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World War Ii Quotes

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World War Ii Quotes

“Home? What is home? Home is where a house is that you come back to when the rainy season is about to begin, to wait until the next dry season comes around. Home is where your woman is, that you come back to in the intervals between a greater love - the only real love - the lust for riches buried in the earth, that are your own if you can find them. Perhaps you do not call it home, even to yourself. Perhaps you call them 'my house,' 'my woman,' What if there was another 'my house,' 'my woman,' before this one? It makes no difference. This woman is enough for now. Perhaps the guns sounded too loud at Anzio or at Omaha Beach, at Guadalcanal or at Okinawa. Perhaps when they stilled again some kind of strength had been blasted from you that other men still have. And then again perhaps it was some kind of weakness that other men still have. What is strength, what is weakness, what is loyalty, what is perfidy? The guns taught only one thing, but they taught it well: of what consequence is life? Of what consequence is a man? And, therefore, of what consequence if he tramples love in one place and goes to find it in the next? The little moment that he has, let him be at peace, far from the guns and all that remind him of them. So the man who once was Bill Taylor has come back to his house, in the dusk, in the mountains, in Anahuac. ("The Moon Of Montezuma")”

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Book:The Fantastic Stories of Cornell Woolrich
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“It was night time, Inspector Thompson wrote. Those in the plane were transfixed with delight to look down from the windows and see the amazing spectacle of a whole city lighted up. Washington represented something immensely precious. Freedom, hope, strength. We had not seen an illuminated city for two years. My heart filled.”

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Book:The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz
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“My china boy seemed to embody the way no story reaches us without having its heels chipped off or its face scratched away. And how lacunae and gaps are the constant companions of survival, its hidden engine, fueling its acceleration. How only trauma makes individuals — singly and unambiguously us — from the mass product. And yes, finally, the way in which I am the little boy, the product of mass manufacturing and also of the collective catastrophe of the last century, the survivor and unwitting beneficiary, here by some miracle.”

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Book:In Memory of Memory
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“When I was a schoolboy in England, the old bound volumes of Kipling in the library had gilt swastikas embossed on their covers. The symbol's 'hooks' were left-handed, as opposed to the right-handed ones of the Nazi hakenkreuz, but for a boy growing up after 1945 the shock of encountering the emblem at all was a memorable one. I later learned that in the mid-1930s Kipling had caused this 'signature' to be removed from all his future editions. Having initially sympathized with some of the early European fascist movements, he wanted to express his repudiation of Hitlerism (or 'the Hun,' as he would perhaps have preferred to say), and wanted no part in tainting the ancient Indian rune by association. In its origin it is a Hindu and Jainas symbol for light, and well worth rescuing.”

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Book:Love, Poverty, and War: Journeys and Essays
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“It was as easy as breathing to go and have tea near the place where Jane Austen had so wittily scribbled and so painfully died. One of the things that causes some critics to marvel at Miss Austen is the laconic way in which, as a daughter of the epoch that saw the Napoleonic Wars, she contrives like a Greek dramatist to keep it off the stage while she concentrates on the human factor. I think this comes close to affectation on the part of some of her admirers. Captain Frederick Wentworth in Persuasion, for example, is partly of interest to the female sex because of the 'prize' loot he has extracted from his encounters with Bonaparte's navy. Still, as one born after Hiroshima I can testify that a small Hampshire township, however large the number of names of the fallen on its village-green war memorial, is more than a world away from any unpleasantness on the European mainland or the high or narrow seas that lie between. (I used to love the detail that Hampshire's 'New Forest' is so called because it was only planted for the hunt in the late eleventh century.) I remember watching with my father and brother through the fence of Stanstead House, the Sussex mansion of the Earl of Bessborough, one evening in the early 1960s, and seeing an immense golden meadow carpeted entirely by grazing rabbits. I'll never keep that quiet, or be that still, again. This was around the time of countrywide protest against the introduction of a horrible laboratory-confected disease, named 'myxomatosis,' into the warrens of old England to keep down the number of nibbling rodents. Richard Adams's lapine masterpiece Watership Down is the remarkable work that it is, not merely because it evokes the world of hedgerows and chalk-downs and streams and spinneys better than anything since The Wind in the Willows, but because it is only really possible to imagine gassing and massacre and organized cruelty on this ancient and green and gently rounded landscape if it is organized and carried out against herbivores.”

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Book:Hitch 22: A Memoir
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“As demobilization loomed on the horizon, the image of women as comrades-in-arms was replaced by the image of women as competitors for men. And with this shift came a shift in public opinion. Enthusiastic admiration for Rosie the Riveter was replaced by the prevailing idea that 'Women ought to be delighted to give up any job and return to their proper sphere - the kitchen.' All of a sudden, in every medium of popular culture, women were barraged with propaganda and the value of domesticity . . . Ignoring poll after poll that suggested that the majority of women wanted to continue working, the women's magazines focused almost exclusively on those women who were ready to quit.”

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Book:No Ordinary Time: Franklin and Eleanor Roosevelt: The Home Front in World War II
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“It fucking matters. What I do, our kind, signal technicians—it descends straight from you guys.” “Our kind?” She tried to say it without sharing the classified parts. “The kind with blasted headphones and little cold rooms?” “Yeah, them. You. Want to know the first thing I did, coming to England? I went to Bletchley Park. Because it’s Mecca to people like us. BP and all the outstations like the one you’re at. The Greatest Generation, all these girls like you sitting in little cold rooms with your headphones on. I saw that display, the Bakelite headphones and wireless receivers and what you managed to do with them, and I felt like I was in goddamn church.”

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Book:Signal Moon
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“P.S.2. During the day, they are drilling us on passwords we will need in the jungle in case we run into a Japanese spy dressed like a USMC. One of them was "Who lost game 4 of the 1941 W. Series?" Half the guys said "Brooklyn" and the other half said "Mickey Owen" and the third half said "Tommy Henrich". Then some fist fights happened so they scrapped the question. But I told you so.”

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Book:Last Days of Summer
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“Towards the end of the Second World War, when I was sixteen years old, I was taken out of school and forced into the army. After a brief period of training at a base in Wüzburg, I arrived at the front, which by that time had already crossed the Rhine into Germany. There were well over a hundred in my company, all of whom were very young. One evening the company commander sent me with a message to battalion headquarters. I wandered all night long through destroyed, burning villages and farms, and when in the morning I returned to my company I found only the dead, nothing but dead, overrun by a combined bomber and tank assault. I could see only dead and empty faces, where the day before I had shared childhood fears and youthful laughter. I remember nothing but a wordless cry. Thus I see myself to this very day, and behind this memory all my childhood dreams crumble away.”

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Book:A Passion for God: The Mystical-Political Dimension of Christianity
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“Everybody was a hero. Hadn't we all joined together to kick the hell out of de Gruber, and that fat Italian, and put that little rice-eating Tojo in his place? Black men from the South who had held no tools more complicated than plows had learned to use lathes and borers and welding guns, and had brought in their quotas of war-making machines. Women who had only known maid's uniforms and mammy-made dresses donned the awkward men's pants and steel helmets, and made the ship-fitting sheds hum some buddy. Even the children had collected paper, and at the advice of elders who remembered World War I, balled the tin foil from cigarettes and chewing gum into balls as big as your head. Oh, it was a time.”

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Book:Gather Together in My Name
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“SEPTEMBER 1, 1939 I sit in one of the dives On Fifty-second Street Uncertain and afraid As the clever hopes expire Of a low dishonest decade: Waves of anger and fear Circulate over the bright And darkened lands of the earth, Obsessing our private lives; The unmentionable odour of death Offends the September night. Accurate scholarship can Unearth the whole offence From Luther until now That has driven a culture mad, Find what occurred at Linz, What huge imago made A psychopathic god: I and the public know What all schoolchildren learn, Those to whom evil is done Do evil in return. Exiled Thucydides knew All that a speech can say About Democracy, And what dictators do, The elderly rubbish they talk To an apathetic grave; Analysed all in his book, The enlightenment driven away, The habit-forming pain, Mismanagement and grief: We must suffer them all again. Into this neutral air Where blind skyscrapers use Their full height to proclaim The strength of Collective Man, Each language pours its vain Competitive excuse: But who can live for long In an euphoric dream; Out of the mirror they stare, Imperialism's face And the international wrong. Faces along the bar Cling to their average day: The lights must never go out, The music must always play, All the conventions conspire To make this fort assume The furniture of home; Lest we should see where we are, Lost in a haunted wood, Children afraid of the night Who have never been happy or good. The windiest militant trash Important Persons shout Is not so crude as our wish: What mad Nijinsky wrote About Diaghilev Is true of the normal heart; For the error bred in the bone Of each woman and each man Craves what it cannot have, Not universal love But to be loved alone. From the conservative dark Into the ethical life The dense commuters come, Repeating their morning vow; 'I will be true to the wife, I'll concentrate more on my work,' And helpless governors wake To resume their compulsory game: Who can release them now, Who can reach the dead, Who can speak for the dumb? All I have is a voice To undo the folded lie, The romantic lie in the brain Of the sensual man-in-the-street And the lie of Authority Whose buildings grope the sky: There is no such thing as the State And no one exists alone; Hunger allows no choice To the citizen or the police; We must love one another or die. Defenseless under the night Our world in stupor lies; Yet, dotted everywhere, Ironic points of light Flash out wherever the Just Exchange their messages: May I, composed like them Of Eros and of dust, Beleaguered by the same Negation and despair, Show an affirming flame.”

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Book:Another Time
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“A Krakovian Conversion by Stewart Stafford Stone columns on my grave; Gravity no longer tethers me, Procession for a fallen saviour, Our charmed lives split apart. A cuckoo among darkest eagles, Faustian profiteer's bloody deal, Became a phoenix dove in flight, On the road home to my new form. An unbroken cypher laid to rest, A muttered debate behind prayers; Faux Messiah, who saved himself? Ransoms paid by a bankrupt sage? © Stewart Stafford, 2024. All rights reserved.”

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Author:Stewart Stafford
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“Surely the Board knows what democracy is. It is the line that forms on the right. It is the don’t in Don’t Shove. It is the hole in the stuffed shirt through which the sawdust slowly trickles; it is the dent in the high hat. Democracy is the recurrent suspicion that more than half the people are right more than half the time. It is the feeling of privacy in the voting booths, the feeling of communion in the libraries, the feeling of vitality everywhere. Democracy is the score at the beginning of the ninth. It is an idea which hasn’t been disproved yet, a song the words of which have not gone bad. It’s the mustard on the hot dog and the cream in the rationed coffee. Democracy is a request from a War Board, in the middle of a morning in the middle of a war, wanting to know what democracy is.”

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Book:The Wild Flag: Editorials from the New Yorker on Federal World Government and Other Matters
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“This isn't to deny that there were fierce arguments, at the time and ever since, about the causes and goals of both the Civil War and the Second World War. But 1861 and 1941 each created a common national narrative (which happened to be the victors' narrative): both wars were about the country's survival and the expansion of the freedoms on which it was founded. Nothing like this consensus has formed around September 11th.... Indeed, the decade since the attacks has destroyed the very possibility of a common national narrative in this country.”

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Author:George Packer
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“What people still do not like to admit is that there were two crimes in the form of one. Just as the destruction of Jewry was the necessary condition for the rise and expansion of Nazism, so the ethnic cleansing of Germans was a precondition for the Stalinization of Poland. I first noticed this point when reading an essay by the late Ernest Gellner, who at the end of the war had warned Eastern Europeans that collective punishment of Germans would put them under Stalin's tutelage indefinitely. They would always feel the guilty need for an ally against potential German revenge.”

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Book:Hitch 22: A Memoir
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“What happened next? I retain nothing from those terrible minutes except indistinct memories which flash into my mind with sudden brutality, like apparitions, among bursts and scenes and visions that are scarcely imaginable. It is difficult even to even to try to remember moments during which nothing is considered, foreseen, or understood, when there is nothing under a steel helmet but an astonishingly empty head and a pair of eyes which translate nothing more than would the eyes of an animal facing mortal danger. There is nothing but the rhythm of explosions, more or less distant, more or less violent, and the cries of madmen, to be classified later, according to the outcome of the battle, as the cries of heroes or of murderers. And there are the cries of the wounded, of the agonizingly dying, shrieking as they stare at a part of their body reduced to pulp, the cries of men touched by the shock of battle before everybody else, who run in any and every direction, howling like banshees. There are the tragic, unbelievable visions, which carry from one moment of nausea to another: guts splattered across the rubble and sprayed from one dying man to another; tightly riveted machines ripped like the belly of a cow which has just been sliced open, flaming and groaning; trees broken into tiny fragments; gaping windows pouring out torrents of billowing dust, dispersing into oblivion all that remains of a comfortable parlor...”

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Book:The Forgotten Soldier
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“Red Army soldier Danylo could only sleep while moving – in transport – and even that could hardly be called sleep at all.”

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Book:Камень. Биографический роман. Книга вторая. Непростые дороги в ад: Выживание в условиях насилия
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“Bang!” The explosion thundered right beside him. Danilo’s body was thrown aside like a rag doll, and his mind shut down instantly. What happened next, Red Army soldier Shablia neither saw nor heard. The sounds of battle, the shouts of men, machine-gun fire, shell bursts — even the massive shockwave when the bridge and dam were blown up — could no longer reach his consciousness. Author: Volodymyr Shablia: Context note: This passage describes the moments of Danylo Shablia's last battle during the chaotic retreat of the Red Army, emphasizing the sudden, impersonal nature of events in World War II.”

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Book:Камінь. Біографічний роман. Книга друга. Непрості дороги до пекла: Виживання в умовах насильства.
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“I did not want a war, nor did I bring it about. I did everything to prevent it by negotiations. After it had broken out, I did everything to assure victory. Since the three greatest powers on earth, together with many other nations, were fighting against us, we finally succumbed to their tremendous superiority. I stand up for the things that I have done, but I deny most emphatically that my actions were dictated by the desire to subjugate foreign peoples by wars, to murder them, to rob them, or to enslave them, or to commit atrocities or crimes. The only motive which guided me was my ardent love for my people, its happiness, its freedom, and its life. And for this I call on the Almighty and my German people to witness. (31 August 1946)”

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Book:Trial of the Major war Criminals: before the International Military Tribunal, Nuremberg, 14 November 1945-1 October 1946
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“Poor bastard, I thought, listening to him. He’s trying to hide from us. He’s dying, and he knows we want to kill him. What a fate: to gasp your life out all alone in the mud of a dirty little creek, helpless to hold off the slow death that is inside you and the quicker death that is walking up on you on the other side of the water. A death without love, a death without hope. God, who invented war? But if he gets back alive, I may be dead.”

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Book:Parachute Infantry: An American Paratrooper's Memoir of D-Day and the Fall of the Third Reich
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“It was darker than any night he'd known and he was terribly alone. Sand rivulets leaked onto his head. Dust clogged his nostrils. It seemed that there was no air left inside the narrow tunnel confines. The only sound he could make out was the creak of support boards seemingly ready to give way. He pulled himself along, using a swimming motion, thrusting aside dirt that clogged his route, fighting every centimeter of the way. He held out no real hope of being able to crawl the entire seventy-five yards.”

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Book:Hart's War
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“The port teemed with children. Helen had been rushing, the will carefully tucked in the crook of her arm, when she turned the corner and the sight of their little faces stopped her in her tracks. They were a ragged little crowd, their hair in disarray from the night spent sleeping on their siblings’ shoulders, but Helen thought they were beautiful. Notes pinned to their coats declared their names, and every hand held something, whether an adult-sized suitcase or the grip of a sibling. It was the brothers and sisters who broke Helen’s heart the most. For all the bickering they likely once did, they now clung to each other as a soul does to a body. Don’t separate us, their small faces begged, necks craned to look up at the clusters of adults watching them. Wherever we must go, just let it be together.”

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Book:The Ocean's Daughter :
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“Others, however, would look over the children as if they were produce. They’d only speak to the nearest officer, never lowering their eyes to the young ones. Instead, they looked down their noses as though to distance themselves. “I’ll take these,” Helen would see them mouth, waving a finger above the small heads. It was a moment the children would have branded on their minds, Helen was sure of it, and the pain of it turned her stomach to lead.”

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Book:The Ocean's Daughter :
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“On June 23, 1942, there was a group of French Jews in a German prison, on Polish soil. The first person I took was close to the door, his mind racing, then reduced to pacing, then slowing down, slowing down.... Please believe me when I tell you that I picked up each would that day as if it were newly born. I even kissed a few weary, poisoned cheeks. I listened to their last, gasping cries. Their vanishing words. I watched their love visions and freed them from their fear. I took them all away, and if there was a time I needed distraction, this was it. In complete desolation, I looked at the world above. I watched the sky as it turned from silver to gray to the color of rain. Even the clouds were trying to get away. Sometimes I imagined how everything looked above those clouds, knowing without question that the sun was blond, and the endless atmosphere was a giant blue eye. They ere French, they were Jews, and they were you.”

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Book:The Book Thief
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