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Hotels Quotes

Browse 26 quotes about Hotels.

Hotels Quotes

“Oh, Lawd, I done forgot Harlem! Say, you colored folks, hungry a long time in 135th Street--they got swell music at the Waldorf-Astoria. It sure is a mighty nice place to shake hips in, too. There's dancing after supper in a big warm room. It's cold as hell on Lenox Avenue. All you've had all day is a cup of coffee. Your pawnshop overcoat's a ragged banner on your hungry frame. You know, downtown folks are just crazy about Paul Robeson! Maybe they'll like you, too, black mob from Harlem. Drop in at the Waldorf this afternoon for tea. Stay to dinner. Give Park Avenue a lot of darkie color--free for nothing!”

“And after some months, the exposure to beauty and wealth took a toll on his mind. He could not pinpoint it at first. Andrei thought human change came from decisions, but actually it came from observation. The brain was a special piano whose song history was never forgotten; one wrong key could destroy the instrument and necessitate years of healing. For Andrei, the multitude of wealthy guests, their walks, accommodation requests, secrets, women, and jewels had achieved his natural lust for luxury ten times over and turned him into a complete ghost.”

“Mostly, in the restaurant business, [managers] are former cooks still capable of pinch-hitting in the kitchen, just as in hotels they are likely to be former clerks, and paid a salary of only about $400 a week. But everyone knows they have crossed over to the other side, which is, crudely put, corporate as opposed to human. Cooks want to prepare tasty meals, servers want to serve them graciously, but managers are there for only one reason--to make sure that money is made for some theoretical entity, the corporation, which exists far away in Chicago or New York, if a corporation can be said to have a physical existence at all.”

“While many say Schrager’s work is about design, it isn’t—it’s about ideas and experiences. Ian uses the power of his ideas to tap into what he calls the “collective unconsciousness, the ethereal, elusive, and hard-to-define magic and energy.” He understands the power of this intangible, emotional place and uses it to connect deeply with his customers. He knows that “the way a product makes you feel is more important than how it looks. The goal is to create experiences that people will remember, to touch them in emotional and visceral ways, to lift their spirits, to assault their senses, and to wow them in tasteful ways.” But just as important, Schrager under- stands that an amazing experience can’t be created from ideas alone, knowing that “good execution is just as important as a good idea.” And he has consistently manifested his creative potential because he has regularly married the four key elements that create value in our new age: purpose, creativity, execution, and emotion.”

“What Schrager did when he developed the lifestyle hotel was apply his creativity—through design, story- telling, and programming—to shift the customer’s perspective and produce significant value. After all, many lifestyle hotels are just underperforming hotel assets that have been repositioned using these creative elements.”

“We drove across the Red Square past Lenin's Mausoleum and the towers and domes of the Kremlin--and stopped a block away at the Grand Hotel. Our rooms were ready for us--clean and comfortable, with hot and cold water, homelike settees and deep roomy chairs. Courteous attendants were there, baths and elevator, a book shop and two restaurants. Everything that a hotel for white folks at home would have--except that, quite truthfully, there was no toilet paper. And no Jim Crow. Of course, we knew that one of the basic principles of the Soviet Union is the end of all racial distinctions. That's the main reason we had come to Moscow.”

“The chances of satisfying my renewed appetite for literary exchanges increased once I began to visit the library more frequently and make my way from the hotel to City Lights Bookstore at 261 Columbus Avenue. For all I was learning about the role its founder, Lawrence Ferlinghetti, had played in helping to nurture, promote, and sustain the talented souls who made the Beat Movement possible, City Lights became a kind of sacred space for me.”

“So he bought tickets to the Greyhound and they climbed, painfully, inch by inch and with the knowledge that, once they reached the top, there would be one breath-taking moment when the car would tip precariously into space, over an incline six stories steep and then plunge, like a plunging plane. She buried her head against him, fearing to look at the park spread below. He forced himself to look: thousands of little people and hundreds of bright little stands, and over it all the coal-smoke pall of the river factories and railroad yards. He saw in that moment the whole dim-lit city on the last night of summer; the troubled streets that led to the abandoned beaches, the for-rent signs above overnight hotels and furnished basement rooms, moving trolleys and rising bridges: the cagework city, beneath a coalsmoke sky.”

“This is a smashing place, isn't it? But I must say it scares me a bit. Do you suppose one dares to ask for some tea?' 'I expect so, though heavens knows how. Perhaps you blow a peal on a slughorn, or beat on your shield with your sword -- or, I'll tell you what, if you look around you'll find a long embroidered tassel, and if you pull it you'll hear a bell clanging hollowly in some dark corridor a million miles away, and then some bent old servitor will come shuffling in--' 'There's a telephone by the bed,' said Timothy. 'Good heavens, so there is. How disappointing.' - Airs Above the Ground”

“Smugglers are always going to be flush with cash as soon as they find a buyer for the eight cartons of fountain pen cartridges that write in illegal shades of green, but they never have money today. You should, if you are going to run a smugglers' hotel, get a big account book and assume that whatever you write in it, the reality is, you're going to get paid in fountain pen cartridges. If you're lucky. You could just as easily get paid with something even more useless.”