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Hats Quotes

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Hats Quotes

“A Dutchman stepped out of his house and asked two British Soldiers if they would like a cup of tea. A little further back along the route they had come, the bodies of British paratroopers lay 'everywhere, many of them behind trees or poles', Albert Horstman of the Arnhem underground recorded. He then saw 'a man about middle-aged, who wore a hat. This man went to every dead soldier, lifted his hat and stood in silence for a few seconds.”

“Mr. Galliano wore his big top-hat very much on one side of his head, so much so that Jimmy really wondered why it didn't fall off. ‘When Galliano wears his hat on one side the circus is taking lots of money,’ said Lotta to him. ‘But when you see him wearing it straight up, then you know things are going badly. He gets into a bad temper then, and I hide under the caravan when I see him coming. I've never seen his hat so much on one side before!’ Jimmy thought that circus ways were very extraordinary. Even hats seemed to share in the excitement!”

“A hat is the expression of a woman’s soul. It is something she wears on her head, but it belongs to her heart. It is her challenge to the world. She does not wear it to keep warm, or to provide a shade from the sun, though it may do those things too. She wears it to please a husband or a sweetheart, or to get one. She wears it to make other women jealous, sometimes, and sometimes she wears it to get a job. It is the keynote of her personality, the finishing touch that makes her look beautiful, and smart, and sure of herself, if it is the right hat.”

“When we entered a classroom we always tossed our caps on the floor, to free our hands; as soon as we crossed the threshold we would throw them under the bench so hard that they struck the wall and raised a cloud of dust; this was "the way it should be done." But the new boy either failed to notice this maneuver or was too shy to perform it himself, for he was still holding his cap on his lap at the end of the prayer. It was a head-gear of composite nature, combining elements of the busby, the lancer cap, the round hat, the otter-skin cap and the cotton nightcap--one of those wretched things whose mute ugliness has great depths of expression, like an idiot's face. Egg-shaped and stiffened by whalebone, it began with three rounded bands, followed by alternating diamond-shaped patches of velvet and rabbit fur separated by a red stripe, and finally there was a kind of bag terminating in a cardboard-lined polygon covered with complicated braid. A network of gold wire was attached to the top of this polygon by a long, extremely thin cord, forming a kind of tassel. The cap was new; its visor was shiny. "Stand up," said the teacher. He stood up; his cap fell. The whole class began to laugh. He bent down and picked it up. A boy beside him knocked it down again with his elbow; he picked it up once again. "Will you please put your helmet away?" said the teacher, a witty man.”

“Take off your hat," the King said to the Hatter. "It isn't mine," said the Hatter. "Stolen!" the King exclaimed, turning to the jury, who instantly made a memorandum of the fact. "I keep them to sell," the Hatter added as an explanation; "I've none of my own. I'm a hatter.”

“Believe me, I have made many hats. Perhaps I have made more hats than any other one woman in the world. And with each hat is a story. It is the story of the woman who wore the hat, and why she bought it; the people she loved and the people she hated; the places she went and the things that happened to her, perhaps because of the hat. You see, a woman’s hat is close to her heart, though she wears it on her head. It is her way of saying to the world: “See, this is what I am like!~” or – “This is how I should like to be.”

“. . . . I think of the women who have bought my hats. Some have been duchesses and some have been queens. Some have been famous actresses and some have been no better than they should be. Some have been great ladies of society, and some have been shopgirls and stenographers, not famous at all. These last I like to think of best, because a hat to them was worth going without lunches for a month. So many hats. So many women. They would make a picture story of our times.”

“I recommend the French beret, for it gives the impression of just the right soft toughness, a veritable wave of sophisticated brain matter. It is the kind of hat that inspires a person to grow into it, to become the person they never knew they could be. The space between the top of the head and the beginnings of hat is among the most intimate of areas: earlobe behinds, elbow insides, and anuses. One must pay heed to such spaces for they hold a potential not fully known (but generally agreed to be vast).”

“What a shocking bad hat!' was the phrase that was next in vogue. No sooner had it become universal, than thousands of idle but sharp eyes were on the watch for the passenger whose hat shewed any signs, however slight, of ancient service. Immediately the cry arose, and, like the war-whoop of the Indians, was repeated by a hundred discordant throats. He was a wise man who, finding himself under these circumstances 'the observed of all observers,' bore his honours meekly. He who shewed symptoms of ill-feeling at the imputations cast upon his hat, only brought upon himself redoubled notice. The mob soon perceive whether a man is irritable, and, if of their own class, they love to make sport of him. When such a man, and with such a hat, passed in those days through a crowded neighbourhood, he might think himself fortunate if his annoyances were confined to the shouts and cries of the populace. The obnoxious hat was often snatched from his head and thrown into the gutter by some practical joker, and then raised, covered with mud, upon the end of a stick, for the admiration of the spectators, who held their sides with laughter, and exclaimed, in the pauses of their mirth, 'Oh, what a shocking bad hat!' 'What a shocking bad hat!' Many a nervous poor man, whose purse could but ill spare the outlay, doubtless purchased a new hat before the time, in order to avoid exposure in this manner.”

“That man is formed for social life is an observation which, upon our first inquiry, presents itself immediately to our view, and our reason approves that wise and generous principle which actuated the first founders of civil government, an institution which hat its origin in the weakness of individuals, and hath for its end the strength and security of all; and so long as the means of effecting this important end are thoroughly known and religiously attended to government is one of the richest blessings to mankind, and ought to be held in the highest veneration”

“Dizzee's just my childhood hero. He's definitely the inspiration. He's got himself to a very good place. He's defied the expectations of what British black urban music was like. He was the first person who made the rest of Britain realise it wasn't just a one-album-type situation. You've got to take your hat off to somebody like that.”

“I think it's like that for people who don't remember 1969 first-hand. It's that sense of 'old hat.' Of 'been there, done that.' Space shuttles, space stations, communications satellites, GPS - they're all part of our everyday, taken-for-granted world in 2009, not part of an incredible odyssey.”

“As a revolutionary people, we Americans won a probable victory over the best and biggest army in the world because we learned to fight from the Indians. You can do a lot of damage with a Kentucky rifle from behind a tree. You don't put on a peaked hat and a red coat and white leggings and crossed white bandoleers with a big silver buckle in the center of the X and march uphill into a line of Howitzers loaded with chain and chopped horseshoes.”

“Men in all societies possess the biological equipment to remove their hats or shoes, but it is the birth within a particular culture that decides that a Jew will keep his hat and shoes on in his place of worship, a Mohammedan will take off his shoes, and a Christian will keep his shoes on but remove his hat.”

“[W]hat have we done with our forests? Chopped them, and burned them, and wasted them; and now almost the last of the great stands of timber are here on the Pacific slope. We are in the center of the best of them. Probably nowhere on earth does there exist a forest to compare in continuous grandeur and unqualified beauty with the Redwoods that are found along the Eel River and to the north.”

“Costume is always an asset. Normal costume you have a lot to say about - if you're wearing suits or ties, and what color you want, and how it's going to be cut, and stuff like that, and whether or not you're going to wear a hat, and blah, blah, blah. But, when you're wearing a special costume, and of course, costume is probably the second ingredient in character, script being first, I always find that the costume does a lot to cement your character, to put it firmly in mind.”