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Subtle Quotes

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Subtle Quotes

“His chief form of entertainment was reading. The last moments he was in a cabin were usually spent scanning bookshelves and nightstands. The life inside a book always felt welcoming to Knight. It pressed no demands on him, while the world of actual human interactions was so complex. Conversations between people can move like tennis games, swift and unpredictable. There are constant subtle visual and verbal cues, there's innuendo, sarcasm, body language, tone. Everyone occasionally fumbles an encounter, a victim of social clumsiness. It's part of being human. To Knight, it all felt impossible. His engagement with the written word might have been the closest he could come to genuine human encounters. The stretch of days between thieving raids allowed him to tumble into the pages, and if he felt transported he could float in bookworld, undisturbed, for as long as he pleased.”

“He had been haunted his whole life by a mild case of claustrophobia—the vestige of a childhood incident he had never quite overcome. Langdon’s aversion to closed spaces was by no means debilitating, but it had always frustrated him. It manifested itself in subtle ways. He avoided enclosed sports like racquetball or squash, and he had gladly paid a small fortune for his airy, high-ceilinged Victorian home even though economical faculty housing was readily available. Langdon had often suspected his attraction to the art world as a young boy sprang from his love of museums’ wide open spaces.”

“I am at your mercy.” Matthias cracked one of his whips. “Get up and get in the house.” “As you wish.” Rose wrinkled his nose, picked a banana peel off his lap, and stood in the last faint beams of sunset. “Whoa!” “Is he wearing a leather cat suit?” “Holy Mother!" “Dude!” The guys all quickly averted their eyes and raised their hands to further block any chance of catching a view. Anything to not see Rose in his painted-on leather one-piece that left absolutely nothing to the imagination. Their reactions were pure entertainment. “Stunning, right?” Rose spread his palms as far as the cuffs would allow. “Oh, I’m stunned.” Ayden looked ill. Rose looked down at himself with admiration. “Not many males can pull off this look.” “No male can pull off that look.” “Actually, his finely sculptured physique would be considered the perfect complement for this type of anatomically revealing attire which accentuates his—” “Bloody hell, Jayden, shut it!” “Dude, this is so not right.” “I feel like it’s looking at me.” “Feel like what’s looking at—? Oh. Oh! Ugh, now I feel like it’s looking at me too.” “How can it be looking at both of us?” “Are you serious?” “I’m gonna be sick.” “Someone please gouge out my eyes.” “He might as well be naked.” “Already did that,” Rose said dryly and gave me a suggestive wink. “Ask Aurora.” “What!” Now the crowd had eyes on me. I frantically shook my head. “No, no, no. It’s not what you think. He was in the water with most,” my hands circled over my abdomen, “stuff covered.” “Most?” Ayden almost shrieked. The orange-red flames on his arms flashed blue-white.”

“All the mothers-in-law I have ever had were admirable. Yet the legend of the comic papers is profoundly true. It draws attention to the fact that it is much harder to be a nice mother-in-law than to be nice in any other conceivable relation of life. The caricatures have drawn the worst mother-in-law a monster, by way of expressing the fact that the best mother-in-law is a problem. The same is true of the perpetual jokes in comic papers about shrewish wives and henpecked husbands. It is all a frantic exaggeration, but it is an exaggeration of a truth; whereas all the modern mouthings about oppressed women are the exaggerations of a falsehood. If you read even the best of the intellectuals of to-day you will find them saying that in the mass of the democracy the woman is the chattel of her lord, like his bath or his bed. But if you read the comic literature of the democracy you will find that the lord hides under the bed to escape from the wrath of his chattel. This is not the fact, but it is much nearer the truth. Every man who is married knows quite well, not only that he does not regard his wife as a chattel, but that no man can conceivably ever have done so. The joke stands for an ultimate truth, and that is a subtle truth.”

“Yes, Jeeves?" The man had materialized on the carpet. Absolutely noiseless, as usual. "A note for you, sir." "A note for me, Jeeves?" "A note for you, sir." "From whom, Jeeves?" "From Miss Bassett, sir." "From whom, Jeeves?" "From Miss Bassett, sir." "From Miss Bassett, Jeeves?" "From Miss Bassett, sir." At this point, Aunt Dahlia begged us for heaven's sake to cut out the cross-talk vaudeville stuff. Always willing to oblige, I dismissed Jeeves with a nod, and he flickered for a moment and was gone.”

“Instead of showing visibly distinct alternate identities, the typical DID patient presents a polysymptomatic mixture of dissociative and posttraumatic stressdisorder (PTSD) symptoms that are embedded in a matrix of ostensibly non-trauma-related symptoms (e.g., depression, panic attacks, substance abuse,somatoform symptoms, eating-disordered symptoms). The prominence of these latter, highly familiar symptoms often leads clinicians to diagnose only these comorbid conditions. When this happens, the undiagnosed DID patient may undergo a long and frequently unsuccessful treatment for these other conditions. - Guidelines for Treating Dissociative Identity Disorder in Adults, Third Revision, p5”

“Mind yourself in that guardroom," Gilan told him. Thorn grinned cheerfully. He never had any stomach butterflies before a fight. "I plan to be subtle," he said. Gilan looked at him, his head tilted curiously. "How's that?" "Once we go through that door, I'll bash anything that moves. And if they don't move, Stig will bash them." "You have a strange concept of subtle," Gilan said. Thorn's grin grew wider, "So I've been told.”

“The biographies of great artists make it abundantly clear that the creative urge is often so imperious that it battens on their humanity and yokes everything to the service of the work, even at the cost of health and ordinary human happiness. The unborn work in the psyche of the artist is a force of nature that achieves its end either with tyrannical might or with the subtle cunning of nature herself, quite regardless of the personal fate of the man who is its vehicle.”

“Writers who get written about become self-conscious. They develop a regrettable habit of looking at themselves through the eyes of other people. They are no longer alone, they have an investment in critical praise, and they think they must protect it. This leads to a diffusion of effort. The writer watches himself as he works. He grows more subtle and he pays for it by loss of organic dash.”