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Disneyland Quotes

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Disneyland Quotes

“For many, it's a once-in-a-lifetime, long dreamed-of and longed-saved-for trip. Pennies have been pinched and sacrifices made to make the vacation a reality. All Guests' wallets will be separated from a great deal of money, like trout expertly filleted, but it will be a curious;y painless experience, for all but a few, the trip will be transcendently and sublimely worth every sacrifice and penny.”

“On some level, with its carrousels and castle and cowboys, its mysterious jungle and its animated characters, Disneyland is a highly idealized elaboration of our childhoods. It can be seen as a portal through which we revisit (maybe even heal) our youth.”

“In a large sense, Main Street is the American origin story. It's an evocation of the American creation tale, and the kick is that the American origin story is a never-ending one, a perpetual tale of creation and re-creation, an eternal now.”

“Whence the possibility of an ideological analysis of Disneyland (L. Marin did it very well in Utopiques, jeux d'espace [Utopias, play of space]): digest of the American way of life, panegyric of American values, idealized transposition of a contradictory reality. Certainly. But this masks something else and this "ideological" blanket functions as a cover for a simulation of the third order: Disneyland exists in order to hide that it is the "real" country, all of "real" America that is Disneyland (a bit like prisons are there to hide that it is the social in its entirety, in its banal omnipresence, that is carceral). Disneyland is presented as imaginary in order to make us believe that the rest is real, whereas all of Los Angeles and the America that surrounds it are no longer real, but belong to the hyperreal order and to the order of simulation. It is no longer a question of a false representation of reality (ideology) but of concealing the fact that the real is no longer real, and thus of saving the reality principle.”

“There was something else amusing about the house: the irony that the most important battle of the American Revolution--the shoot-out at the Old North Bridge--had taken place just outside the residence of the pacifist Ralph Waldo Emerson. True, Emerson was born after the battle in 1803, but his grandfather had been living in the house at the time of the Revolution, and the juxtaposition of such pacifism against such violence struck Paul as a symbol of an eternal truth about American history: Nixon, that goofy Vietnam War mortician, was right: the silent majority ruled (not the rebellious, pacifist fringe); the majority killed for their property; and there was nothing really revolutionary about the minutemen , who won a war and took over the entire country to ultimately build fast-food restaurants and Disneyland while abolitionists, pacifists, hippies, and environmentalists were left to make well-intended flatulent noises--to write poems such as Ginsberg's "Howl"--in books for other defeated noisemakers.”

“Lo que Disney decidió hacer, y es parte de la forma única de Disney de hacer las cosas, fue hacer que todos estos trabajadores se sintieran parte de la familia Disney: hacerlos que se identificaran con Epcot, aun cuando en realidad no formaran parte de la organización Disney. Esto no se había hecho nunca antes. Así es como lo hicieron. Cerraron la obra un domingo al mes durante un año. Hay que tener en mente que se trataba del proyecto de construcción más grande del mundo y que se acercaba una fecha de entrega inamovible, por lo que cerrar la obra un día al mes era muy importante. Disney trajo varias carpas de circo y las colocó en lo que a la larga sería el estacionamiento de Epcot. El servicio de alimentación se encontraba en una de las tiendas. Cocinábamos hot dogs y hamburguesas, y servíamos Coca - Cola, papas fritas, todo eso. En otras palabras, celebrábamos un día de campo.”

“Far from representing a benign cultural force, Disney's theme parks offer prepackaged, sanitized versions of America's past, place a strong emphasis on the virtues of the individual as an essentially consuming subject, trans- form the work of production into the production of play, and ignore the exclusionary dynamics of class and race that permeate Disney culture.”

“Disney's theme parks function like the suburban mall, offering middle-class families an escape from crime, pollution, immigrants, the homeless, transportation problems, and work. Managed exoticism, safety, the packaged tour, and the fantasy of consumption cancel out diversity, innovation, imagination, and the uncharted excursion.”

“Then it would come time for Walt to tell his favorite joke: 'What's a four letter word for what's at the bottom of (his) bird cage?' Everyone would look at each other, wondering if Walt Disney was going to say 'that.' And just when the tension was getting thick, Walt the on-color jokester would say, 'Grit, Grit!”

“The archives acquired the original 1967 letter from then-California Governor Ronald Reagan, written to the postmaster general, suggesting that a stamp be issued for Walt Disney. Reagan wrote, "I hesitate to even mention California's pride in his vast accomplishments for fear of detracting from his true image as a world-renowned and world-beloved figure. There is no necessity for me to itemize his contributions to humanity; they can be summed up by simply saying that because of him the world is a richer, better place,”

“In this manner, the artificial microcosm of Loft Story [french version of Big Brother] is identical to Disneyland, which provides the illusion of the real external world, while if one looks deeper, one realizes they are one and the same. The entire United States is Disneyland and we are all on Loft Story. No need to enter into the idea of the virtual double of reality, we are already there - the televisual universe is nothing more than a holographic detail of global reality. All the way up to, and including, the most daily parts of our existence, we are already within a situation of experimental reality. And it is precisely from this that we have the fascination, by immersion, of spontaneous interactivity.[...]”

“Prisons exist to hide the fact that the entire system is a jail. Shopping malls conceal the reality that the whole of America is a shopping mall. America is a vast shop. It is not a nation. It does not exist these days to land men on the men and do “the difficult thing”. It exists to shop and do the easy thing. The purpose of America is to create maximum profits for the 1% who run America. Everything is designed to serve that end, and everyone goes along with it. One of the 1% is now the President. The middlemen – the politicians – have been cut out. America creates apparent perimeters around explicitly imaginary domains (such as Disneyland), but the truth is that reality no more exists outside the limits than inside the limits. The effect of the “imaginary” is to conceal the loss of the real. The more energy that America devotes to the imaginary – via Disney, Hollywood, “reality” TV (actually unreality TV), video games, virtual reality, social media, “fake news”, post-truth, and so on – the further the real recedes into the distance. Is it possible for America to return to the real now? Would it even know what the real was? How would it recognize it? America has become hyperreal. It’s not real at all. It is “more real than real” and also “less real than real”, the problem being that “more” and “less” would make sense only if there were a reality to serve as a comparison point. That’s exactly what is lacking.”

“Walt quería una casa embrujada, pero que no fuera un edificio que luciera en ruinas. Para el aspecto apropiado, se decidió por una mansión del sur. Dijo, "Nosotros cuidaremos el terreno y las cosas exteriores; los fantasmas pueden dedicarse al interior". Para ayudar a los fantasmas a mantener el aspecto arruinado de la Mansión Embrujada, Disney World compra un "polvo" especial a granel, y lo esparce con un irrigador de fertilizante. Desde que abrió el parque, han esparcido suficiente polvo para enterrar la mansión en su totalidad. (...) hay un grupo de tumbas fuera de la mansión. Los nombres que aparecen en las tumbas son los de los imagineros que ayudaron a crear la atracción.”

“Deep Fathom, this is NUMA. Our position is just south of the Magic Castle between Jungleland and the Pirates of the Caribbean." "Please repeat your position," came the voice of the flustered mercenary who had broken in on Pitt's call to Stucky. "What's this, a radio commercial for Disneyland?" Stucky's familiar voice popped over the speaker. "Well, well, the genuine article. What took you so long to answer, Stucky?" "I was listening to what my alter ego had to say. You guys landed in Chiclayo yet?" "We were sidetracked and decided to head home," said Pitt. "Is the skipper handy?" "He's on the bridge playing Captain Bligh, lashing the crew in an attempt to set a speed record. Another knot and our rivets will start falling out.”

“Science became important in this period because man, being set free from Orthodox tradition, turned his attention to the outer world. This attention to the outer world sometimes took forms which were notoriously pagan and immoral. But this worldly interest was also expressed in the rise of industry and capitalism and in the movement of exploration — discovery of America and so forth — these movements which were to change the face of the earth in future centuries. This one might speak of as the kind of leaven of worldliness which would penetrate the whole world and give the tone to today’s world which totally lacks the traditional Orthodox sense of the fear of God, and in fact is possessed by triviality. Protestantism is full of this tone which can be observed by looking at the behaviour of any Protestant minister to compare it with the behaviour of an Orthodox priest. The Catholic priest also has this same worldly tone, worldly spirit; and Orthodox priests who are losing the savour of Orthodoxy enter into this very same light-minded, jazzy, up-to-date feeling which is the influence of worldliness, which makes possible such a thing as Disneyland and those things which any sane person in the Middle Ages or the Renaissance and, above all, in traditional Christian civilization, would have regarded as some kind of madness.”

“...clearly Michael Eisner’s most glaring defect, the one quality more than any other that has caused him to leave behind a trail of deeply embittered former colleagues: his dishonesty. Considering the importance Eisner places on honesty in others—dating at least to the childhood incident in which he believes his mother lied about his bedtime—it is extraordinary that Eisner himself has been so reckless with the truth, in ways both large and small, to a degree that suggests he is at times incapable of distinguishing one from the other. Far more than just a personality quirk, Eisner’s tendency to distort, embellish, or forget the truth had direct and costly business consequences for Disney. More than any other single factor, what Steve Jobs and the Weinstein brothers considered Eisner’s dishonesty accounts for the failure of the important Pixar and Miramax relationships. Katzenberg was so angry and bitter—and willing to sue—because he believed he was lied to and felt betrayed.”

“People who go to Disney who have magic in themselves experience magic there, just as people who go to the grocery store who have magic in themselves experience magic at the grocery store. The principle is simple: fun, joy, and happiness, are something we bring to life, not something life, circumstance, or situation bring to us. There are truly no magic kingdoms, only magic people. Fun, joy and happiness are choices, orientations, approaches, attitudes, a way of living in the world, not the world itself...”

“The Missouri of his childhood was theoretically the inspiration for Main Street, U.S.A., though only in its halcyon summer vacation months and stripped of any dismal memories: no blizzards, no doctor's office, and no school-house. Almost no one has a dismal experience in Walt Disney's America, as a matter of fact, at least not that Walt noticed.”

“Fantasyland was designed as a home for some of the classic characters [from those films], and as a symbol of the magic, hope and beauty of the human imagination.”

“According to Zagat Disneyland Insider's Guide (2010), the Candy Palace is the fifth most popular store in the entire resort, and the third most popular in the park. Perhaps one reason is the shop's intoxicating candy scent; it vents onto Main Street, an elixir of vanilla and molten chocolate that entices Guests to enter the premises and then entices then to remain. pouring over the bins, shelves, and racks of traditional and unique candies.”

“Eventually I would learn that the enchanting tree was one of the resort's signatures, one of those subtle delightful touches that resonate on poetic, artistic, and even spiritual frequencies.”

“Disneyland was one perfect answer. It provided, an almost sacred space where it is permissible and safe to let one's guard down, take a risk, rediscover imagination, have fun, express emotion, play and deepen family ties. This is powerful stuff even today, in our nation of workaholics and two-working-parent households, and it was certainly powerful in the anxious 1950's.”

“It's whatever you make of it, whatever you want to take away. Because like all of the best virtual realities, Disneyland interacts with its visitors. It becomes what we seek, and we contribute. Disneyland can be as simple as a fun place to spend a couple of hours. Ride a roller coaster. Wave to Mickey. Eat an ice cream cone. Watch a parade. And Disneyland can be deeply important, as sacred, as the irreplaceable home of our deepest values and dreams, everything that's best, bright and beautiful in the human spirit. As always,Walt said it best 'Disneyland is a work of love.”

“It can be argued that the history of the United States is an uninterrupted cavalcade of such transformative moments. Walt was a devotee of the eternal process of becoming, one of the creative American geniuses that continually advanced our art and technology while preserving so much of our past. As usual, with the panoramic view from the riverboat landing, Disneyland gets both the overall patterns and the tiny details of this eternal magic moment just right.”

“It's not a real place, or a place that you can stay for long; it's a somewhere-over-the-rainbow archetype but rooted in genuine emotions. No matter what Guests' care might be, when they step onto Main Street they enter an evocation of the ideal home town. This is, in a sense, the 'home' to which Dorothy Gale wanted to return. Main Street welcomes all Guests with warmth as comforting today as it was to the post-war society of the 1950's for which it was originally created.”

“Walt also had a humorous sign posted outside the mansion, recruiting ghosts who wanted to enjoy 'active retirement' in the "country club atmosphere' of this 'fashionable address'. Interested ghosts were to write to the 'Ghost Relations Dept. Disneyland,' and were told,'Do not apply in person.”

“It wasn’t a party that a Republican could understand--the marijuana smoke sweet on the air, the occasional cocaine sniffle, cold Mexican beer, good food, great conversation, and laughter--but a Parisian deconstructionist scholar might find it about as civilized as America gets. Or at least the one I met, who was visiting at UTEP, maintained. Somewhere along the way, he claimed, Americans had forgotten how to have a good time. In the name of good health, good taste, and political correctness from both sides of the spectrum, we were being taught how to behave. America was becoming a theme park, not as in entertainment, but as in a fascist Disneyland.”

“While we took the children off to Disneyland. A visit to this magical kingdom should be a compulsory part of being an American---who else on earth would put so much ingenuity into simply having fun? The rides were fabulous: a real life pirate ship with real life pirates; a roller coaster that tppk you inside the Matterhorn (that was my favourite); and the Haunted House, with its flickering lights and a moving floor. By the end of the day, our feet were aching and our voices were hoarse, but it was well worth it. We all had a tremendous time !”