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Monologues Quotes

Browse 159 quotes about Monologues.

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Monologues Quotes

“I wanted to be a sex goddess. And you can laugh all you want to. The joke is on me, whether you laugh or not. I wanted to be one -- one of them. They used to laugh at Marilyn when she said she didn't want to be a sex-goddess, she wanted to be a human being. And now they laugh at me when I say, "I don't want to be a human being; I want to be a sex-goddess." That shows you right there that something has changed, doesn't it? Rita, Ava, Lana, Marlene, Marilyn -- I wanted to be one of them. I remember the morning my friend came in and told us that Marilyn had died. And all the boys were stunned, rigid, literally, as they realized what had left us. I mean, if the world couldn't support Marilyn Monroe, then wasn't something desperately wrong? And we spent the rest of the goddamned sixties finding out what it was. We were all living together, me and these three gay boys that adopted me when I ran away, in this loft on East Fifth Street, before it became dropout heaven -- before anyone ever said "dropout" -- way back when "commune" was still a verb? We were all -- old-movie buffs, sex-mad -- you know, the early sixties. And then my friend, this sweet little queen, he came in and he passed out tranquilizers to everyone, and told us all to sit down, and we thought he was just going to tell us there was a Mae West double feature on somewhere -- and he said -- he said -- "Marilyn Monroe died last" -- and all the boys were stunned -- but I -- I felt something sudden and cold in my solar plexus, and I knew then what I wanted to do with my life. I wanted to be the next one. I wanted to be the next one to stand radiant and perfected before the race of man, to shed the luminosity of my beloved countenance over the struggles and aspirations of my pitiful subjects. I wanted to give meaning to my own time, to be the unattainable luring love that drives men on, the angle of light, the golden flower, the best of the universe made womankind, the living sacrifice, the end! Shit!”

MonologuesMarilyn MonroeCarlaSex Goddess
Book:Kennedy's Children
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“I'm a huge proponent of exchanges, student exchanges, cultural exchanges, university exchanges. We talk a lot about public diplomacy, .. It's extremely important that we get our message out, but it's also the case that we should not have a monologue with other people. It has to be a conversation, and you can't do that without exchanges and openness.”

PeopleShouldImportantCasesStudentsHugeConversationMessagesUniversityOpennessDiplomacyMonologuesCultural Exchange
Author:Condoleezza Rice
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“The constitution of madness as a mental illness, at the end of the eighteenth century, affords the evidence of a broken dialogue, posits the separation as already effected, and thrusts into oblivion all those stammered, imperfect words without fixed syntax in which the exchange between madness and reason was made. The language of psychiatry, which is a monologue of reason about madness, has been established only on the basis of such a silence.”

Has BeensMadeEndsReasonLanguageSilenceCenturyBrokenEvidenceBasesConstitutionMadnessIllnessSeparationMental IllnessDialogueFixedImperfectOblivionPsychiatryThrustMonologuesSyntax
Book:Review of Existential Psychology and Psychiatry
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“Great lecturers seldom hesitate to use dramatic tricks to enshrine their precepts in the minds of their audiences, and at Yale perhaps Chauncey B. Tinker was the most noted. To read one of his lectures was like reading a monologue of the great actress Ruth Draper--you missed the main point. You missed the drop in his voice as he approached the death in Rome of the tubercular Keats; you missed the shaking tone in which he described the poet's agony for the absent Fanny with him his love had never been consummated; you missed the grim silence of the end.”

MindEndsUseReadingVoiceSilenceAudiencePoetActressesTricksDramaticToneRomeAgonyHis LoveLecturesAbsentShakingGrimLecturerYaleMonologuesRuth
Author:Louis Auchincloss
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“If there's a character type I despise, it's the all-capable, all-knowing, physically perfect protagonist. My idea of hell would be to be trapped in a four-hundred page, first-person, first-tense, running monologue with a character like that. I think writers who produce characters along those lines should graduate from high school and move on.”

IfsThinkingShouldWritingFirstsPersonsIdeasCharacterWould BeRunningSchoolMovingLinesPerfectHellKnowingFourProduceTypePagesCapableHundredHigh SchoolDespiseGraduatesTrappedTenseFirst PersonProtagonistsMonologuesGraduating High School
Author:Craig Johnson
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“I started acting when I was five years old. I found it randomly, through listening to my brother study monologues. I auditorally started memorizing them for no reason, and started repeating them to anyone who would listen to me. And then, I begged my mom to let me do whatever that meant because I couldn't put into words exactly what that meant. It just meant me happy. And then, when I was 11 years old, I realized what I was doing and I looked to my mom and said, "Can I make this something I can do for the rest of my life?" She was like, "Yeah, sure, if you want to." And I was like, "Okay, great! I think I might want to do this forever."”

ThinkingWantYearsSaidReasonMightFoundActingForeverStudyFiveBrotherListeningMomLet MeMy MomI RealizedMy BrotherFive YearsNo ReasonListen To MeFive Year OldsMonologuesMemorizing
Author:Chloe Grace Moretz
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“I should say, a piece of advice that was given to me very early on by the principle of RADA (Royal Academy of Dramatic Art) which is where I went. When he auditioned me, he said, "Your speech, monologue, is fine. It's good. Yeah, I think you have ability but you're making it happen. Don't make it happen, let it happen." And that's a sort of subtle shift I think, as an actor.”

ThinkingShouldArtSaidHappensActorsGivenAbilityPrinciplesPiecesAdviceFineSpeechYeahDramaticSubtleRoyalAcademyMake It HappenMonologues
Author:Ralph Fiennes
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“I think that if I get into the habit of writing a bit about what happens, or rather doesn't happen, I may lose a little of the sense of isolation and desolation which abides with me. My circumstances allowing of nothing but the ejaculation of one-syllabled reflections, a written monologue by that most interesting being, myself, may have its yet to be discovered consolations.”

IfsThinkingWritingMayLittlesHappensBitsLosesInterestingWrittenHabitCircumstancesReflectionIsolationAllowingConsolationDiariesMost InterestingDesolationMonologuesBeing MyselfEjaculation
Author:Alice James
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“I happen to disagree with the well-entrenched theory that the art of conversation is merely the art of being a good listener. Such advice invites people to be cynical with one another and full of fake; when a conversation becomes a monologue, poked along with tiny cattle-prod questions, it isn't a conversation any more.”

PeopleWellsArtHappensWomenAdviceTheoryConversationTinyFakeDisagreeInvitesCynicalListenersCattleMonologuesGood ListenerArt Of Conversation
Author:Barbara Walters
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“When I started writing short stories, I thought I was writing a novel. I had like 60 or 70 pages. And what I realized was that I don't write inner monologue. I don't want to talk about what somebody is thinking or feeling. I wanted to try to show it in an interesting way. And so what I realized was that I was really writing a screenplay.”

ThinkingWayWantWritingTryingStoriesShowsFeelingsWantedInterestingNovelPagesI RealizedShort StoryScreenplaysMonologuesInteresting WaysWriting ShortWriting Short Stories
Author:Shane Carruth
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“I learned capacity for self-reflection very early, finding it through interior monologues that books are so good at and that visual media is so bad at because it's so boring - nothing's happening. In a book, you can be inside the narrator's head for 50 pages, and nothing needs to happen. Then you learn to be inside your own head without something needing to happen. It's a very good antidote to a crazy, restless, "what's next?" culture - that you can just be in your own head and nothing is happening except that this is a rich place. I love that.”

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Author:Jeanette Winterson
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“my belief in the sacrament of the Eucharist is simple: without touch, God is a monologue, an idea, a philosophy; he must touch and be touched, the tongue on flesh, and that touch is the result of the monologues, the idea, the philosophies which led to faith; but in the instant of the touch there is no place for thinking, for talking; the silent touch affirms all that, and goes deeper: it affirms the mysteries of love and mortality.”

ThinkingIdeasPhilosophyBeliefSimpleResultsTalkingMysterySilentDeeperTongueFleshInstantTouchedMortalitySacramentsEucharistMonologuesMystery Of Love
Book:Broken Vessels: Essays
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