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Rabbits Quotes

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Rabbits Quotes

“It was as easy as breathing to go and have tea near the place where Jane Austen had so wittily scribbled and so painfully died. One of the things that causes some critics to marvel at Miss Austen is the laconic way in which, as a daughter of the epoch that saw the Napoleonic Wars, she contrives like a Greek dramatist to keep it off the stage while she concentrates on the human factor. I think this comes close to affectation on the part of some of her admirers. Captain Frederick Wentworth in Persuasion, for example, is partly of interest to the female sex because of the 'prize' loot he has extracted from his encounters with Bonaparte's navy. Still, as one born after Hiroshima I can testify that a small Hampshire township, however large the number of names of the fallen on its village-green war memorial, is more than a world away from any unpleasantness on the European mainland or the high or narrow seas that lie between. (I used to love the detail that Hampshire's 'New Forest' is so called because it was only planted for the hunt in the late eleventh century.) I remember watching with my father and brother through the fence of Stanstead House, the Sussex mansion of the Earl of Bessborough, one evening in the early 1960s, and seeing an immense golden meadow carpeted entirely by grazing rabbits. I'll never keep that quiet, or be that still, again. This was around the time of countrywide protest against the introduction of a horrible laboratory-confected disease, named 'myxomatosis,' into the warrens of old England to keep down the number of nibbling rodents. Richard Adams's lapine masterpiece Watership Down is the remarkable work that it is, not merely because it evokes the world of hedgerows and chalk-downs and streams and spinneys better than anything since The Wind in the Willows, but because it is only really possible to imagine gassing and massacre and organized cruelty on this ancient and green and gently rounded landscape if it is organized and carried out against herbivores.”

“You all know the argument from design: everything in the world is made just so that we can manage to live in the world, and if the world was ever so little different, we could not manage to live in it. That is the argument from design. It sometimes takes a rather curious form; for instance, it is argued that rabbits have white tails in order to be easy to shoot. I do not know how rabbits would view that application.”

“Have you thought of doing it? Being a cattle farmer? If that's what it's called? I think we should do that, but replace cattle with bunnies and then we don't milk or eat the bunnies. We just let them multiply. Then we'll take over the world. Me the queen. You the king. Our bunnies the army nobody can defeat.”

“Yet each flower, each twig, each pebble, shines as though illuminated from within, as once before, on her first day in the Garden. It’s the stress, it’s the adrenalin, it’s a chemical effect: she knows this well enough. But why is it built in? she thinks. Why are we designed to see the world as supremely beautiful just as we’re about to be snuffed? Do rabbits feel the same as the fox teeth bite down on their necks? Is it mercy?”

“Each October I walk into the woods looking for bones: rabbit skulls, a grackle spine, the pelvis of a deer with the blood bleached out. What died in the lush of roses and mint shines out from the tangle of twigs that bind it to the place of its last leaping. The living lack that kind of clarity. In late April, when the water spreads out and out till everything is lilies and seepage, there is only the mystery of tracks, a rustle receding in the many reeds. And so the bones accumulate across my windowsill: the flightless wings and exaggerated grins, the silent unmoving reminders of where the glories of April lead.”

“He lifted his shirt, and on his back was the White Rabbit, wearing his waistcoat and looking at his watch. It was just like the illustration from the book. Only standing next to him, back-to-back, was another White Rabbit wearing a leather motercycle jacket and boots and smoking a cigar.”

“Yuan opens his eyes. White rabbits wandering all around, poking him, touching him, rubbing their noses at his feet, or merely exploring the thick grass, ignoring his presence. As if showing their appearance alone is enough of a favor. Yuan sees the tiniest rabbit struggling to reach him. One of its legs wounded, and a dark rotten feather sticking to its body. The feather smells of death. There must be a dead bird somewhere. Dead bird! Why didn’t he smell it earlier? Yuan, removing the feather, stretches his hand towards the rabbit. It hops on, sensing the burst of healing energy. All living creatures always sense what heals their woe—a code in their subconscious.”

“Removing the thought about the rotten feather, for now, Yuan calms his core, inhaling prana—the source energy from air. The animal’s wound healing. All the rabbits turn their necks now, watching him. At last, he deserves attention. They run to the Monk; jumping; climbing along the layered folds of his dark shawl; settling on his lap, thighs, and shoulders; competing with one another for the healing energy; seeking a share of the purity coming from the highest possible evolution in the universe. A monk’s purity procured through strict abstention won’t stain. Even a dead bird’s foul feather can’t tinge it.”

“This was their way of honoring the dead. The story over, the demands of their own hard, rough lives began to re-assert themselves in their hearts, in their nerves, their blood and appetites. Would that the dead were not dead! But there is grass that must be eaten, pellets that must be chewed, hraka that must be passed, holes that must be dug, sleep that must be slept. Odysseus brings not one man to shore with him. Yet he sleeps sound beside Calypso and when he wakes thinks only of Penelope.”

“Pound for pound, these animals don’t add up to much. Dog fanciers with a couple of Rottweilers trump us in terms of sheer biomass. But, when it comes to sheer insistence, even the largest, most unruly dogs—or for that matter, your average herd of cattle—are no match for our ducks, geese, parrots, parakeets, turkeys, cats, rabbits, and other birds.”

“This reminds me: Are you going to eat the placenta?” Renée asked Harper. “I understand that’s a thing now. We stocked a pregnancy guide at the bookstore with a whole chapter of placenta recipes in the back. Omelets and pasta sauces and so on.” “No, I don’t think so,” Harper said. “Dining on the placenta smacks of cannibalism, and I was hoping for a more dignified apocalypse.” “Rabbit mothers eat their own babies,” the Mazz said. “I found that out reading Watership Down. Apparently the mamas chow on their newborns all the time. Pop them down just like little meat Skittles.”

“So I think that in the beginning of your career you're just looking to work. Luckily for me, my first movie was 'Rabbit Hole' and I got to work with incredible people, a Pulitzer prize winning writer, John Cameron Mitchell, and all the actors involved. So it's tough, man, because you want to have credibility.”

“Like lots of baby boomers, I was brought up on archaic anthropomorphism. Upstanding Christian dogs. Rabbits with family values. Because the ancient texts and pictures were sacred - Potter, Milne and the rest. Even concerned parents who knew Freud and Jung never saw the contradictions in feeding us on them.”

“I cannot see the short, white curls Upon the forehead of an Ox, But what I see them dripping with That poor thing's blood, and hear the ax; When I see calves and lambs, I see Them led to death; I see no bird Or rabbit cross the open field But what a sudden shot is heard; A shout that tells me men aim true, For death or wound, doth chill me through. W.H. Davies I have been studying the traits and dispositions of the "lower animals" (so called) and contrasting them with the traits and dispositions of man. I find the result humiliating to me.”

“Introverts are offered keys to private gardens full of riches. To possess such a key is to tumble like Alice down her rabbit hole. She didn't choose to go to Wonderland - but she made of it an adventure that was fresh and fantastic and very much her own.”

“Some people draw a comforting distinction between force and violence. I refuse to cloud the issue by such word-play. The power which establishes a state is violence; the power which maintains it is violence; the power which eventually overthrows it is violence. Call an elephant a rabbit only if it gives you comfort to feel that you are about to be trampled to death by a rabbit.”

“In the olden days in England, you could be hung for stealing a sheep or a loaf of bread. However, if a sheep stole a loaf of bread and gave it to you, you would only be tried for receiving, a crime punishable by forty lashes with the cat or the dog, whichever was handy. If you stole a dog and were caught, you were punished with twelve rabbit punches, although it was hard to find rabbits big enough or strong enough to punch you.”

“The difficulty in working with someone on a show like Idol or X Factor is they have an idea of what they think is cool in their heads, and it's important as a producer to maintain control of the session and not let it get side-tracked or chase too many rabbits. But it's also important to let the artist feel like their opinion matters, so that balance is difficult.”

“Standing at the edge of our city, a man could feel that we had made this place of streets and dwellings in the stillness of the desert, and that we had done a brave thing... Or a man could feel that we had made this city in the desert and that it was a fake thing and that our lives were empty lives, and that we were the contemporaries of the jack rabbits.”