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Enchantment Quotes

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Enchantment Quotes

“From the moment I first heard the sound of your voice, my heart took control and was captivated by every vibration. A spark of this fire must have always been within me. Each of your actions only increases my desire for more of you and forces me to crave your presence even more. It is the sound of a lover's voice that I so desperately long for, not the memories of a love that is no longer mine.”

“Though he [Levin] had imagined his ideas about family life to be most exact, he, like all men, had involuntarily pictured it to himself as merely the enjoyment of love––which nothing should be allowed to hinder and from which one should not be distracted even by petty cares. He should, he thought, do his work, and rest from it in the joys of love. She should be loved––and that was all. But, like all men, he forgot that she too must work; and was surprised how she, the poetic, charming Kitty, could, during the very first weeks and even in the first days of married life, think, remember, and fuss about table-cloths, furniture, spare-room mattresses, a tray, the cook, the dinner, and so forth.”

“Did all the answers lie beyond the open door? Is the future beyond the open door? For after all, why could this not become, in spite of everything, a mere chapter of her life, marked off and seldom reread, once she had returned to the outside world where she had been kept all these years, quite beyond the spells and enchantments that were now claiming her? Oh, but it wasn't going to be. Because when you fell prey to a spell this strong, you were never the same.”

“I shall be your poet! I do not want to be a poet for others; make your appearance, and I shall be your poet. I shall eat my own poem, and that will be my food. Or do you find me unworthy? Just as a temple dancer dances to the honor of the god Gudutl, so I have consecrated myself to your service; light, thinly clad, limber, unarmed, I renounce everything. I own nothing; I desire to own nothing; I love nothing; I have nothing to lose-but have I not thereby become more worthy of you, you who long ago must have been tired of depriving people of what they love, tired of their craven sniveling and craven pleading. Surprise me-I am ready”

“As Aristocleia raised her cup to toast Xanthippus, her gown slipped from her shoulders, exquisite as Aphrodite’s, and flowed like the water that slid over her naked breasts when she allowed him to watch her bathe. It was wonderful to possess a gem of a woman. It made a man feel beautiful and godlike himself, briefly.”

“Roses, roses! An interminable chain of these royal blossoms, red and white, wreathed by the radiant fingers of small rainbow-winged creatures as airy as moonlight mist, as delicate as thistledown! They cluster round me with smiling faces and eager eyes; they place the end of their rose-garland in my hand, and whisper, "FOLLOW!" Gladly I obey, and hasten onward. Guiding myself by the fragrant chain I hold, I pass through a labyrinth of trees, whose luxuriant branches quiver with the flight and song of birds. Then comes a sound of waters; the riotous rushing of a torrent unchecked, that leaps sheer down from rocks a thousand feet high, thundering forth the praise of its own beauty as it tosses in the air triumphant crowns of silver spray. How the living diamonds within it shift, and change, and sparkle! Fain would I linger to watch this magnificence; but the coil of roses still unwinds before me, and the fairy voices still cry, "FOLLOW!" I press on. The trees grow thicker; the songs of the birds cease; the light around me grows pale and subdued. In the far distance I see a golden crescent that seems suspended by some invisible thread in the air. Is it the young moon? No; for as I gaze it breaks apart into a thousand points of vivid light like wandering stars. These meet; they blaze into letters of fire. I strain my dazzled eyes to spell out their meaning. They form one word—HELIOBAS. I read it. I utter it aloud. The rose-chain breaks at my feet, and disappears. The fairy voices die away on my ear. There is utter silence, utter darkness,—save where that one NAME writes itself in burning gold on the blackness of the heavens.”

“When nature no longer enchants us, we must face disenchantment, the sense that the world has lost its wonder. If we suffer from the loss of authentic experience, it is because beauty has been commodified or simulated, and the sublime has become unreachable. (“Absence of Beauty is like Hell“ ).”

“Enchantment came so easily to me as a child, but I wrongly thought it was small, parochial, a shameful thing to be put away in the rush towards adulthood. Now I wonder how I can find it again. It turns out that it had nothing to do with beauty after all--not in any grand objective sense. I think instead that when I was young, it came from a deep engagement with the world around me, the particular quality of experience that accompanies close attention, the sense of contact that emerges from noticing. I worked hard to suppress all those things. I thought it was what I had to do in order to grow up. It took years of work, years of careful forgetting. I never realised what I was losing. But enchantment cannot be destroyed. It waits patiently for us to remember that we need it. And now when I start to look for it, there it is: pale, intermittent, waiting patiently for my return. The sudden catch of sunlight behind stained glass. The glint of gold in the silt of a stream. The words that whisper through the leaves.”

“In fact I think I prefer a strange tangle of both, an idea with porous boundaries that keeps me guessing. We are not offered any definite conclusions, only the continuing quest. Certainties harden us, and eventually we come to defend them as if the world can't contain a multiplicity of views. We are better off staying soft. It gives us room to grow and absorb, to make space for all the other glorious notions that will keep coming at us across a lifetime.”

“Yes, he knew it was crazy to be this obsessed over an encounter that had taken up maybe sixty seconds of his life. (Or had it been an hour and sixty seconds?) But what an encounter. His fingers still felt the bones and flesh through her sweater, his tongue still tasted her mysterious bitter-greens mouth, her voice still haunted him with that whispered 'Help me.”

“Kate’s eyes grow dim as the past envelops her, pulling her into the silent black void of the desolate mother and her winged emissaries.  Rustling their feathers, the ever-vigilant ravens sink their claws into the deepest recesses of her mind as they seek control of her consciousness.”

“Natural selection,” in the Darwinian sense, could not explain the miraculous coincidence of imitative aspect and imitative behavior, nor could one appeal to the theory of “the struggle for life” when a protective device was carried to a point of mimetic subtlety, exuberance, and luxury far in excess of a predator’s power of appreciation. I discovered in nature the nonutilitarian delights that I sought in art. Both were a form of magic, both were a game of intricate enchantment and deception.”

“Without knowing why or how, I found myself in love with this strange Wanderess. Maybe I was just in love with the dream she was selling me: a life of destiny and fate; as my own life up until we met had been so void of enchantment. Those things: mystery, fate, enchantment... they are things that young people offer us as soon as we get close to them. And if we're not careful, we can be seduced by, and drawn back into, the youthful world they preside over.”

“Schon als Kind war er von recht massiver Körperlichkeit gewesen, in die er sich zurückzuziehen pflegte wie in einen Bunker, da war nichts zu bewegen und nichts zu erschüttern, und aus seinen Kinderaugen sprach Ablehnung. Seine Schulkameraden fürchteten ihn, weil er sofort zuschlug, er ließ sich nicht auf Diskussionen ein, sondern pflanzte dem Kontrahenten ohne Vorwarnung die Faust gezielt auf die Nase. Nur vor den hübschen Mädchen, vor denen fürchtete er sich. Er wusste von Kindesbeinen an, dass sie sich Zutritt verschaffen konnten in sein Innerstes, in das Herz aller Dinge, einfach so, ohne jede Anstrengung, und dass sie dort schlimme Dinge taten, ohne Gewissen und ohne Mitleid. Sie quälten und verletzten und töteten, mit einem Blick, und er begriff nicht, wie sie das machten. Er dachte an Zauberei. Er sah auch, dass sie über manche Jungs diese Macht nicht hatten, und denen unterwarfen sie sich, denen rannten sie nach, von denen ließen sie sich benutzen. Er sah das und begriff auch das nicht. Es hat etwas mit Liebe zu tun, dachte er. Wer sie liebt, den verletzen und demütigen sie. Wer sie verachtet, von dem lassen sie sich benutzen als Klopapier. Wer sie liebt, ernsthaft liebt, dem verweigern sie sich. Wer sie verachtet, bekommt eine ganze Sammlung von ihnen. Du liebst eine Frau? Liebst sie wirklich? Damit lädst du sie ein, dir das Herz zu brechen. Und sie wird der Einladung folgen. Die Versuchung ist einfach zu groß. Er liebt mich, er ist schwach, denkt sie voller Verachtung. Sowas muss man zertreten. Wonach du dich am meisten sehnst, das bekommst du nicht. Was du verachtest, wirft sich dir zu Füßen. Er sah das, und verstand es nicht.”

“The mountains I saw through the break in the fog were familiar, and yet something was off about them. They seemed too dark, somehow, and the nearest was riddled with hollows where tiny lights glimmered. The fog shifted again, and I was gazing at a luxuriant rose garden. The flowers were fat and healthy, but the garden itself was overgrown and had the air of abandonment, the rosebushes almost swallowing their trellises, some of which had collapsed. A little wind blew back the heads of the nearest roses, and I felt as if they were turning to gaze at me.”

“Some are condemned to remain mere “clock and smart phone watchers”, inasmuch as they are not able to read and interpret the lines of their life or don't even treasure the enchantment of daily captivating moments. If we are not prepared to give some personal time to social time, we walk like blind men through gloomy alleys of our existence. ( " Please. Just a bit of a chat " )”

“In short, in contrast to the magician - who is still hidden in the medical practitioner – the surgeon at the decisive moment abstains from facing the patient man to man; rather, it is through the operation that he penetrates into him. Magician and surgeon compare to painter and cameraman. The painter maintains in his work a natural distance from reality, the cameraman penetrates deeply into its web. There is a tremendous difference between the pictures they obtain. That of the painter is a total one, that of the cameraman consists of multiple fragments which are assembled under a new law. Thus, for contemporary man the representation of reality by the film is incomparably more significant than that of the painter, since it offers, precisely because of the thoroughgoing permeation of reality with mechanical equipment, an aspect of reality which is free of all equipment. And that is what one is entitled to ask from a work of art.”