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Flora Quotes

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Flora Quotes

“Aurora Rose looked back and forth among the three women, gladly distracted from the sad events by the puzzle before her. The fairies in real life had their own personalities, of course, despite their superficial similarities as ageless, chatty, loving aunt figures. Flora tended to try to lead and make decisions for them. Merryweather seemed to understand the basic workings of the world better, although she rarely acted on this knowledge and instead chose to comment snarkily on it. Sometimes she got sneaky and went behind Flora's back. Fauna was the one who hugged the princess the most and often acted as an intermediary between the other two. The green one, "Fauna," seemed more concerned with how Aurora Rose was feeling- how 'everyone' was feeling. She was the one who had been waiting outside the cottage for the prince and princess. Like she was the one who 'cared.' And the blue one- "Merryweather"- seemed 'incredibly' quick-minded and brilliant. And even snarkier. "Flora" was brave and powerful and ready to plunge into any physical combat. And not for nothing, she was built like a gladiator. They were 'all' acting like extreme versions of their real selves.”

“There can be no doubt that the existing Fauna and Flora is but the last term of a long series of equally numerous contemporary species, which have succeeded one another, by the slow and gradual substitution of species for species, in the vast interval of time which has elapsed between the deposition of the earliest fossiliferous strata and the present day.”

“The Foundry Man All day, every day; a head that pounds to the rhythm of beating hammers. Feet, numbed from the vibrations of heavy machinery, and skin that glows crimson from the blistering heat of the furnace. Sweat glistens on his furrowed brow, sweat that runs in rivulets to eyes already sore from black, putrid dust. This is the lot of the foundry man. Not for him fresh air, green fields, or the sun on his back. He has a heart of gold, strength of steel. He is a man of iron.”

“Much as I'd always enjoyed the balm of the plants and flowers, it had never occurred to me to aspire to work in here. I suppose I've been so single-mindedly committed to the animals, with their flesh-and-blood needs and their inescapable demands, that these other gentler living things have been obscured to me. I regret that now. There was always so much more than I have allowed myself to see.”

“Large-leafed plants at the edge of the jungle reflected the sun rather than soaking it up, their dark green surfaces sparkling white in the sunlight. Some of the smaller ones had literally low-hanging fruit, like jewels from a fairy tale. Behind them was an extremely inviting path into the jungle with giant white shells for stepping-stones. And rather than the muggy, disease-filled forests of books that seemed to kill so many explorers, here the air was cool and pleasant and not too moist- although Wendy could hear the distant tinkle of water splashing from a height. "Oh! Is that the Tonal Spring? Or Diamond Falls?" Wendy withered breathlessly. "Luna, let's go see!" She made herself not race ahead down the path, but moved at a leisurely, measured pace. Like an adventuress sure of herself but wary of her surroundings. (And yet, as she wouldn't realize until later, she hadn't thought to grab her stockings or shoes. Those got left in her hut without even a simple goodbye.) Everywhere she looked, Wendy found another wonder of Never Land, from the slow camosnails to the gently nodding heads of the fritillary lilies. She smiled, imagining John as he peered over his glasses and the snail faded away into the background in fear- or Michael getting his nose covered in honey-scented lily pollen as he enthusiastically sniffed the pretty flowers. The path continued, winding around a boulder into a delightful little clearing, sandy but padded here and there with tuffets of emerald green grass and clumps of purple orchids. It was like a desert island vacation of a perfect English meadow.”

“Scrubby evergreen bushes released a strong scent of resin and honey; forests of pine gave way to gentle south-facing vineyards disturbed only by the ululation of early summer cicadas. Sitting up tall on the seat, she craned around eagerly to see what plants thrived naturally. It was a wild and romantic place, Laurent de Fayols had written, the whole island once bought as a wedding gift to his wife by a man who had made his fortune in the silver mines of Mexico. One of three small specks in the Mediterranean known as the Golden Isles, after the oranges, lemons, and grapefruit that glowed like lamps in their citrus groves. There were few reference works in English that offered information beyond superficial facts about the island, and those she had managed to find were old. The best had been published in 1880, by a journalist called Adolphe Smith. Ellie had been struck by the loveliness of his "description of the most Southern Point of the French Riviera": 'The island is divided into seven ranges of small hills, and in the numerous valleys thus created are walks sheltered from every wind, where the umbrella pines throw their deep shade over the path and mingle their balsamic odor with the scent of the thyme, myrtle and the tamarisk.”

“The danger wasn’t over. Rolling her around so that she floated on her back, he swam her to shore. A much easier proposition than on the way out. Reaching the safety of the beach, he lifted her in his arms, wrenching her from the steel jaws of the sea that had tried to claim her. He carried her a few feet up the beach and set her down carefully, kneeling beside her. “Flora.” He shook her shoulders gently. “Wake up.” She looked so still. So horribly still. “Flora.” He shook her gently, his chest squeezing painfully. “Please wake up. I need you to wake up.” I need you. Her eyes fluttered again and then—blissfully—opened. And he found himself looking into the achingly familiar fathomless depths. He felt a rush of relief so strong, he could have wept. Instead he kissed her. He knew there wasn’t time, that he had to get her back, but he couldn’t help it. He needed to know that she was alive. His mouth covered hers in a searing kiss, as if he could warm the cold from her lips with the heat of his passion. He kissed her with a raw desperation born of fear. With all the intensity of the emotions she’d exposed inside him. He told her with his lips what he couldn’t admit to himself. In that one brief instant, he told her so much.”

“You are too kind.” Her voice dripped with sarcasm. “But what has marriage to offer me that I don’t already have?” There were many ways to answer that question, but having care for her innocence, Lachlan refrained from the blunt one. One glance at that beautiful face and lush body, and he need look no further for a reason why the lass should be wed: swiving. And lots of it.”

“How could she have reacted like that? She didn’t understand what had come over her. She’d felt his passion and her own. It made her anxious. On edge. For something. Something that made her skin prickle whenever he was in the room with her. Indeed, she found it difficult to concentrate when he was around. He was big and strong and smelled incredible. She wanted to curl up against his chest and never leave. She’d never had such strong urges. But then again, she’d never met a man who made her feel so protected simply by his solid presence and his confident command of everything around him. His strength was strangely soothing. She couldn’t remember a time in her life when she’d felt so…content.”

“The end result of the adoption of permaculture strategies in any country or region will be to dramatically reduce the area of the agricultural environment needed by the households and the settlements of people, and to release much of the landscape for the sole use of wildlife and for re-occupation by endemic flora.”

“The spleen is seldom felt where Flora reigns; The low'ring eye, the petulance, the frown, And sullen sadness, that o'ershade, distort, And mar the face of beauty, when no cause For such immeasurable woe appears; These Flora banishes, and gives the fair Sweet smiles, and bloom less transient than her own.”

“The virtuous to those mansions go Where pleasures unembitter'd flow, Where, leading up a jocund band, Vigor and Youth dance hand in hand, Whilst Zephyr, with harmonious gales, Pipes softest music through the vales, And Spring and Flora, gaily crown'd, With velvet carpet spread the ground; With livelier blush where roses bloom, And every shrub expires perfume.”

“Flora, always tall, had grown to be very broad too, and short of breath; but that was not much. Flora, whom he had left a lily, had become a peony; but that was not much. Flora, who had seemed enchanting in all she said and thought, was diffuse and silly. That was much. Flora, who had been spoiled and artless long ago, was determined to be spoiled and artless now. That was a fatal blow.”

“The desert floras shame us with their cheerful adaptations to the seasonal limitations. Their whole duty is to flower and fruit, and they do it hardly, or with tropical luxuriance, as the rain admits. ... One hopes the land may breed like qualities in her human offspring, not tritely to 'try,' but to do.”

“The old dead trees are the most fascinating - the countless trees lying in the gullies and up the hills that fell perhaps a century ago, pulling up their roots from the earth as they toppled. The great upheavals left rocks in their huge tentacles and, as they slowly rot, the trunks are home to populations of creatures, from goannas to wild pigs. As grey as tombstones in a cemetery they lie there, having outlasted generations of farmers, as they'll outlast me. In their own way they are as beautiful, more beautiful, than living trees.”

“When I was five, a tree was my best friend. An old peppercorn on Grandpa's little farm. I'd haul myself into its calloused arms and hide from the world in its foliage. Apart from the pleasure of looking down on unsuspecting adults, I could be Robin Hood in a one-tree Sherwood Forest or Johnny Weissmuller in his jungle. I fell out of my friend once while Tarzan-ing. Gashed a large chunk from a leg. Almost 70 years later, there's still a scar.”

“Later, in a different home, I befriended a eucalypt, using a resilient bough as a trampoline. Learning nothing from having plummeted from the peppercorn, I'd bounce happily in my haven in the heavens. I loved that tree - and fully understand why Heysen, Roberts, McCubbin and the rest devoted so much time and effort to painting arboreal portraits.”

“Patriotism at the expense of another nation is as wicked as racism at the expense of another race. . . Let us resolve to be patriots always, nationalists never. Let us love our country, but pledge allegiance to the earth and to the flora and fauna and human life that it supports - one planet indivisible, with clean air,... soil and water; with liberty, justice and peace for all.”

“I do remain optimistic that one day the world will realise that carbon dioxide is more of a friend than an enemy to the earth's flora and fauna, and I do seriously believe that, given the extraordinary complexity of the natural forces controlling our climate, which have done so for millions of years, the only sensible policy response to the natural process of climate change is prudent and cost-effective adaptation.”

“Whether that expansion is towards the beings around you or flora, fauna, and creatures. Love has so many unique yet consistent forms. People like Branson - he's an idea guru. Guys like Allan Savory - he's like Father Earth. Allan has literally discovered how to stop desertification and make Africa come alive with plant life. In each of its forms, love has an infinite scope of potential expansion, all of which I see leading to growth.”

“Mice and any rodentia. Guinea pigs. Even rabbits, I can't stand. Rabbits are cousins to rats. It's a class thing. If you had to grow up with rats scampering in your backyard, because the city services were cut in half and the population in your neighborhood doubled, then that also is going to mean that the flora and fauna are going to grow as well. So that's a part of it. That's why I can't go to Hindu countries where they respect rats and mice, and I can't go camping.”

“Dreams were the worst. Of course I dreamed of food and love, but they were pleasant rather than otherwise. But then I'd dream of things like slitting a baby's throat, mistaking it for a baby goat. I'd have nightmares of other islands stretching away from mine, infinities of islands, islands spawning islands, like frogs' eggs turning into polliwogs of islands, knowing that I had to live on each and every one, eventually, for ages, registering their flora, their fauna, their geography.”

“There is at the back of every artist’s mind something like a pattern and a type of architecture. The original quality in any man of imagination is imagery. It is a thing like the landscape of his dreams; the sort of world he would like to make or in which he would like to wander, the strange flora and fauna, his own secret planet, the sort of thing he likes to think about. This general atmosphere, and pattern or a structure of growth, governs all his creations, however varied.”