty of Jehovah. I cannot believe these things. They are so cruel and heartless, that my blood is chilled and my sense of justice shocked. A book that is equally abhorrent to my head and heart, cannot be accepted as a revelation from God. When we think of the poor Jews, destroyed, murdered, bitten by serpents, visited by plagues, decimated by famine, butchered by each, other, swallowed by the earth, frightened, cursed, starved, deceived, robbed and outraged, how thankful we should be that we are not the chosen people of God. No wonder that they longed for the slavery of Egypt, and remembered with sorrow the unhappy day when they exchanged masters. Compared with Jehovah, Pharaoh was a benefactor, and the tyranny of Egypt was freedom to those who suffered the liberty of God. While reading the Pentateuch, I am filled with indignation, pity and horror. Nothing can be sadder than the history of the starved and frightened wretches who wandered over the desolate crags and sands of wilderness and desert, the prey of famine, sword, and plague. Ignorant and superstitious to the last degree, governed by falsehood, plundered by hypocrisy, they were the sport of priests, and the food of fear. God was their greatest enemy, and death their only friend. It is impossible to conceive of a more thoroughly despicable, hateful, and arrogant being, than the Jewish god. He is without a redeeming feature. In the mythology of the world he has no parallel. He, only, is never touched by agony and tears. He delights only in blood and pain. Human affections are naught to him. He cares neither for love nor music, beauty nor joy. A false friend, an unjust judge, a braggart, hypocrite, and tyrant, sincere in hatred, jealous, vain, and revengeful, false in promise, honest in curse, suspicious, ignorant, and changeable, infamous and hideous:—such is the God of the Pentateuch.”

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Book:Some Mistakes of Moses
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