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Fairytales Quotes

Browse 106 quotes about Fairytales.

Fairytales Quotes

“If you want to be a good parent then be a great leader. You should live a life with passion for someone and something. The legacy you leave your children shouldn't be how you suffered in gratitude for a life you had no passion for. Rather, it should be how grateful you are to a God that believes fairytales can come true because they came true for you.”

“But in her head, she believed what Einstein had suggested. The enigma of The Universe itself was answered in mathematics. Mushing was all about timing. It was about the rhythm of dog and man - synchronicity of movement, elegance. And sometimes, the movement of her bow across the strings of her violin reminded her of the swish and glide of the runners on a sled ride in the snow.”

“I'm sure there's some hexplanation. Within every beast there's always some beauty! It's not fair to assume that anyone is bad before we all know the facts. Maybe it's just a misunderstanding and there is no bad beast at The End of this story. But the only way we're ever-after going to find out is by getting to the bottom of this!”

“How can any of us even know what to believe anymore? Our culture’s full of so much phoniness and deception. Companies advertise products to make us believe that we will be more beautiful, more healthy, or live longer by consuming their products. We are seduced by lovers who feed their porn addictions when we’re asleep. We’re taught to believe that if we work hard and take risks, that we can achieve our dreams, yet youth unemployment is the highest it’s been in decades. Fairytales tell us that true love exists, but half of all marriages end in divorce.”

“Who gets to be the judge of reality? If it was deeply felt, believed, spoken about often or altered your life course, then it was real enough. Faith doesn't get the luxury of all those things one hundred percent of the time, but we call that normal behavior based on a gut feeling.” I said. I looked at his wife and she busted out laughing. Her husband was trying to catch invisible butterflies above his head—dementia. My patients teach me the most sobering of truths: Why wreck his smile. If I could see them, I would want to catch them too.”

“It wasn’t like this in the stories. In the old tales, when a young man went forth to have adventures, he endured his trials and came forth triumphant. He became a leader, or acquired a magical skill, or at the very least wed a princess. Maybe all three. There was never any question, not even in the darkest moment, that the hero would conquer both his enemies and his self-doubt. Perhaps that was why I had been angry with Simon, because I wanted the ending of his story to be the good one he deserved.”

“The Prodigal Son They gave the deep end of their heart--a hue of crimson red, They whispered their desire and offered up their bed, Yet he prayed for the spirit in the wind and God’s mysteries to find, And in the end it was her transparent heart that stole his restless mind, It really was no contest, not a question or even a doubt, But that is not where love ends or even what true love is all about, You see there was one other that rose above the rest, She was not like these women but still she was God’s very best, So the moral goes: A child answered the call to this man's wandering heart, And that is how the story ends you see... she became his favorite part, And what happened to the virtuous woman who put his mind in hell, She became the whisper in his music and a mystery to tell.”

“You grew up soft. Your tender heart would nurse a frightened field mouse rescued from a trap. Would make a splint. You'd try to help but always it would die. You gave them names. You were a friendless child, a barrel-chested, sturdy little thing who played alone. You grew up soft, but still you learned to hide it. Piece by piece. The world's not built for soft and sturdy things. It likes its soft things small and white, defenceless. Princesses in castles. Maidens waiting for the perfect sword. You grew up soft, and piece by wounded piece you built a carapace around your body. Humans are peculiar little things.”

“If fairy-story as a kind is worth reading at all it is worthy to be written for and read by adults. They will, of course, put more in and get more out than children can. Then, as a branch of a genuine art, children may hope to get fairy-stories fit for them to read and yet within their measure; as they may hope to get suitable introductions to poetry, history, and the sciences. Though it may be better for them to read some things, especially fairy-stories, that are beyond their measure rather than short of it. Their books like their clothes should allow for growth, and their books at any rate should encourage it.”

“The evil stepmother is a fixture in European fairy tales because the stepmother was very much a fixture in early European society–mortality in childbirth was very high, and it wasn’t unusual for a father to suddenly find himself alone with multiple mouths to feed. So he remarried and brought another woman into the house, and eventually they had yet more children, thus changing the power dynamics of inheritance in the household in a way that had very little to do with inherent, archetypal evil and everything to do with social expectation and pressure. What was a woman to do when she remarried into a family and had to act as mother to her husband’s children as well as her own, in a time when economic prosperity was a magical dream for most? Would she think of killing her husband’s children so that her own children might therefore inherit and thrive? [...] Perhaps. Perhaps not. But the fear that stepmothers (or stepfathers) might do this kind of thing was very real, and it was that fear–fed by the socioeconomic pressures felt by the growing urban class–that fed the stories. We see this also with the stories passed around in France–fairies who swoop in to save the day when women themselves can’t do so; romantic tales of young girls who marry beasts as a balm to those young ladies facing arranged marriages to older, distant dukes. We see this with the removal of fairies and insertion of religion into the German tales. Fairy tales, in short, are not created in a vacuum. As with all stories, they change and bend both with and in response to culture.”

“Fairytales teach children that the world is fraught with danger, including life-threatening danger; but by being clever (always), honest (as a rule, but with common-sense exceptions), courteous (especially to the elderly, no matter their apparent social station), and kind (to anyone in obvious need), even a child can succeed where those who seem more qualified have failed. And this precisely what children most need to hear. To let them go on believing that the world is safe, that they will be provided for and achieve worthwhile things even if they remain stupid, shirk integrity, despise courtesy, and act only from self-interest, that they ought to rely on those stronger, smarter, and more able to solve their problems, would be the gravest disservice: to them, and to society as a whole. -On the Supposed Unsuitability of Fairytales for Children”

“Like most children, Nicholas had loved myths and fairy tales, but unlike most children he'd never seen himself in the plucky heroes and heroines who spat jewels from blessed mouths or spun wheat into gold or stumbled across magic beans, magic lamps, magic geese. His place was outside the stories, where someone, he imagined, was writing all the spells that made the magic possible. So he'd based many of his early, experimental books on the tales he enjoyed: an enchantment for a harp that made all who heard it weep; a spell to steal a person's voice and hide it in a seashell.”

“The dreams of childhood—its airy fables; its graceful, beautiful, humane, impossible adornments of the world beyond: so good to be believed-in once, so good to be remembered when outgrown, for the least among them rises to the stature of a great Charity in the heart, suffering the little children to come into the midst of it, and to keep with their pure hands a garden in the stony ways of this world”

“Fairytales by nature only talk about the victors. The survivors. Nobody speaks about what happens to those who failed, except in the abstract: as cautionary tales to guide others onto the path to success. How many brave knights fell to the dragon before he was slayed by the noble prince? How many children burned to a crisp and eaten before the wicked witch received her due? These stories are lost, but the lesson behind them is not: it is not enough to be merely pure and good.”

“Caring for dogs teaches kids observation skills, empathy and a sense of responsibility. Taking part in sport helps children cultivate physical strength, mental and physical resilience, self-esteem, delayed gratification, patience, courage, independence, leadership skills, good judgement and decision making, collaboration skills and a passion for teamwork. I have long held the belief that sport is worthwhile, and something that is often underestimated in the individual and team values it fosters. Who ever said that sporty types - girls included - do not like a fairy tale? Sport can be the beginning of a journey where children discover that they - and their team - whether dogs or humans, can create and fulfil their passions and their dreams”

“Happily Single" is recognizing that you don’t need or want to be rescued from your life by a handsome prince because your life is pretty awesome, as is.”

“La vecchiaia femminile nella fiabe è un posto dove nessuna vuole andare. In questo tipo di racconto le donne più anziane, che hanno perso la freschezza di un tempo, sono spesso crudeli e invidiose verso le fanciulle, ancora avvenenti in un mondo dove attirare lo sguardo degli uomini è la massima ambizione per ogni creatura di sesso femminile. La vecchiaia delle donne non è saggia né desiderabile, ma rancorosa e sulla difensiva di fronte alla gioventù altrui. La hellezza e la gioventù vanno in parallelo: la protagonista è sempre incantevole, le donne che la odiano sono brutte e la detestano per questo. La leggenda nera delle donne che sarebbero le peggiori nemiche delle donne si fonda su questi due assunti, ma in realtà ci dice pochissimo delle donne e moltissimo degli uomini che cosí le hanno concepite. Gli autori della fiaba erano infatti maschi e, poiché sono loro a volere per sé belle fanciulle, suppongono che anche le donne non desiderino che soddisfare tale desiderio.”